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Views from the Choir Loft

The Power of Sacred Music

Andrew Leung · September 15, 2016

CTL The Power of Sacred Music ISITING THE SICK is a very important part of the ministry of a Catholic priest. Last Sunday, I visited the hospital with the bishop and seminarians of Macau. Fr. Law, a priest who was in the hospital for three weeks, is 83 years old and has been sick for 18 years. Fr. Law is a church historian and the dean of the cathedral chapter (canons, which, by the way, can only be found in two places in Asia: the Diocese of Macau and the Archdiocese of Manila).

We were told, before our visit, that Fr. Law wasn’t doing too well, he was loosing his memory and his mind was clouded. But that was not the case when we get to the hospital, he was awake and he recognized the bishop right away. He was very happy to see us and welcomed us with his beautiful smile. After a little bit of chatting, the bishop suggested that we, the seminarians, sing Salve Regina for him. Fr. Law was very excited about the singing and started to make the Sign of the Cross so that we can begin our prayer to the Blessed Virgin together.

The miracle happened after the Salve Regina. Fr. Law’s memory came back suddenly and he started to tell stories and sing pieces of music that he used to taught in the seminary. He was the Gregorian chant and choral instructor at St. Joseph Seminary in Macau. Once we started singing in the hospital room, we couldn’t stop singing. We sang Ecce Sacerdos in the presence of the bishop, how appropriate is that! When we got to Cesar Franck’s Panis Angelicus, father even started singing in harmonies.

I don’t usually post stories like this one on the blog, but I think this amazing experience is worth sharing. This experience of mine proved that true sacred music brings hope and joy to the sufferings. This story shows how music can be connected deeply with our minds and souls. Fr. Law was discharged from the hospital two days later and his mind was cleared up after singing with us.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski
    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Place the missal in the hand of the faithful so that they may take part more easily and more fruitfully in the Mass; and that they faithful, united with the priest, may pray together in the very words and sentiments of the Church.”

— Ven. Pope Pius XII

Recent Posts

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  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”

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