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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Power of Wordless Presence

Richard J. Clark · September 2, 2016

ECENT GOSPEL passages have contained an interesting exhortation—one somewhat outwardly uncharacteristic of Jesus himself. Jesus tells a parable of the difficulty of passing through the narrow gate. When those knocking on the door, asking to be let in, not once, but twice, the master of house says, “I do not know where you are from…”

A few days later, the Gospel contains Jesus’ parable about the ten wise virgins. Again, they knock on the door asking to be let in. The bridegroom replies in nearly the same fashion, “…I do not know you…”

While each parable has a larger lesson—one of humility and the other of readiness—there is an beckoning to “know” the Lord.

Knowing another human being requires an investment of time and an investment of oneself. I suppose “knowing” God is quite similar. The masters in these stories are unlike Jesus in that we are told over and over in scripture that the Lord knows our every need and has known us before we were born. Psalm 139: “Your eyes saw me unformed; in your book all are written down; my days were shaped, before one came to be.”

This is the value of simply being in the presence of God or of one of his children. Our our pastoral roles, this is much harder work than dealing with the music alone!

Many of us are gearing up our choir programs at this time. There has likely been an enormous amount of planning that has taken place during the summer. We are getting into “recruitment mode.” There is no end to preparations and implementation.

Yet if we do not invest of ourselves time to “know” the Lord, our work may be for our own glorification rather than for God’s. (I write this as a reminder to myself.)

Each year, I am astounded to learn something new about a choir member or parishioner. These are people that I thought I knew well. It often involves a unique cross that individual is carrying. It changes my perspective, and hopefully more towards mindfulness of greater mercy. This only came about while being “present” to know the person.

Likewise, spending time with music—even over a period of years—allows that music to take hold in our hearts, and not just in our minds and voices. Such presence, such being, lends to service of others. This is the value of rehearsal.

Finally, my happiest times with my children are probably times in which I am simply present for them. I try to do this because my parents—and my father—took time to be simply present with me, especially at stages of difficulty.

No words were shared. Just presence. I remember these times, and I hope my children remember them too. Do this with others in our pastoral work, and the impact may be beyond something we will ever know.

If we know God, he knows us. Remember this, even if swamped with work and obligations. Remember the power of accompanying others in their struggles. Remember the power of wordless presence.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“The liturgy needed reform by 1965; there was no call for dismantling it. It was intended that the vernacular would enhance the Latin, not supplant it. It was not, emphatically, the mind of the Council Fathers to jettison Gregorian Chant, or to encourage the banal secularization of Church music, so as now to surpass in crudity the worst aberrations of the Howling Pentecostals.”

— Most Rev’d Robert J. Dwyer, Archbishop of Portland (9 July 1971)

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