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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Has Our Catholic Culture Been Completely Dismantled?

Dr. Alfred Calabrese · August 31, 2016

160 Calabrese RECENTLY watched a two-part special on JFK that focused on his early political campaigns through to his presidency. My wife and I noted that his speech, and that of his colleagues and opponents, was nothing like the political discourse of today. Their words were almost always refined and elegant. They were masters of the language. It was beautiful to hear, and it was inspiring. Kennedy’s speeches in particular, with phrases such as “ask not what your country can do for you, ask what you can do for your country,” or “sending a man to the moon and returning him safely to the earth, not because it is easy but because it is hard” and “we must never forget that art is not a form of propaganda; it is a form of truth” were important because they assumed that most listeners would understand that striving for excellence is important and that not everything should be so watered down as to be easy or require no effort.

Kennedy (no matter what you think of his politics) spoke in a way that befitted his office. His speech had a cadence and rhythm that made it elevated and aspirational. Further, his wife beautified the White House so that all would recognize it as an almost ‘sacred’ place, worthy of only the best our culture had to offer. She invited the most important musicians and artists to perform there, not because it was her preference, but because it showed that a great country should support and sustain its culture. The use of language, the promotion of beauty, and the aspirational speech galvanized the people of the nation. A bar was raised that made the people proud of their country, aware of their rich cultural heritage, and helped all to appreciate excellence. Today, many would say that we no longer care about excellence, art, beauty, and a sense of the sacred; that we no longer know how to use elevated and respectful speech; and that we have squandered the pride of our rich cultural heritage. Many would say that our country has suffered greatly for these losses.

Our Church has lost many of the same things.

Our Catholic aspirations are much higher than even those of a great nation. Our aspiration is to get to heaven—period. Many people who will read this article have already experienced these losses. They know about the climate and discourse in so many of our parishes and on the internet. Still others will never have known about our rich cultural heritage except by attending a symposium or seminar.

So here is the question: has the kind of speech that has been foisted on the liturgy under the guise of ‘contemporary’ music, and has the loss of great art and architecture, the dismissal of a refined and elegant language, and the lack of aspirational speech focused on excellence led to a dismantling of our Catholic culture?

Excellence, beauty, elegant speech, lofty ideas. Where can these be found? What is our Catholic culture? Perhaps excellence and beauty can be found in the sacred music of chant and polyphony, which the Church tells us should hold pride of place in our liturgies. Perhaps elevated and inspirational language can be found in the sung dialogues of the priest and people, and in the newly refined Collects of the Roman Missal. Perhaps a sense of the sacred can be revived in the way the priests, deacons, and servers might comport themselves during Mass. Perhaps our culture can be saved by allowing people to once again experience the wonder of traditional vestments, by adorning our churches with beautiful art, by building new churches with architecture worthy of a sacred place, and by singing chant and sacred polyphony on a regular basis. Perhaps the 50-year experiment of singing “songs” with words about us, instead of sacred words about God, has led us to lose our focus. Perhaps.

“We must never forget that art is not a form of propaganda; it is a form of truth.”

Perhaps this is about truth.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski
    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“The chants of the Proper of the Mass—that is, the Introit, Gradual, Offertory, Communion—in sung Masses may be chanted in the vernacular to melodies legitimately approved.”

— Statement (20 April 1964) by the Consilium, the group Paul VI put in charge of inventing the New Mass

Recent Posts

  • Music List • (Easter Sunday, 2026)
  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”

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