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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Has Our Catholic Culture Been Completely Dismantled?

Dr. Alfred Calabrese · August 31, 2016

160 Calabrese RECENTLY watched a two-part special on JFK that focused on his early political campaigns through to his presidency. My wife and I noted that his speech, and that of his colleagues and opponents, was nothing like the political discourse of today. Their words were almost always refined and elegant. They were masters of the language. It was beautiful to hear, and it was inspiring. Kennedy’s speeches in particular, with phrases such as “ask not what your country can do for you, ask what you can do for your country,” or “sending a man to the moon and returning him safely to the earth, not because it is easy but because it is hard” and “we must never forget that art is not a form of propaganda; it is a form of truth” were important because they assumed that most listeners would understand that striving for excellence is important and that not everything should be so watered down as to be easy or require no effort.

Kennedy (no matter what you think of his politics) spoke in a way that befitted his office. His speech had a cadence and rhythm that made it elevated and aspirational. Further, his wife beautified the White House so that all would recognize it as an almost ‘sacred’ place, worthy of only the best our culture had to offer. She invited the most important musicians and artists to perform there, not because it was her preference, but because it showed that a great country should support and sustain its culture. The use of language, the promotion of beauty, and the aspirational speech galvanized the people of the nation. A bar was raised that made the people proud of their country, aware of their rich cultural heritage, and helped all to appreciate excellence. Today, many would say that we no longer care about excellence, art, beauty, and a sense of the sacred; that we no longer know how to use elevated and respectful speech; and that we have squandered the pride of our rich cultural heritage. Many would say that our country has suffered greatly for these losses.

Our Church has lost many of the same things.

Our Catholic aspirations are much higher than even those of a great nation. Our aspiration is to get to heaven—period. Many people who will read this article have already experienced these losses. They know about the climate and discourse in so many of our parishes and on the internet. Still others will never have known about our rich cultural heritage except by attending a symposium or seminar.

So here is the question: has the kind of speech that has been foisted on the liturgy under the guise of ‘contemporary’ music, and has the loss of great art and architecture, the dismissal of a refined and elegant language, and the lack of aspirational speech focused on excellence led to a dismantling of our Catholic culture?

Excellence, beauty, elegant speech, lofty ideas. Where can these be found? What is our Catholic culture? Perhaps excellence and beauty can be found in the sacred music of chant and polyphony, which the Church tells us should hold pride of place in our liturgies. Perhaps elevated and inspirational language can be found in the sung dialogues of the priest and people, and in the newly refined Collects of the Roman Missal. Perhaps a sense of the sacred can be revived in the way the priests, deacons, and servers might comport themselves during Mass. Perhaps our culture can be saved by allowing people to once again experience the wonder of traditional vestments, by adorning our churches with beautiful art, by building new churches with architecture worthy of a sacred place, and by singing chant and sacred polyphony on a regular basis. Perhaps the 50-year experiment of singing “songs” with words about us, instead of sacred words about God, has led us to lose our focus. Perhaps.

“We must never forget that art is not a form of propaganda; it is a form of truth.”

Perhaps this is about truth.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“When we force a boy to be a mediocrity in a dozen subjects we destroy his standards, perhaps for life.”

— C. S. Lewis

Recent Posts

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  • Funeral Music “Template” • For Families
  • “To Cover Sin With Smooth Names”
  • Heretical Hymns

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