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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Has Our Catholic Culture Been Completely Dismantled?

Dr. Alfred Calabrese · August 31, 2016

160 Calabrese RECENTLY watched a two-part special on JFK that focused on his early political campaigns through to his presidency. My wife and I noted that his speech, and that of his colleagues and opponents, was nothing like the political discourse of today. Their words were almost always refined and elegant. They were masters of the language. It was beautiful to hear, and it was inspiring. Kennedy’s speeches in particular, with phrases such as “ask not what your country can do for you, ask what you can do for your country,” or “sending a man to the moon and returning him safely to the earth, not because it is easy but because it is hard” and “we must never forget that art is not a form of propaganda; it is a form of truth” were important because they assumed that most listeners would understand that striving for excellence is important and that not everything should be so watered down as to be easy or require no effort.

Kennedy (no matter what you think of his politics) spoke in a way that befitted his office. His speech had a cadence and rhythm that made it elevated and aspirational. Further, his wife beautified the White House so that all would recognize it as an almost ‘sacred’ place, worthy of only the best our culture had to offer. She invited the most important musicians and artists to perform there, not because it was her preference, but because it showed that a great country should support and sustain its culture. The use of language, the promotion of beauty, and the aspirational speech galvanized the people of the nation. A bar was raised that made the people proud of their country, aware of their rich cultural heritage, and helped all to appreciate excellence. Today, many would say that we no longer care about excellence, art, beauty, and a sense of the sacred; that we no longer know how to use elevated and respectful speech; and that we have squandered the pride of our rich cultural heritage. Many would say that our country has suffered greatly for these losses.

Our Church has lost many of the same things.

Our Catholic aspirations are much higher than even those of a great nation. Our aspiration is to get to heaven—period. Many people who will read this article have already experienced these losses. They know about the climate and discourse in so many of our parishes and on the internet. Still others will never have known about our rich cultural heritage except by attending a symposium or seminar.

So here is the question: has the kind of speech that has been foisted on the liturgy under the guise of ‘contemporary’ music, and has the loss of great art and architecture, the dismissal of a refined and elegant language, and the lack of aspirational speech focused on excellence led to a dismantling of our Catholic culture?

Excellence, beauty, elegant speech, lofty ideas. Where can these be found? What is our Catholic culture? Perhaps excellence and beauty can be found in the sacred music of chant and polyphony, which the Church tells us should hold pride of place in our liturgies. Perhaps elevated and inspirational language can be found in the sung dialogues of the priest and people, and in the newly refined Collects of the Roman Missal. Perhaps a sense of the sacred can be revived in the way the priests, deacons, and servers might comport themselves during Mass. Perhaps our culture can be saved by allowing people to once again experience the wonder of traditional vestments, by adorning our churches with beautiful art, by building new churches with architecture worthy of a sacred place, and by singing chant and sacred polyphony on a regular basis. Perhaps the 50-year experiment of singing “songs” with words about us, instead of sacred words about God, has led us to lose our focus. Perhaps.

“We must never forget that art is not a form of propaganda; it is a form of truth.”

Perhaps this is about truth.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“I vividly remember going to church with him in Bournemouth. He was a devout Roman Catholic and it was soon after the Church had changed the liturgy (from Latin to English). My grandfather obviously didn’t agree with this and made all the responses very loudly in Latin while the rest of the congregation answered in English. I found the whole experience quite excruciating, but my grandfather was oblivious. He simply had to do what he believed to be right.”

— Simon Tolkien (2003)

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