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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

New Resource from the Archdiocese of Boston for First Communion and Confirmation

Richard J. Clark · August 19, 2016


“Every form of catechesis would do well to attend to the ‘way of beauty.’ Proclaiming Christ means showing that to believe in and to follow him is not only something right and true, but also something beautiful, capable of filling life with new splendor and profound joy, even in the midst of difficulties. Every expression of true beauty can thus be acknowledged as a path leading to an encounter with the Lord Jesus. …So a formation in the way of beauty ought to be part of our effort to pass on the faith.” — Pope Francis (Evangelii Gaudium, 167)

HE ARCHDIOCESE OF BOSTON has recently put forth a modest, yet important musical resource for the sacraments of First Communion and Confirmation: Music for First Communion and Confirmation – A Catechetical Guide for Liturgical Celebrations. Initiated by the Most Reverend Arthur L. Kennedy, Auxiliary Bishop of Boston, and the Episcopal Vicar for the New Evangelization, this resource was a collaborative effort with the RCAB Office of Divine Worship and a number of musicians from the Archdiocese of Boston.

This resource includes free downloads of a few essential hymns and chants. It is a starting point; the list is nowhere as comprehensive as A Reference for Catholic School Masses provided by The American Federation of Pueri Cantores and the National Catholic Education Association.

For some parishes, this resource will seem quite rudimentary. However, it is designed as a starting point towards catechesis and developing a more common repertoire that embraces our “unique cultural heritage.”

One of the Joys experienced by the parish community in the work of evangelization is the handing on of the faith to the next generation. Since this always takes place within a social context, the integration of faith and culture must be considered. Just as each culture is endowed with its own common forms of human expression, so too do Catholics possess a unique cultural heritage through which the faith has been handed down through the ages. A core element of this heritage is the Church’s musical tradition, which Vatican II identifies as “a treasure of inestimable value.” This treasury is preeminent among other art forms because, “as sacred song united to the words, it forms a necessary or integral part of the solemn liturgy.” (Constitution on the Sacred Liturgy, §112)

For certain, some parishes will find embracing this resource a challenge, perhaps for reasons musical and cultural. However, the language in this document is of gentle encouragement to “incorporate” some of this music within an already existing program:

We therefore offer here a small number of essential hymns chosen for their simplicity, suitability for young voices, timeless musical value, and substantial theological content. Mindful of the power of sacred music to raise hearts and minds to a deeper participation in the sacred mysteries, we encourage you to incorporate some of them into your catechetical programs and liturgical celebrations.

UT THE MOST IMPORTANT element of this document is not the list of hymns, but the vital coupling of faith formation and sacred music. (It is notable that the RCAB lists this resource on their Faith Formation page in addition to the Office of Divine Worship page.) Music and the Roman Rite have been inseparable for well over a millennium, as they developed together. Fifty years after Vatican II, this marriage of faith and sacred music, (and hence, liturgy) remains unwavering.

It offers liturgical guidance with an economy of words, beautifully recalling the Chirograph of John Paul II on Sacred Music, (§4-6), which is in itself a summary of Pope Saint Pius X’s Tra le Sollecitudini (“Instruction on Sacred Music”) which states liturgical music must be sacred, beautiful, and universal.

Additionally, it provides catechesis along with several suggested resources for the Responsorial Psalm. These span a range of styles—but all with liturgically approved texts. Finally, it provides various resources for the Roman Missal Chants, listed as the “Official Mass Setting of the Archdiocese of Boston.” There are links to various scores, accompaniments, and practice videos.

This is all but a very humble start. Please pray that this mustard seed will help deepen our faith and enrich our prayer.

“There is, then, an indissoluble link between the liturgy and the transmission of faith. We can say, in fact, that the celebration of the liturgy is the most important act of evangelization.” — (Goeffredo Bosilli, pg. 209, The Spiritual Meaning of the Liturgy)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 22nd in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 31 August 2025, which is the 22nd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“The only really effective apologia for Christianity comes down to two arguments: namely, the _saints_ the Church has produced and the _art_ which has grown in her womb.”

— Josef Cardinal Ratzinger (Interview, 1985)

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