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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

The Difficulty of Cultivating a Prayerful Focus for Musicians

Richard J. Clark · August 12, 2016

AM NO EXPERT. Ironically, prayer can be a struggle for church musicians. Grueling schedules, juggling personalities, and navigating politics (as normal routine) can rob prayerful focus. Musical focus is challenging enough. Add to it the vulnerability of being on display and judged on a weekly basis by anyone and everyone. (When it comes to music, everyone is an expert.) Sometimes, this can be spiritually draining, if not edifying.

So where does prayer come in? It only comes in the quiet, and it may have to come when the Sunday Masses are over. Or we need to “block out the noise” during Mass—challenging to do over the course of seven or eight Masses per weekend for some.

I don’t have an answer, or good advice. However, I have found prayer in a few things I will list here. I need these reminders for myself. Perhaps this list may be of some help. What is on your list?

1 • Preparation is prayer. Every bit of it. Be forever mindful of this.

2 • Being patient with all kinds of people and personalities, including those who get on your nerves—is prayer. I am mindful that I get on theirs too. I ask for their patience as well.

3 • Expressing gratitude to God for the opportunity to serve Him week in and week out is prayer.

4 • Composing on scripture is wellspring of prayer. I have come to rely upon this to save my life.

5 • Bringing the scriptures alive for your choir (and hopefully all the faithful) is prayer.

6 • Teaching is nothing but prayer.

7 • Continuing to serve God cheerfully (and very often flexibly) in the midst of professional crisis or adversity is prayer. Since dealing with some level of adversity is the norm, there is great opportunity for personal sanctification!

8 • Remember we are deeply flawed sinners—a most humbling state. This reality calls us to greater compassion to those who may appear to be easy to judge. Mindfulness of this is mercy, and is prayer.

9 • In humility, seek strength and nourishment from the sacraments.

LSO IRONIC, PRAYING WITH FAMILY AT MASS is rather impossible when working for the Church. It is especially challenging with small children. Again, I have no easy answers, but to take every available opportunity to cultivate prayer with your children. Teaching your children is a powerful form of prayer, for there are no greater prayers than those that spring from children. They may take to prayer reluctantly at times, but at others, it pours forth with powerful innocence and purity.

Children are also far more sensitive than adults realize to the needs of those around them. They understand the need for prayer. Take every opportunity to encourage children to not only learn specific prayers, but to cultivate a personal prayer life by speaking to God in their own words. These are powerful words.

Finally, prayer that seems to have nothing to do with music, or prayer that is far away from our jobs, will make us better musicians. More importantly, it will make us better servants of God, his people, our families, and each other.

Oremus pro invicem
Pray for each other.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

The effectiveness of liturgy does not lie in experimenting with rites and altering them over and over, nor in a continuous reductionism, but solely in entering more deeply into the word of God and the mystery being celebrated. It is the presence of these two that authenticates the Church’s rites, not what some priest decides, indulging his own preferences.

— Liturgicae Instaurationes (1970)

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