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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Difficulty of Cultivating a Prayerful Focus for Musicians

Richard J. Clark · August 12, 2016

AM NO EXPERT. Ironically, prayer can be a struggle for church musicians. Grueling schedules, juggling personalities, and navigating politics (as normal routine) can rob prayerful focus. Musical focus is challenging enough. Add to it the vulnerability of being on display and judged on a weekly basis by anyone and everyone. (When it comes to music, everyone is an expert.) Sometimes, this can be spiritually draining, if not edifying.

So where does prayer come in? It only comes in the quiet, and it may have to come when the Sunday Masses are over. Or we need to “block out the noise” during Mass—challenging to do over the course of seven or eight Masses per weekend for some.

I don’t have an answer, or good advice. However, I have found prayer in a few things I will list here. I need these reminders for myself. Perhaps this list may be of some help. What is on your list?

1 • Preparation is prayer. Every bit of it. Be forever mindful of this.

2 • Being patient with all kinds of people and personalities, including those who get on your nerves—is prayer. I am mindful that I get on theirs too. I ask for their patience as well.

3 • Expressing gratitude to God for the opportunity to serve Him week in and week out is prayer.

4 • Composing on scripture is wellspring of prayer. I have come to rely upon this to save my life.

5 • Bringing the scriptures alive for your choir (and hopefully all the faithful) is prayer.

6 • Teaching is nothing but prayer.

7 • Continuing to serve God cheerfully (and very often flexibly) in the midst of professional crisis or adversity is prayer. Since dealing with some level of adversity is the norm, there is great opportunity for personal sanctification!

8 • Remember we are deeply flawed sinners—a most humbling state. This reality calls us to greater compassion to those who may appear to be easy to judge. Mindfulness of this is mercy, and is prayer.

9 • In humility, seek strength and nourishment from the sacraments.

LSO IRONIC, PRAYING WITH FAMILY AT MASS is rather impossible when working for the Church. It is especially challenging with small children. Again, I have no easy answers, but to take every available opportunity to cultivate prayer with your children. Teaching your children is a powerful form of prayer, for there are no greater prayers than those that spring from children. They may take to prayer reluctantly at times, but at others, it pours forth with powerful innocence and purity.

Children are also far more sensitive than adults realize to the needs of those around them. They understand the need for prayer. Take every opportunity to encourage children to not only learn specific prayers, but to cultivate a personal prayer life by speaking to God in their own words. These are powerful words.

Finally, prayer that seems to have nothing to do with music, or prayer that is far away from our jobs, will make us better musicians. More importantly, it will make us better servants of God, his people, our families, and each other.

Oremus pro invicem
Pray for each other.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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President’s Corner

    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simple click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“One of his most cherished wishes was to promote congregational singing wherever possible, for he held it to be most instructive for people of all classes and a powerful means of arousing an intelligent interest in the beauties of our sacred liturgy, especially in regard to the holy Sacrifice of the Mass. He loved to dwell in this respect upon the remarkable results achieved in parishes where the congregation had been taught to sing correctly the different portions of the Mass in plain chant.”

— Cardinal Merry del Val, speaking of Cardinal Sarto

Recent Posts

  • Fulton J. Sheen • “24-Hour Catechism”
  • Simplified Accompaniment (Easter Hymn)
  • PDF Download • “Quasi Modo Sunday”
  • ‘German’ Introductions for Hymns
  • Fascinating Interpretation of the “Regina Caeli” (Solemn Tone)

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