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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Saints and the “Ad Orientem” Worship

Andrew Leung · July 23, 2016

CTL Saints and Ad Orientem Worship N THE PAST TWO WEEKS, there were a lot of discussions in the Church about the orientation of the liturgical celebration. I have written about the Three Common Misconceptions about “Ad Orientem” Worship and hopefully that helps clear up some of the misunderstandings and confusions.

I have been reading a book called, The Mass and the Saints, which contains quotations on the Mass from the saints selected by Fr. Thomas Crean, O.P.. The third chapter of the book is about the orientation of the Mass. As we continue to learn and discuss about this topic, we should take the saints’ words into consideration. After all, the Church canonized them so that they may be our examples and we can learn from them. So, here are four quotes on “facing east”:

ST. GREGORY OF NYSSA : “We turn ourselves to the east to pray. Not that God may only be seen there, for he is everywhere, and is not limited to any particular place; but because our first home was in the east. I mean that dwelling that we had in Paradise, from which we were expelled – for God planted a paradise in Eden in the east.”

ST. AUGUSTINE OF HIPPO : “We turn to the east when we stand to pray, since this is where the sun and the stars rise. It is not, of course, as if God were there alone and had forsaken the rest of creation. Rather, when these earthly bodies of ours are turned towards the more excellent, heavenly bodies, our minds are thereby prompted to turn towards the most excellent being, that is, to our Lord.”

ST. THOMAS AQUINAS : “It is also fitting to do this (pray towards east) because of Christ, who is the light of the world, and is called the Orient.”

ST. ROBERT BELLARMINE : “When our Lord died on the Cross, he was looking towards the west. So we pray facing east, as if to look at the face of the Crucified. And since he ascends above the heaven of heavens to the east, we, so to speak, accompany him as he ascends by our prayers and petitions. And finally, it is believed that he will come from the east in judgement: For as lightning cometh out of the east, and appeareth even into the west, so shall also the coming of the Son of man be.”

I hope you would appreciate the wisdom of the saints. I think I have written enough on the topic of AD ORIENTEM; this will be my last post on the orientation of the Mass for now. I am glad that the recent controversy gave us to opportunity to rediscover and to learn more about our rich Traditions. I pray that the Liturgy might be renewed with charity.


Note from CCW President: I was taught that we face liturgical East because Christ will return from the East when He comes again. Perhaps someone more knowledgeable than myself could elaborate on that. There was also a (beautiful) practical value to facing East. The priests would say Mass early in the morning, and when the sun rose, it would “color” the stained glass windows in a marvelous way. There was often a huge stained glass window behind the Altar.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

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    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
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    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
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    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“No one can reasonably find in the dispositions of Vatican II anything out of order, or any extreme opinions or tendencies which restrict the function of sacred music exclusively to the congregational singing of the faithful or on the other hand which replace or eliminate the singing of the congregation entirely by the singing of the choir.”

— Most Rev’d Archbishop D.M.M. y Gómez, Primate of Mexico (at that time, the world’s largest archdiocese)

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  • Dom Pothier • Photo from 1904
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  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.