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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Saints and the “Ad Orientem” Worship

Andrew Leung · July 23, 2016

CTL Saints and Ad Orientem Worship N THE PAST TWO WEEKS, there were a lot of discussions in the Church about the orientation of the liturgical celebration. I have written about the Three Common Misconceptions about “Ad Orientem” Worship and hopefully that helps clear up some of the misunderstandings and confusions.

I have been reading a book called, The Mass and the Saints, which contains quotations on the Mass from the saints selected by Fr. Thomas Crean, O.P.. The third chapter of the book is about the orientation of the Mass. As we continue to learn and discuss about this topic, we should take the saints’ words into consideration. After all, the Church canonized them so that they may be our examples and we can learn from them. So, here are four quotes on “facing east”:

ST. GREGORY OF NYSSA : “We turn ourselves to the east to pray. Not that God may only be seen there, for he is everywhere, and is not limited to any particular place; but because our first home was in the east. I mean that dwelling that we had in Paradise, from which we were expelled – for God planted a paradise in Eden in the east.”

ST. AUGUSTINE OF HIPPO : “We turn to the east when we stand to pray, since this is where the sun and the stars rise. It is not, of course, as if God were there alone and had forsaken the rest of creation. Rather, when these earthly bodies of ours are turned towards the more excellent, heavenly bodies, our minds are thereby prompted to turn towards the most excellent being, that is, to our Lord.”

ST. THOMAS AQUINAS : “It is also fitting to do this (pray towards east) because of Christ, who is the light of the world, and is called the Orient.”

ST. ROBERT BELLARMINE : “When our Lord died on the Cross, he was looking towards the west. So we pray facing east, as if to look at the face of the Crucified. And since he ascends above the heaven of heavens to the east, we, so to speak, accompany him as he ascends by our prayers and petitions. And finally, it is believed that he will come from the east in judgement: For as lightning cometh out of the east, and appeareth even into the west, so shall also the coming of the Son of man be.”

I hope you would appreciate the wisdom of the saints. I think I have written enough on the topic of AD ORIENTEM; this will be my last post on the orientation of the Mass for now. I am glad that the recent controversy gave us to opportunity to rediscover and to learn more about our rich Traditions. I pray that the Liturgy might be renewed with charity.


Note from CCW President: I was taught that we face liturgical East because Christ will return from the East when He comes again. Perhaps someone more knowledgeable than myself could elaborate on that. There was also a (beautiful) practical value to facing East. The priests would say Mass early in the morning, and when the sun rose, it would “color” the stained glass windows in a marvelous way. There was often a huge stained glass window behind the Altar.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“There are some so restless that when they are free from labour they labour all the more, because the more leisure they have for thought, the worse interior turmoil they have to bear.”

— Pope Gregory the Great

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