• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

“I Desire Mercy, Not Sacrifice”

Andrew Leung · July 18, 2016

CTL Renew the Liturgy with Charity WAS TALKING TO a friend of mine—who incidentally is also quite an orthodox and conservative bishop—about Cardinal Sarah’s address and the controversy that has erupted as a result. The bishop pretty much agrees with everything in Cardinal Sarah’s speech.

As we were talking about the controversy, he said something I think is worthy of reflection. He told me that, while he deeply loves the liturgy and the Church’s traditions, he would never fight with people on liturgical matters—even before he became a bishop. Moreover, he said: “We shouldn’t seek to win arguments over the liturgy.”

In most LITURGICAL ARGUMENTS, people bring their personal preferences into the discussion. Actually, I think it is pretty safe to say that at least one side of the argument, sometimes both sides, would argue based on personal preferences. These arguments would rarely end with good outcomes. It is a waste of time to argue over personal preferences. Catechesis and formation is what we need. I didn’t write my article about “Ad Orientem” celebration to win a fight, but to explain why the Church allows it.

The Mass is the unbloody sacrifice of Jesus Christ, a sacrifice of love. We can’t offer sacrifices as the Body of Christ to an all-loving God when we do not love our neighbors. Bishops receive their authority as teachers and shepherds from the Holy Mother Church. They certainly deserve our respect even though we may not agree with them on everything. So as our pastors, brothers and sisters in Christ, they and their preferences should be respected, too. So let us be positive and charitable when we discuss about the liturgy. Our Lord would definitely not be happy if we turn the Mass into a battlefield. That is why he asked the Pharisees to learn the meaning of the words, “I desire mercy, not sacrifice” (Mt 9:13).

SO, WHAT CAN WE DO? We can explain the Church’s teachings on the liturgy without forcing others to accept them. We can study the traditions of the Church and try to show the meanings behind those traditions to our brothers and sisters. Since the Cardinal’s address caught everyone’s attention, now is the perfect time for liturgical catechesis! Liturgical formation and explanation can be done even if our circumstances (pastoral reasons, obedience to the bishop/pastor, architectural reasons) don’t allow us to celebrate Mass “facing east.” Fr. Christopher Smith posted an excellent article about How to Introduce Ad Orientem to Your Parish on Chant Café. I thought the article was helpful and I really enjoyed reading it—especially the last part where he suggested how to introduce it gradually:

1. Daily Mass. Often your daily Mass crowd can give you a very good read on the temperature of reactions in the parish. Doing the position at some or all daily Masses, while tailoring catechesis to those Masses is a way to start.

2. School Mass. Catechizing school faculty, staff, parents and children through workshops, classes, and letters. It also means that children will grow up in an environment where the position does not carry the same baggage as previous generations carried about it.

3. Principal Mass. After 1 and 2, maybe during Lent, is a good time to do the position at the principal Mass. Especially if the Mass tends towards the “High Mass” variety with choir, incense and a serious complement of altar servers, it introduces the idea to Sunday worship while still giving options to those faithful who are not ready for the transition.

4. Holy Day Masses and Holy Week. Doing the position for those days highlights their solemnity by making them different, and the position can always be brought into the homily on that occasion.

5. All Masses. Repeat all of the catechesis again before doing this, and still keep a safety valve Mass, particularly the one where the oldest crowd, that might have more trouble receiving this change, go.

6. Mass with visitors. Keep Masses with the Bishop or visiting celebrants versus populum. Instead of making an issue out of the contrary position, it can be presented as making the celebration special when someone comes like the Bishop or as an act of hospitality to visiting celebrants who might not be used to it. The occasional reversion to versus populum will cause people to reflect on the differences between the two positions and want to explore the reasons for them, as well as their own reactions more.

As we continue to renew our liturgies, let us do it with charity, humility and joy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

“How on earth in the [post-conciliar] liturgy for the dead should there be no more mention of sin and expiation? There’s a complete absence of imploring the Lord’s mercy. […] Although the texts were beautiful they were still lacking in the sense of sin and the sense of mercy. But we need this! And when my final hour comes, ask for mercy for me from the Lord, because I have such need of it!”

— Pope Saint Paul VI (3 June 1971)

Recent Posts

  • PDF • “Music List” (Sunday, 28 December)
  • Should Catholics Sing Protestant Christmas Carols?
  • PDF • “Music List” (Xmas Midnight Mass)
  • What does this mean? “Pre-Urbanite”
  • “He never had a single day of conflict with anyone.”

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.