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Views from the Choir Loft

“I Desire Mercy, Not Sacrifice”

Andrew Leung · July 18, 2016

CTL Renew the Liturgy with Charity WAS TALKING TO a friend of mine—who incidentally is also quite an orthodox and conservative bishop—about Cardinal Sarah’s address and the controversy that has erupted as a result. The bishop pretty much agrees with everything in Cardinal Sarah’s speech.

As we were talking about the controversy, he said something I think is worthy of reflection. He told me that, while he deeply loves the liturgy and the Church’s traditions, he would never fight with people on liturgical matters—even before he became a bishop. Moreover, he said: “We shouldn’t seek to win arguments over the liturgy.”

In most LITURGICAL ARGUMENTS, people bring their personal preferences into the discussion. Actually, I think it is pretty safe to say that at least one side of the argument, sometimes both sides, would argue based on personal preferences. These arguments would rarely end with good outcomes. It is a waste of time to argue over personal preferences. Catechesis and formation is what we need. I didn’t write my article about “Ad Orientem” celebration to win a fight, but to explain why the Church allows it.

The Mass is the unbloody sacrifice of Jesus Christ, a sacrifice of love. We can’t offer sacrifices as the Body of Christ to an all-loving God when we do not love our neighbors. Bishops receive their authority as teachers and shepherds from the Holy Mother Church. They certainly deserve our respect even though we may not agree with them on everything. So as our pastors, brothers and sisters in Christ, they and their preferences should be respected, too. So let us be positive and charitable when we discuss about the liturgy. Our Lord would definitely not be happy if we turn the Mass into a battlefield. That is why he asked the Pharisees to learn the meaning of the words, “I desire mercy, not sacrifice” (Mt 9:13).

SO, WHAT CAN WE DO? We can explain the Church’s teachings on the liturgy without forcing others to accept them. We can study the traditions of the Church and try to show the meanings behind those traditions to our brothers and sisters. Since the Cardinal’s address caught everyone’s attention, now is the perfect time for liturgical catechesis! Liturgical formation and explanation can be done even if our circumstances (pastoral reasons, obedience to the bishop/pastor, architectural reasons) don’t allow us to celebrate Mass “facing east.” Fr. Christopher Smith posted an excellent article about How to Introduce Ad Orientem to Your Parish on Chant Café. I thought the article was helpful and I really enjoyed reading it—especially the last part where he suggested how to introduce it gradually:

1. Daily Mass. Often your daily Mass crowd can give you a very good read on the temperature of reactions in the parish. Doing the position at some or all daily Masses, while tailoring catechesis to those Masses is a way to start.

2. School Mass. Catechizing school faculty, staff, parents and children through workshops, classes, and letters. It also means that children will grow up in an environment where the position does not carry the same baggage as previous generations carried about it.

3. Principal Mass. After 1 and 2, maybe during Lent, is a good time to do the position at the principal Mass. Especially if the Mass tends towards the “High Mass” variety with choir, incense and a serious complement of altar servers, it introduces the idea to Sunday worship while still giving options to those faithful who are not ready for the transition.

4. Holy Day Masses and Holy Week. Doing the position for those days highlights their solemnity by making them different, and the position can always be brought into the homily on that occasion.

5. All Masses. Repeat all of the catechesis again before doing this, and still keep a safety valve Mass, particularly the one where the oldest crowd, that might have more trouble receiving this change, go.

6. Mass with visitors. Keep Masses with the Bishop or visiting celebrants versus populum. Instead of making an issue out of the contrary position, it can be presented as making the celebration special when someone comes like the Bishop or as an act of hospitality to visiting celebrants who might not be used to it. The occasional reversion to versus populum will cause people to reflect on the differences between the two positions and want to explore the reasons for them, as well as their own reactions more.

As we continue to renew our liturgies, let us do it with charity, humility and joy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. You may download the score, generously made available to the whole world—free of charge—by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Saint Phillip Neri founded a religious congregation called the Oratory. Animuccia was involved from early on and remained “maestro di capella” of the Oratory until his death. The Oratory was able to attract many musicians who volunteered their services, including the famous singer Francesco Soto de Langa from the Capella Sistina, the composer Palestrina, and probably the composer Tomás Luis de Victoria who lived in the same house as St. Phillip Neri for five years.

— Source Unknown

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday

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