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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Guardian of the Sacred Tradition in the South — Part 2

Andrew Leung · June 16, 2016

CTL A Guardian of the Tradition in the South 2 WO WEEKS AGO, I went on a trip to the South. It was a very relaxing and musical trip. And how appropriate is it to celebrate the Feast of the Body of Christ, Bread of Life, during the Memorial Day weekend when we remember those who lost their lives in battle. The Body of Christ is the eternal bread from heaven, the source and summit of our faith.

I spent my Sunday in Chattanooga, TN, and I went to a Novus Ordo Mass at the Basilica of Sts. Peter and Paul for the first time. We celebrated the Solemnity of Corpus Christi (technically not an external solemnity since it was in the new form). I sang with the choir at the Sung Mass and the Eucharistic Procession. It was a very powerful experience and here is why:

—It was a real Sung Mass (Propers and Ordinaries, including the Creed, chanted in English or Latin);

—Everyone sang their parts in the dialogue (the deacon even intoned the Kyrie, which is the proper way to do it in the OF);

—The basilica was filled with large families (at least half of the faithful were children and youth);

—The Anglo and Hispanic communities joint together for the Eucharistic Procession;

—There was a strong presence of the clergy (5 priests and 2 deacons were in the procession, which is very good for a medium sized parish).

I was impressed by these people of the parish, both clergies and laity. They are very passionate in their faith and are willing to be witnesses by marching through downtown Chattanooga in the warm weather.

The part that impressed me the most the presence of the clergy. I see the clergy of the parish interact with people a lot when I visit this parish every time. They all wore their cassocks which help parishioners to recognize them, even from a far distance. I never understand why some people are always against the idea of priests wearing cassocks! Wearing cassocks is not a form of clericalism! The cassock shows the identity of a priest, who is ordained by the bishop to minister to the Church. They are the “fathers” of the community and the cassocks show their role. One of the things I learned during my pastoral year is that the presence of the clergy and staff members at parish events is very important! The cassocks are tools that help bring people to the priests.

CTL Poster SSMW 2016 USICIANS in the Southeastern region will have the opportunity to attend a one-and-a-half day Summer Sacred Music Workshop at this wonderful parish. The workshop will be held at the basilica on July 22 and 23. Now is the time to REGISTER for the workshop and spread the news to your pastors, parish musicians and any friends you may have in the area. Participants don’t have to be Catholics and there is no limit on their age (last year, we had a few middle schoolers joining our workshop and they enjoyed it a lot). So, download the picture of the flyer on the left and SPREAD THE NEWS NOW! The more participants we get, the better the experience will be! We hope to see you there!

For those of you who cannot make it to this workshop, I would ask you to keep all the faculty members and participants in your prayers. Please pray that our workshop will have a good and successful turnout, for the final preparation that is going on now, and that God will touch the hearts of everyone participating through the beautiful music. Thank you.

A preliminary schedule with the session descriptions is available for viewing now.

    * *  PDF • PRELIMINARY SCHEDULE AND SESSION DESCRIPTIONS

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Both of these appointments—of Cardinal Lercaro and Father Bugnini—to key positions on the Consilium made it possible for voices to be heard that could not be heard during the proceedings of the Council, and likewise silenced others.”

— Alfons Cardinal Stickler, Vatican II ‘peritus’

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  • PDF Download • “Entrance Chant” for Holy Thursday (Plainsong in English)
  • “Dies Irae” • A Monstrous Translation

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