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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

A Guardian of the Sacred Tradition in the South — Part 2

Andrew Leung · June 16, 2016

CTL A Guardian of the Tradition in the South 2 WO WEEKS AGO, I went on a trip to the South. It was a very relaxing and musical trip. And how appropriate is it to celebrate the Feast of the Body of Christ, Bread of Life, during the Memorial Day weekend when we remember those who lost their lives in battle. The Body of Christ is the eternal bread from heaven, the source and summit of our faith.

I spent my Sunday in Chattanooga, TN, and I went to a Novus Ordo Mass at the Basilica of Sts. Peter and Paul for the first time. We celebrated the Solemnity of Corpus Christi (technically not an external solemnity since it was in the new form). I sang with the choir at the Sung Mass and the Eucharistic Procession. It was a very powerful experience and here is why:

—It was a real Sung Mass (Propers and Ordinaries, including the Creed, chanted in English or Latin);

—Everyone sang their parts in the dialogue (the deacon even intoned the Kyrie, which is the proper way to do it in the OF);

—The basilica was filled with large families (at least half of the faithful were children and youth);

—The Anglo and Hispanic communities joint together for the Eucharistic Procession;

—There was a strong presence of the clergy (5 priests and 2 deacons were in the procession, which is very good for a medium sized parish).

I was impressed by these people of the parish, both clergies and laity. They are very passionate in their faith and are willing to be witnesses by marching through downtown Chattanooga in the warm weather.

The part that impressed me the most the presence of the clergy. I see the clergy of the parish interact with people a lot when I visit this parish every time. They all wore their cassocks which help parishioners to recognize them, even from a far distance. I never understand why some people are always against the idea of priests wearing cassocks! Wearing cassocks is not a form of clericalism! The cassock shows the identity of a priest, who is ordained by the bishop to minister to the Church. They are the “fathers” of the community and the cassocks show their role. One of the things I learned during my pastoral year is that the presence of the clergy and staff members at parish events is very important! The cassocks are tools that help bring people to the priests.

CTL Poster SSMW 2016 USICIANS in the Southeastern region will have the opportunity to attend a one-and-a-half day Summer Sacred Music Workshop at this wonderful parish. The workshop will be held at the basilica on July 22 and 23. Now is the time to REGISTER for the workshop and spread the news to your pastors, parish musicians and any friends you may have in the area. Participants don’t have to be Catholics and there is no limit on their age (last year, we had a few middle schoolers joining our workshop and they enjoyed it a lot). So, download the picture of the flyer on the left and SPREAD THE NEWS NOW! The more participants we get, the better the experience will be! We hope to see you there!

For those of you who cannot make it to this workshop, I would ask you to keep all the faculty members and participants in your prayers. Please pray that our workshop will have a good and successful turnout, for the final preparation that is going on now, and that God will touch the hearts of everyone participating through the beautiful music. Thank you.

A preliminary schedule with the session descriptions is available for viewing now.

    * *  PDF • PRELIMINARY SCHEDULE AND SESSION DESCRIPTIONS

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“From six in the evening, his martyrdom had continued through the ghastly night until nine o’clock in the morning. After fifteen hours of torture rarely if ever surpassed in the bloody annals of the Iroquois, the soul of Gabriel Lalemant was freed from its charred and mutilated prison and summoned to join his comrade Jean de Brébeuf in the radiant splendor of God. March 17th, 1649, was the date; for Brébeuf it had been the sixteenth.”

— ‘Fr. John A. O’Brien, speaking of St. Gabriel Lalemant’

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