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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Insidious Form” of Clericalism? A Jesuit Speaks Out

Richard J. Clark · June 3, 2016

HERE’S AN OLD joke when referring to people or situations that are monumentally unhelpful: “[…] is about as useful as a Jesuit during Holy Week.” The old cliché that Jesuits “know nothing about the liturgy” gives them, or anyone who cites this tired formula, permission to be sloppy with the Mass. Happily, my experience at Saint Mary’s Chapel at Boston College gives no credence to this notion. Some of the most reverent and prayerful liturgies I have been privileged to serve have been among Jesuit priests.

Mind you, Jesuits—like most priests—have their own opinions about the liturgy. Through personal conversations with dozens of Jesuits, I have ascertained that their views are quite diverse. Among them are some who rather detest the new translation of the Roman Missal. However, here’s the interesting part: At Mass, you would never know it. Why?

Opinions aside on Liturgiam authenticam (a topic for another day), they possess a clear understanding and respect for the scriptural origins of the sacred texts and for the wisdom of the ages. They understand the role of the celebrant, which is in part, to preside for all over the prayers of the Mass—not reinvent them, even if deemed deficient. As a result, one may not come to know—nor should know from the Mass—whether a priest is “conservative” or “liberal” in his liturgical views. Instead, all are immersed in the universal prayer of the Church—a community unified in the love of Christ.

• With regard to liturgical experimentation, I have addressed this topic, most notably here:
The People Deserve Better
.

ORE RECENTY, ONE JESUIT priest has taken issue with the changing of liturgical texts. He places before us the proposition that for a priest to change the texts of the Mass is an “insidious form of clericalism.” Entertaining—yet quite serious—I encourage you to read the entire brief article, Grateful for Boredom. You will laugh, and you may cry.

In no uncertain terms, Rev. Ryan G. Duns, S.J. writes:

“Regardless my personal preferences, it is not my place to change the wording of the prayers. In fact, I take it as an insidious expression of clericalism to change prayers in an effort “to make them relevant” to the congregation. Clericalism? Indeed: the presider claims a form of privilege to change things that do not belong to him, deciding as he wills what will and will not be said.”

He continues, illustrating the absurdity:

“Imagine how chaotic it would be were the entire congregation to begin to innovate during the Creed or the Lord’s Prayer, swapping out words or lines willy-nilly. It’d be a fractious cacophony professing not a common faith but only a collection of personal manifestos. Yet a certain sort of presider thinks it his prerogative to ‘add’ or ‘subtract’ at will.”

HAT IS NOTABLE here about Rev. Duns is that he is no “conservative.” He is a musician with a passion for Irish music, if not Gregorian Chant. He is not a zealot with regards to rubrics. He even professes appreciation for inclusive language. As such, his words on clericalism strike hard.

But Fr. Duns is profoundly aware that the prayers belong to the people:

“…think on those presiders who take great liberties with liturgical prayers. While I am in some sense sympathetic to wanting to make language inclusive, I have to own the reality that the prayers of the liturgy do not belong to me.” (emphasis included)

Furthermore, Fr. Duns also points out with an example the paradox of changing texts for “expediency.” He writes: “(1) innovation does not breed expedience because it is a lot longer and (2) the theology undergirding it is absolutely atrocious.”

This brings us to the bigger picture of the efficacy of liberally altering texts for various purposes, however well intended. Most often, the result is not greater clarity, but sloppiness and distortion of theology. For example, change the Preface, and one has an excellent chance of changing dogma. With this in mind, Fr. Duns half jokes by imploring celebrants to “DO NO HARM.”

Continuing with an amusing analogy of a local McDonald’s franchise making hamburgers any which way it likes, he concludes with utmost gravity: “Analogously, I fail to see how Catholic churches, where deliberate innovation and abuse takes place, differ from congregationalist churches where local custom trumps universal practice.”

Fr. Duns beautifully concludes his article articulating his “deep hunger” for prayer:

“To be honest, I’m grateful for liturgical boredom because, as I grow inwardly restive, I feel my heart moving toward the One for whom I long, the One who desires to give Himself to me. Often in my life I can get so busy that I ignore this deep hunger that I need to ‘get bored’ in order to know how much I need the Eucharist. I don’t go to Mass to be entertained. I go because I need gradually to open my heart to hear God’s Word and to receive the Eucharist, to ask for pardon, for strength, for healing, and to express my gratitude for all the graces in my life. I’m grateful for the boredom that results from predictability because, it in the settled pattern of prayer, I experience the unsettling desire to receive the Lord and to find strength to continue the adventure of discipleship.”

AMDG

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski

Random Quote

The Sacrifice is celebrated with many solemn rites, none of which should be deemed useless or superfluous. On the contrary, all of them tend to display the majesty of this august sacrifice, and to excite the faithful, when beholding these saving mysteries, to contemplate the divine things which lie concealed in the Eucharistic Sacrifice.

— Catechism of the Council of Trent (1566)

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  • “Gregorian Chant Quiz” • 4 May 2026

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