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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Working With People With Whom One Disagrees

Richard J. Clark · May 6, 2016

ORKING WITH people with whom one disagrees is not only common, it is the natural state of the world. So don’t freak out. You’ve probably been doing it already with some success. Or not.

In the real world—and in the real job market—it is rare to find oneself entirely in agreement with every coworker and superior. (I am not addressing matters of dogma or Truths of our Faith. Those are beyond discussion.) One must deal with disagreement to survive, and ultimately thrive. Different roles by necessity require dissimilar perspectives. As a result, this produces conflicting and sometimes competing priorities. E.g., A musician will likely consider keeping the organ in tune a greater budgetary priority than the Building Manager will. Or the pastor has to worry about fundraising and building maintenance, as well as the salvation of souls. With the weight of a parish on his shoulders, he might not be thinking at this moment about the most amazing organ postlude ever.

This is not to make light of anyone’s jobs. We are all called to serve, and there’s good reason we are laser-focused on our areas of expertise. “For just as the body is one and has many members, and all the members of the body, though many, are one body, so it is with Christ.” 1 Corinthians 12:12

NTERESTINGLY, ONE’S ABILITY to work effectively with someone else does not rely very much at all on how much one agrees with that other person. In thirty years of experience in the Church, I have found that I can work quite well with people with whom I disagree, and I cannot work with some people with whom I have a great deal in common, such as our philosophy or taste in music, etc. Why is this?

There are a few factors, but I have found that it comes down to three things:

1 • Mutual respect especially for each other’s professional (or volunteer) roles. While ultimately respect is earned, to give respect should be the default and automatic approach in a new working relationship. In fact, this is a beautiful way to live life.

2 • There is a willingness to serve the greater good, a shared motivation.

3 • Each person does not take personal offense of a disagreement. This is challenging, but key. To do so is a common mistake and sometimes leads to rather juvenile behavior. It’s hard to do when we are passionate. Just don’t do it. You’ll thank yourself later! Be open that you might learn something—even if from an underling—and as a result get better at your job.

There are also helpful benefits when working out disagreements. Many who have worked with me or under my direction do not prefer or agree with all my decisions. Their willingness has produced this very interesting side effect: my respect for them increases exponentially because I know they are not thrilled with what I’ve asked. Perhaps they offered a rebuttal, but worked with me cheerfully. Then another thing happens. They have greater influence, and our work becomes increasingly collaborative. Then, maybe I can learn something from them if I’m smart enough to listen.

Likewise, those who overstep professional boundaries do themselves no favors. Not because of recrimination, but simply because of its lack of mutuality. This produces ill-will among negative side-effects. Don’t do this either. Your colleagues will thank you for deferring to their area of expertise.

HEN THERE IS ANOTHER another fascinating development. There are people with whom one may agree with on a number of matters, but one cannot work with easily. Why? With some, the slightest disagreement causes strife. Concur on 97% of all matters, but there’s still a problem? This is because one or both parties fixate on the disputed 3%. This is sadly wasteful.

To survive in serving the Church and to survive a tough job market, one must consider carefully these elements, but especially this: Remember, that being “in-synch” with someone actually is a result of mutual work and effort. It doesn’t happen automatically, and no one is entitled to it. If people work well together, it’s because they worked very hard to that end.

Also one must have the humility to understand that disagreements often yield a greater good, sometimes unseen by the individuals in conflict. Wisely step back and observe this if you can. When colleagues work hard towards the greater good and establish trust, don’t take such working relationships for granted. It’s pretty amazing.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“In the Latin Church the pipe organ is to be held in high esteem, for it is the traditional musical instrument which adds a wonderful splendor to the Church’s ceremonies and powerfully lifts up man’s mind to God and to higher things.”

— Vatican II Council

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