Views from the Choir Loft

Les Misérables and the Year of Mercy

Andrew Leung · April 21, 2016

VERY YEAR, there is a Women’s Appreciation Dinner at my parish in April and I was asked to sing a few solos this year. I have decided to sing a few pieces that are related to the Year of Mercy but would not be heard at Masses. The pieces that came to my mind first are from the Broadway musical, Les Misérables. I haven’t thought of it since the release of the movie in 2012. What a great story for the Jubilee Year of Mercy! It is a perfect story that help us to reflect and understand what mercy means.

Jean Valjean set some great examples of being merciful to others. At the beginning of the story, he received mercy from the bishop and the Church, and he was able to bring the grace to people around him. Like Jean Valjean, we have all received the love and mercy from God, through the Sacraments of Baptism and Confession, and we should be merciful to others. Fr. Robert Barron, who is now an auxiliary bishop of the Archdiocese of Los Angeles, made a commentary on the Les Misérables movie back in January 2013:

My suggestion is: to watch or listen to Les Misérables (movie or musical) during this Year of Mercy. I think that would be a very effective and enjoyable way to pray, especially for music lovers.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

Surprising Popularity!

One of our most popular downloads has proven to be the organ accompaniment to “The Monastery Hymnal” (131 pages). This book was compiled, arranged, and edited by Achille P. Bragers, who studied at the Lemmensinstituut (Belgium) about thirty years before that school produced the NOH. Bragers might be considered an example of Belgium “Stile Antico” whereas Flor Peeters and Jules Van Nuffel represented Belgium “Prima Pratica.” You can download the hymnal by Bragers at this link.

—Jeff Ostrowski

15 February 2021 • To Capitalize…?

In the Introit for the 6th Sunday after Pentecost, there is a question regarding whether to capitalize the word “christi.” The Vulgata does not, because Psalm 27 is not specifically referring to Our Lord, but rather to God’s “anointed one.” However, Missals tend to capitalize it, such as the official 1962 Missal and also a book from 1777 called Missel de Paris. Something tells me Monsignor Knox would not capitalize it.

—Jeff Ostrowski

15 February 2021 • “Sung vs. Spoken”

We have spoken quite a bit about “sung vs. spoken” antiphons. We have also noted that the texts of the Graduale Romanum sometimes don’t match the Missal texts (in the Extraordinary Form) because the Mass Propers are older than Saint Jerome’s Vulgate, and sometimes came from the ITALA versions of Sacred Scripture. On occasion, the Missal itself doesn’t match the Vulgate—cf. the Introit “Esto Mihi.” The Vulgate has: “Esto mihi in Deum protectórem et in domum refúgii…” but the Missal and Graduale Romanum use “Esto mihi in Deum protectórem et in locum refúgii…” The 1970s “spoken propers” use the traditional version, as you can see.

—Jeff Ostrowski

“From six in the evening, his martyrdom had continued through the ghastly night until nine o’clock in the morning. After fifteen hours of torture rarely if ever surpassed in the bloody annals of the Iroquois, the soul of Gabriel Lalemant was freed from its charred and mutilated prison and summoned to join his comrade Jean de Brébeuf in the radiant splendor of God. March 17th, 1649, was the date; for Brébeuf it had been the sixteenth.”

— ‘Fr. John A. O’Brien, speaking of St. Gabriel Lalemant’