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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

O Happy Fault • Nine things that are pure privilege

Richard J. Clark · April 1, 2016

MONG THE MOST extraordinary texts of the Roman Rite, the Exsultet is sung but once a year. That’s it. Once. Sung during the Easter Vigil, the Exsultet is perhaps the most astonishingly merciful and loving texts, and it comes at the culmination of the liturgical calendar when we await the Risen Christ.

“Our birth would have been no gain, had we not been redeemed.” God’s mercy is expressed in words humankind could never conceive of on our own. Read and reread this astounding phrase:

O truly necessary sin of Adam, destroyed completely by the Death of Christ! O happy fault that earned so great, so glorious a Redeemer!

Such a reference to original sin—a positive reference—seems quite strange to us. We’ve always been programmed to think negatively upon our sin and for good reason. But such is the mercy of God who sent his only begotten Son. Such is Christ’s Redeeming power: “Who for our sake paid Adam’s debt to the eternal Father…”

OLY WEEK IS EXHAUSTING BOTH PHYSICALLY AND EMOTIONALLY. It is beautiful in that it consumes us completely in prayer. Much of it is pure privilege. (Not to be confused with professional compensation. Church musicians are as a rule overworked and underpaid.)

The older I get, the more I savor the joy and privilege that is Holy Week. It demands complete gratitude to God.

The following is my personal list of things I find to be pure privilege. It is but a small and very incomplete list and in no particular order, but these immediately come to mind. You certainly may have your own list!

1 • Anyone who sings the Exsultet (or truly prays on it) will be forever changed spiritually. To sing and proclaim these words at the Easter Vigil is pure privilege.

2 • It is pure privilege to sing the threefold (and polyphonic) Lumen Christi in procession with a choir scattered throughout the Church—yet sung sing as one voice.

3 • Pure privilege to watch a full church fully lit only by the flame of the Paschal Candle. “…a fire into many flames divided, yet never dimmed by the sharing of its light…”

4 • It is pure privilege to make music in prayer with so many night after night. They become family.

5 • Pure privilege to witness the tears of joy a woman watching her fiancé be baptized at the Easter Vigil.

6 • Pure privilege to sing the Easter Sequence, the Nos Autem on Holy Thursday, and the Resurrexi on Easter Sunday, etc…

7 • Opportunity to evangelize on Easter Sunday to hundreds who don’t frequently attend Mass is pure privilege.

8 • Sacred music is part of the formation of the catechumens and candidates. It is pure privilege to support them throughout the year as well as when they become neophytes.

9 • Pure privilege to serve God and His people.

What is on your list?

Surrexit Dominus vere, alleluia!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“Before any seminarian is accepted for ordination, he must not only strive for chastity but actually achieve it. He must already be living chaste celibacy peacefully and for a prolonged period of time—for if this be lacking, the seminarian and his formators cannot have the requisite confidence that he is called to the celibate life.”

— Archbishop Viganò (16 February 2019)

Recent Posts

  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)

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