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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

O Happy Fault • Nine things that are pure privilege

Richard J. Clark · April 1, 2016

MONG THE MOST extraordinary texts of the Roman Rite, the Exsultet is sung but once a year. That’s it. Once. Sung during the Easter Vigil, the Exsultet is perhaps the most astonishingly merciful and loving texts, and it comes at the culmination of the liturgical calendar when we await the Risen Christ.

“Our birth would have been no gain, had we not been redeemed.” God’s mercy is expressed in words humankind could never conceive of on our own. Read and reread this astounding phrase:

O truly necessary sin of Adam, destroyed completely by the Death of Christ! O happy fault that earned so great, so glorious a Redeemer!

Such a reference to original sin—a positive reference—seems quite strange to us. We’ve always been programmed to think negatively upon our sin and for good reason. But such is the mercy of God who sent his only begotten Son. Such is Christ’s Redeeming power: “Who for our sake paid Adam’s debt to the eternal Father…”

OLY WEEK IS EXHAUSTING BOTH PHYSICALLY AND EMOTIONALLY. It is beautiful in that it consumes us completely in prayer. Much of it is pure privilege. (Not to be confused with professional compensation. Church musicians are as a rule overworked and underpaid.)

The older I get, the more I savor the joy and privilege that is Holy Week. It demands complete gratitude to God.

The following is my personal list of things I find to be pure privilege. It is but a small and very incomplete list and in no particular order, but these immediately come to mind. You certainly may have your own list!

1 • Anyone who sings the Exsultet (or truly prays on it) will be forever changed spiritually. To sing and proclaim these words at the Easter Vigil is pure privilege.

2 • It is pure privilege to sing the threefold (and polyphonic) Lumen Christi in procession with a choir scattered throughout the Church—yet sung sing as one voice.

3 • Pure privilege to watch a full church fully lit only by the flame of the Paschal Candle. “…a fire into many flames divided, yet never dimmed by the sharing of its light…”

4 • It is pure privilege to make music in prayer with so many night after night. They become family.

5 • Pure privilege to witness the tears of joy a woman watching her fiancé be baptized at the Easter Vigil.

6 • Pure privilege to sing the Easter Sequence, the Nos Autem on Holy Thursday, and the Resurrexi on Easter Sunday, etc…

7 • Opportunity to evangelize on Easter Sunday to hundreds who don’t frequently attend Mass is pure privilege.

8 • Sacred music is part of the formation of the catechumens and candidates. It is pure privilege to support them throughout the year as well as when they become neophytes.

9 • Pure privilege to serve God and His people.

What is on your list?

Surrexit Dominus vere, alleluia!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“The Humanists abominated the rhythmical poetry of the Middle Ages from an exaggerated enthusiasm for ancient classical forms and meters. Hymnody then received its death blow as, on the revision of the Breviary under Pope Urban VIII, the medieval rhythmical hymns were forced into more classical forms by means of so-called corrections.”

— ‘Father Clemens Blume, S.J.’

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.