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Views from the Choir Loft

The Rite of Marriage, Second Edition

Fr. David Friel · March 13, 2016

MPLEMENTATION of the revised rite of marriage has been set. The text, now entitled the Order of Celebrating Matrimony, is mandatory for use beginning December 30, 2016, the Feast of the Holy Family of Jesus, Mary, and Joseph. The new texts may optionally be used beginning September 8, 2016.

So, what is actually new in this second edition? There are a number of revised elements, as well as a couple of new additions.

First, as noted above, the name of the ritual book has been changed from Rite of Marriage to Order of Celebrating Matrimony. Additionally, the opening notes (or Praenotanda) have been significantly expanded to further explain the theology of Holy Matrimony (now composed of 44 paragraphs, compared with the 18 in the first edition).

Following the entrance procession, the ritual now calls for an introduction to be given by the celebrant. Two sample addresses will appear in the ritual. Just over a year ago, I attended a workshop by Msgr. Richard Hilgartner, executive director of the USCCB Secretariat for Divine Worship. During the workshop, he read to us one of these sample addresses, and it impressed me as a very beautiful and understandable précis on the theology of Holy Matrimony.

The new order makes it clearer that the Penitential Act is to be omitted and that the Gloria is always included at a nuptial Mass. This latter change originally came into force with the 2011 Roman Missal, but it is now being clarified.

The exchange of consent will incorporate two changes. First, there will be a new alternate form that calls upon Abraham, Isaac, and Jacob, together with Adam and Eve. Additionally, immediately after the consent is given, a dialogue has been added between the priest & people. The celebrant will say, “Let us bless the Lord,” and the whole assembly will be invited to respond, “Thanks be to God.”

The special remembrance of the newly married couple that was already supplied for the Roman Canon has been matched by similar inclusions for Eucharistic Prayers II and III. There will also be two separate sets of recommended general intercessions included in the rite.

Finally, within each of the four nuptial blessings, there will now be an explicit epiclesis that says: “Send down on them the grace of the Holy Spirit and pour your love into their hearts, that they may remain faithful in the Marriage covenant.”

HIS NEW EDITION will also incorporate two new appendices and two new adaptations. The first new appendix is called an “Order of Blessing an Engaged Couple.” This might be used with benefit as part of parish Pre-Cana programs. The other new appendix will be called the “Order of Blessing a Married Couple within Mass on the Anniversary of Marriage.” Included herein will be sample formulae for the renewal of vows and the blessing of rings (either for the original rings or for new rings).

The two new adaptations will be in addition to the one adaptation already approved in the present ritual (the optional phrasing for the exchange of consent that mentions “for richer or poorer,” etc.). The new adaptations will be for the blessing and giving of the arras (coins) and the blessing and placing of the lazo (veil), both traditions that are popular among couples of Mexican, Filipino, and Spanish descent.

For more information on the significance of the arras and lazo traditions, I highly recommend a very informative article by Michael P. Foley published in Antiphon, journal of the Society for Catholic Liturgy. His article appears in Vol. 18 (2014), no. 2, pp. 115-143, coincidentally two articles before my own article on the Propriety of the Propers.

Apart from the rubric concerning the singing of the Gloria, which has been in force for some time now, these new changes do not seem to affect much regarding the music at nuptial Masses and ceremonies. The changes are, however, significant. It remains to be seen what the published versions of this second edition will look like.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Wedding Nuptial Mass Music, Nuptial Mass, Society for Catholic Liturgy, USCCB Secretariat of Divine Worship Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

When you consider that the greatest hymns ever written—the plainchant hymns—are pushing the age of eight hundred and that the noble chorale hymn tunes of Bach date from the early eighteenth century, then what is the significance of the word “old” applied to “Mother at Thy Feet Is Kneeling”? Most of the old St. Basil hymns date from the Victorian era, particularly the 1870s and 1880s.

— Paul Hume (1956)

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