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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Savior of EWTN” According To Raymond Arroyo

Corpus Christi Watershed · January 12, 2016

861 Gracida Picture OME INTERVIEWS are excellent while others are execrable. I’m happy to report that Jim Graves has posted an absolutely brilliant CWR interview—very well done.

Here are some excerpts:

Catholic World Report : You count among your friends Mother Angelica.

Bishop Gracida : Yes. In fact, if you read Raymond Arroyo’s biography on Mother Angelica, you’ll see that he refers to me as the “Savior of EWTN.” After her highly publicized dispute with Roger Cardinal Mahony, he led an effort to get the bishops to deny her the right to call EWTN a Catholic network. I was able to save EWTN by using parliamentary procedure and his resolution was voted down.

Catholic World Report : You have an interest in the North American martyrs.

Bishop Gracida : Yes, I was fascinated by them. I remember reading The Last of the Mohicans as a teenager, and developing a special interest in the Jesuit martyrs. Years later, when I entered the Benedictine monastery, I had to propose three names to my archabbot, one of which he’d pick to be my religious name for the rest of my life. The first I chose was the Jesuit martyr René Goupil (d. 1642). To my great pleasure, the name was approved.

Catholic World Report : You joined the largest Benedictine Abbey in the United States, the Monastery of St. Vincent Archabbey in Latrobe, Pennsylvania. What made you want to be a monk?

859 Gracida Benedictine Habit Bishop Gracida : I had attended the University of Houston after the war and earned a degree in architecture. I began working as an architect, but something kept gnawing in me as I asked myself: is this what I want to do with the rest of my life? One day, while I was looking out the window of my office, I saw a frail old woman pushing a grocery cart. I had the urge to help here, but because of my work situation, I was unable to. God used that incident to get me to consider joining the monastery. I had also heard a talk by a Benedictine monk that impressed me, so I decided to check it out.

St. Vincent’s was originally founded to help German immigrants, and when I arrived at the monastery in 1951, there were still a few German monks alive. During meals, some of our table reading was in German. When I entered the community, I found I loved the liturgy. I loved polyphony, I loved Gregorian chant. I loved the Benedictine way of life, the prayer life and the intellectual life. There was lots of studying and reading. I began teaching religion to freshmen at the community’s St. Vincent College. I’d still be there, if the archabbot hadn’t forced me out.

858 Gracida John Paul II Catholic World Report : As a bishop, you’ve gotten to know some popes. What experiences can you share?

Bishop Gracida : Yes. I had been serving in the Diocese of Miami a few years, and Bishop Coleman Carroll, the ordinary, told me to get a passport, so I could accompany him to Rome. We went for the coronation of Pope Paul VI. I was stunned to have been singled out for this honor. I found Paul VI to be a gentle, humble man who really took a personal interest in you. He made me an auxiliary bishop after I returned home.

In 1978, Cardinal Karol Wojtyla, the future Pope John Paul II, heard about a program with which I was involved with the U.S. Conference of Catholic Bishops. He invited me to come to Poland to speak to him about it. I went to Krakow, but our visit was cut short when Pope John Paul I died unexpectedly. He had to go to Rome for the conclave that elected him pope. In the time we did have together, he was fascinated that I was an airman during World War II. He asked me hundreds of questions. We became friends. I have a cherished place for him in my heart.

Please go read the FULL INTERVIEW.

Samples of Bishop Gracida’s book are HERE.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski

Random Quote

“Our Christian people regard with great joy everything that contributes to the splendor of the ceremonies. Jesus—who was poor in His private life—received ointment on His feet. See Thomas Aquinas (Prima Secundae, q. 102, art. 5, ad 10) and the holy Curé of Ars. The Church has always loved beautiful churches, and so forth. We must preserve our sacred patrimony and make sure sacred objects do not become secular possessions.”

— Abbot & Council Father denouncing “noble simplicity” during Vatican II

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