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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Savior of EWTN” According To Raymond Arroyo

Corpus Christi Watershed · January 12, 2016

861 Gracida Picture OME INTERVIEWS are excellent while others are execrable. I’m happy to report that Jim Graves has posted an absolutely brilliant CWR interview—very well done.

Here are some excerpts:

Catholic World Report : You count among your friends Mother Angelica.

Bishop Gracida : Yes. In fact, if you read Raymond Arroyo’s biography on Mother Angelica, you’ll see that he refers to me as the “Savior of EWTN.” After her highly publicized dispute with Roger Cardinal Mahony, he led an effort to get the bishops to deny her the right to call EWTN a Catholic network. I was able to save EWTN by using parliamentary procedure and his resolution was voted down.

Catholic World Report : You have an interest in the North American martyrs.

Bishop Gracida : Yes, I was fascinated by them. I remember reading The Last of the Mohicans as a teenager, and developing a special interest in the Jesuit martyrs. Years later, when I entered the Benedictine monastery, I had to propose three names to my archabbot, one of which he’d pick to be my religious name for the rest of my life. The first I chose was the Jesuit martyr René Goupil (d. 1642). To my great pleasure, the name was approved.

Catholic World Report : You joined the largest Benedictine Abbey in the United States, the Monastery of St. Vincent Archabbey in Latrobe, Pennsylvania. What made you want to be a monk?

859 Gracida Benedictine Habit Bishop Gracida : I had attended the University of Houston after the war and earned a degree in architecture. I began working as an architect, but something kept gnawing in me as I asked myself: is this what I want to do with the rest of my life? One day, while I was looking out the window of my office, I saw a frail old woman pushing a grocery cart. I had the urge to help here, but because of my work situation, I was unable to. God used that incident to get me to consider joining the monastery. I had also heard a talk by a Benedictine monk that impressed me, so I decided to check it out.

St. Vincent’s was originally founded to help German immigrants, and when I arrived at the monastery in 1951, there were still a few German monks alive. During meals, some of our table reading was in German. When I entered the community, I found I loved the liturgy. I loved polyphony, I loved Gregorian chant. I loved the Benedictine way of life, the prayer life and the intellectual life. There was lots of studying and reading. I began teaching religion to freshmen at the community’s St. Vincent College. I’d still be there, if the archabbot hadn’t forced me out.

858 Gracida John Paul II Catholic World Report : As a bishop, you’ve gotten to know some popes. What experiences can you share?

Bishop Gracida : Yes. I had been serving in the Diocese of Miami a few years, and Bishop Coleman Carroll, the ordinary, told me to get a passport, so I could accompany him to Rome. We went for the coronation of Pope Paul VI. I was stunned to have been singled out for this honor. I found Paul VI to be a gentle, humble man who really took a personal interest in you. He made me an auxiliary bishop after I returned home.

In 1978, Cardinal Karol Wojtyla, the future Pope John Paul II, heard about a program with which I was involved with the U.S. Conference of Catholic Bishops. He invited me to come to Poland to speak to him about it. I went to Krakow, but our visit was cut short when Pope John Paul I died unexpectedly. He had to go to Rome for the conclave that elected him pope. In the time we did have together, he was fascinated that I was an airman during World War II. He asked me hundreds of questions. We became friends. I have a cherished place for him in my heart.

Please go read the FULL INTERVIEW.

Samples of Bishop Gracida’s book are HERE.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“What will be the results of this innovation? The results expected, or rather desired, are that the faithful will participate in the liturgical mystery with more understanding, in a more practical, a more enjoyable and a more sanctifying way.” [Enjoyable?]

— Pope Paul VI (26 Nov 1969)

Recent Posts

  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)

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