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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Savior of EWTN” According To Raymond Arroyo

Corpus Christi Watershed · January 12, 2016

861 Gracida Picture OME INTERVIEWS are excellent while others are execrable. I’m happy to report that Jim Graves has posted an absolutely brilliant CWR interview—very well done.

Here are some excerpts:

Catholic World Report : You count among your friends Mother Angelica.

Bishop Gracida : Yes. In fact, if you read Raymond Arroyo’s biography on Mother Angelica, you’ll see that he refers to me as the “Savior of EWTN.” After her highly publicized dispute with Roger Cardinal Mahony, he led an effort to get the bishops to deny her the right to call EWTN a Catholic network. I was able to save EWTN by using parliamentary procedure and his resolution was voted down.

Catholic World Report : You have an interest in the North American martyrs.

Bishop Gracida : Yes, I was fascinated by them. I remember reading The Last of the Mohicans as a teenager, and developing a special interest in the Jesuit martyrs. Years later, when I entered the Benedictine monastery, I had to propose three names to my archabbot, one of which he’d pick to be my religious name for the rest of my life. The first I chose was the Jesuit martyr René Goupil (d. 1642). To my great pleasure, the name was approved.

Catholic World Report : You joined the largest Benedictine Abbey in the United States, the Monastery of St. Vincent Archabbey in Latrobe, Pennsylvania. What made you want to be a monk?

859 Gracida Benedictine Habit Bishop Gracida : I had attended the University of Houston after the war and earned a degree in architecture. I began working as an architect, but something kept gnawing in me as I asked myself: is this what I want to do with the rest of my life? One day, while I was looking out the window of my office, I saw a frail old woman pushing a grocery cart. I had the urge to help here, but because of my work situation, I was unable to. God used that incident to get me to consider joining the monastery. I had also heard a talk by a Benedictine monk that impressed me, so I decided to check it out.

St. Vincent’s was originally founded to help German immigrants, and when I arrived at the monastery in 1951, there were still a few German monks alive. During meals, some of our table reading was in German. When I entered the community, I found I loved the liturgy. I loved polyphony, I loved Gregorian chant. I loved the Benedictine way of life, the prayer life and the intellectual life. There was lots of studying and reading. I began teaching religion to freshmen at the community’s St. Vincent College. I’d still be there, if the archabbot hadn’t forced me out.

858 Gracida John Paul II Catholic World Report : As a bishop, you’ve gotten to know some popes. What experiences can you share?

Bishop Gracida : Yes. I had been serving in the Diocese of Miami a few years, and Bishop Coleman Carroll, the ordinary, told me to get a passport, so I could accompany him to Rome. We went for the coronation of Pope Paul VI. I was stunned to have been singled out for this honor. I found Paul VI to be a gentle, humble man who really took a personal interest in you. He made me an auxiliary bishop after I returned home.

In 1978, Cardinal Karol Wojtyla, the future Pope John Paul II, heard about a program with which I was involved with the U.S. Conference of Catholic Bishops. He invited me to come to Poland to speak to him about it. I went to Krakow, but our visit was cut short when Pope John Paul I died unexpectedly. He had to go to Rome for the conclave that elected him pope. In the time we did have together, he was fascinated that I was an airman during World War II. He asked me hundreds of questions. We became friends. I have a cherished place for him in my heart.

Please go read the FULL INTERVIEW.

Samples of Bishop Gracida’s book are HERE.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on which source text is chosen and what each translator wants to emphasize. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“These liturgists protest that the choir must be encouraged, but in the same breath we are told its purpose is to lead the congregation in the singing of hymns and other unison music. These directions from non-musicians who have never created a musical sound—let alone direct a choir—are the cause of consternation among practicing musicians, both instrumentalists and singers.”

— Monsignor Richard J. Schuler (30 November 1967)

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