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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Midlife Crisis and My Funeral

Richard J. Clark · December 4, 2015

HEN I DIE, which I hope will not be for some time, I have one really important request. Please pray for my soul. I’m really going to need it. There are a number of people who will gladly vouch for my sinfulness. Such people are plentiful.

When I turned forty years old, I was not bothered by my age at all. I felt pretty well physically, although that ended as my newborn son began waking up at four a.m. every day for a couple of years. Forty-one was fine, forty-two, forty-three….no problem.

Then suddenly everything changed. Forty-five really bothered me. (So will forty-six.) It’s not the number. But at forty-five, a sense of mortality hit hard and sank in deep. I going to someday die, and it is likely I’ve already lived more years than I have left. I think this is what we might call a mid-life crisis.

There are two responses to this: The first is a time-honored classic, especially for men: Avoidance. The second doesn’t get nearly enough press: Heeding God’s Universal Call to Holiness. Avoidance is a lot more fun, but ultimately brings emptiness and unhappiness to oneself and others. Heeding God’s call is something I hope I have been doing already, but accompanied by a sense of mortality, this call has grown deeper in meaning and urgency. Through it all, my sinfulness is front and center. My soul hangs in the balance.

In an interview with National Catholic Register, German philosopher Germain Grisez discusses this call to holiness:

It’s not what God calls you to do which decides how holy you are, but how well you respond to God’s call. In other words, you don’t have a better or worse calling depending upon what you’re called to do, but you can respond well or not so well to what God’s calling you to do. Holiness is, in a sense, a generalized and universalized calling.

…everyone is given sufficient grace to respond well. There isn’t any preferential option to be holy.

Germain Grisez’s words remind us of Matthew 21:7: Not everyone who says to me, ‘Lord, Lord,’ will enter the kingdom of heaven, but only the one who does the will of my Father in heaven.

O, THIS BRINGS US BACK TO FUNERALS. I’m going to die someday. God willing, I will live long enough to raise my children and spend many years with their children. God willing I will live long enough to become a first-class second-rate composer. If I can compose one piece of music slightly worthy of God’s glory, I will have to live a long time to achieve this.

But at my own funeral, I can’t conceive of my compositions being worthy before God. (What will it matter if I don’t respond well to God’s call?) The prayers and chants of the Church plead for God’s mercy and express hope in eternal life better than anything I could invent. My work is rubbish, an embarrassment in the face of God, like Adam and Eve discovering their own nakedness. God’s Word is living.

So, at my funeral, please pray for me. Please don’t “celebrate my life” (do that after…) or write on the program that you are “celebrating my resurrection.” While I hope so, you won’t know that. My soul needs purifying, for sure. Did I mention, I’m going to need prayers? Ask my friends. They know this better than my enemies.

Furthermore, I hope to celebrate life while I am alive by being grateful to God for my children, my family, the amazing musicians I get to work with each week, and the gifts God has bestowed upon me. I need to celebrate life while responding well to God’s call—which may be to a number of things: husband, father, neighbor, and least of all, musician.

INALLY, PRAYING FOR THE SOULS of the deceased is an act of mercy and kindness. In doing so, we proclaim as a community a central mystery: our hope of resurrection in light of the Paschal Mystery of Christ. As the Order of Christian Funerals states:

1. In the face of death, the Church confidently proclaims that God has created each person for eternal life and that Jesus, the Son of God, by his death and resurrection, has broken the chains of sin and death that bound humanity.

This is extraordinary and should be a cause of great joy and consolation!

Furthermore, the Order of Christian Funerals has much to say about the responsibilities of the Community in providing comfort to mourners. It begins:

9. The responsibility of the ministry of consolation rests with the believing community, which heeds the words and example of the Lord Jesus: “Blessed are those who mourn they shall be consoled.” (Matthew 5:3)…10. Members of the community should console the mourners with words of faith and support and with acts of kindness…”

Please pray for me, as I will for you. We all need it! And God loves us more than we can possibly imagine.

For I am convinced that neither death, nor life, nor angels, nor principalities, nor present things, nor future things, nor powers, nor height, nor depth, nor any other creature will be able to separate us from the love of God in Christ Jesus our Lord. ~ Romans 8:38-39

Download digital scores of Communion Antiphons for Advent here.
Listen to recordings here.

Also available now: Communion Antiphons for Lent.
Listen to recordings here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Requiem Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“For me, religious music ceased with the sixteenth century. The fresh, childlike souls of that time alone expressed their vehement, untainted fervor in music free from worldliness. Since then we have had pious musical improvisations more or less made for show. That wonderful man Johann Sebastian Bach only escaped because of his natural genius. He built harmonic edifices as a devout architect and not as an apostle.”

— Claude Debussy (1862-1918)

Recent Posts

  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)

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