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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Propers for Our Lady of Guadalupe (12 December)

Jeff Ostrowski · December 7, 2015

Providing music for the Traditional Latin Mass is not as hard as some believe. Below is a plan for a very simple—yet dignified & sacred—High Mass.

LET ME REMIND everyone that the full set of scores are available on the Goupil website.

12 December   •   OUR LADY OF GUADALUPE


As the priest processes in, the Introit is sung:

INTROIT   •   Score Video Mp3

As soon as the Introit is over, the Kyrie is begun. Any Kyrie can be sung, but Kyrie IX or Kyrie X would be especially appropriate. You can find everything you need for the Mass Ordinary at this website. 1 Make sure to pick out your starting pitches before Mass begins, because there will not be time for this. Write your starting pitches directly on the score.

When the Kyrie is finished, if the priest is in the middle of the Altar, that means he’s ready to intone the Gloria. Hum the first pitches, and he will intone the words “Gloria in excelsis Deo.” Then, continue singing the rest of the Gloria. Everything that was said earlier about the Kyrie applies to the Gloria.

The priest will sing (or read) the Epistle. Follow along in the Campion Missal, and when he’s finished, sing this: Gradual & Alleluia (PDF). There are also other options for singing these. 2

When you’re finished with the Gradual & Alleluia, the priest will sing the Gospel, and he might also give a sermon. Immediately after the Sermon, he will go to the Altar and sing “Dominus vobiscum.” As soon as you reply with “Et cum spiritu tuo,” count to fifteen, and then sing the Offertory Antiphon (PDF).

It is also allowed to sing the full version of the Offertory, if the choir is capable of doing so:

Offertory   •   Elegi et sanctificavi   •   Score Video Mp3

You can sing some Marian pieces after the Offertory Antiphon has been sung, until the server incenses the congregation. However, any pieces sung have to be appropriate for the feast/season. The Campion Missal has Latin chants starting on page 946. There is nothing wrong with simply having silence after the Offertory Antiphon has been chanted.

After the priest sings the Preface, begin the Sanctus. Everything said earlier about the Kyrie applies to the Sanctus.

The priest will sing the Pater Noster, and you reply “sed libera nos a malo.” Then, a few seconds later, the priest will sing “Dominus vobiscum.” As soon as you say “Et cum spiritu tuo,” count to ten, and then sing the Agnus Dei. Everything said earlier about the Kyrie applies to the Agnus Dei.

After the priest turns around, elevating the Sanctissimum, he’ll say three times: “Domine, non sum dignus ut intres sub tectum meum; sed tantum dic verbo, et sanabitur anima mea.” When he’s done saying that, sing the Communion Antiphon:

Communion   •   Non fecit taliter   •   Score Video Mp3

After you receive Holy Communion, you can sing something, but it must match the feast/season. The Campion Missal has Latin chants starting on page 946.

After Mass, a Marian hymn can be sung, and there are tons in the Campion Missal that would work for the feast of Our Lady of Guadalupe. For example, numbers 905 through 919.



NOTES FROM THIS ARTICLE:

1   The “Ordinary” refers to Kyrie, Gloria, (Creed), Sanctus, and Agnus Dei.

2   Of course, it is also allowed to sing the Full Gradual (pdf) and the Full Alleluia (pdf), but those should only be done when a choir has rehearsed them sufficiently.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

The local church should be conscious that church worship is not really the same as what we sing in a bar, or what we sing in a convention for youth.

— Francis Cardinal Arinze (2005)

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