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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Propers for Our Lady of Guadalupe (12 December)

Jeff Ostrowski · December 7, 2015

Providing music for the Traditional Latin Mass is not as hard as some believe. Below is a plan for a very simple—yet dignified & sacred—High Mass.

LET ME REMIND everyone that the full set of scores are available on the Goupil website.

12 December   •   OUR LADY OF GUADALUPE


As the priest processes in, the Introit is sung:

INTROIT   •   Score Video Mp3

As soon as the Introit is over, the Kyrie is begun. Any Kyrie can be sung, but Kyrie IX or Kyrie X would be especially appropriate. You can find everything you need for the Mass Ordinary at this website. 1 Make sure to pick out your starting pitches before Mass begins, because there will not be time for this. Write your starting pitches directly on the score.

When the Kyrie is finished, if the priest is in the middle of the Altar, that means he’s ready to intone the Gloria. Hum the first pitches, and he will intone the words “Gloria in excelsis Deo.” Then, continue singing the rest of the Gloria. Everything that was said earlier about the Kyrie applies to the Gloria.

The priest will sing (or read) the Epistle. Follow along in the Campion Missal, and when he’s finished, sing this: Gradual & Alleluia (PDF). There are also other options for singing these. 2

When you’re finished with the Gradual & Alleluia, the priest will sing the Gospel, and he might also give a sermon. Immediately after the Sermon, he will go to the Altar and sing “Dominus vobiscum.” As soon as you reply with “Et cum spiritu tuo,” count to fifteen, and then sing the Offertory Antiphon (PDF).

It is also allowed to sing the full version of the Offertory, if the choir is capable of doing so:

Offertory   •   Elegi et sanctificavi   •   Score Video Mp3

You can sing some Marian pieces after the Offertory Antiphon has been sung, until the server incenses the congregation. However, any pieces sung have to be appropriate for the feast/season. The Campion Missal has Latin chants starting on page 946. There is nothing wrong with simply having silence after the Offertory Antiphon has been chanted.

After the priest sings the Preface, begin the Sanctus. Everything said earlier about the Kyrie applies to the Sanctus.

The priest will sing the Pater Noster, and you reply “sed libera nos a malo.” Then, a few seconds later, the priest will sing “Dominus vobiscum.” As soon as you say “Et cum spiritu tuo,” count to ten, and then sing the Agnus Dei. Everything said earlier about the Kyrie applies to the Agnus Dei.

After the priest turns around, elevating the Sanctissimum, he’ll say three times: “Domine, non sum dignus ut intres sub tectum meum; sed tantum dic verbo, et sanabitur anima mea.” When he’s done saying that, sing the Communion Antiphon:

Communion   •   Non fecit taliter   •   Score Video Mp3

After you receive Holy Communion, you can sing something, but it must match the feast/season. The Campion Missal has Latin chants starting on page 946.

After Mass, a Marian hymn can be sung, and there are tons in the Campion Missal that would work for the feast of Our Lady of Guadalupe. For example, numbers 905 through 919.



NOTES FROM THIS ARTICLE:

1   The “Ordinary” refers to Kyrie, Gloria, (Creed), Sanctus, and Agnus Dei.

2   Of course, it is also allowed to sing the Full Gradual (pdf) and the Full Alleluia (pdf), but those should only be done when a choir has rehearsed them sufficiently.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Never before have men had so many time-saving devices. Yet, never before have they had so little free time. When the world unnecessarily accelerates, the Church must slow down.

— Archbishop Fulton J. Sheen

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

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