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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

A Midlife Crisis and My Funeral

Richard J. Clark · December 4, 2015

HEN I DIE, which I hope will not be for some time, I have one really important request. Please pray for my soul. I’m really going to need it. There are a number of people who will gladly vouch for my sinfulness. Such people are plentiful.

When I turned forty years old, I was not bothered by my age at all. I felt pretty well physically, although that ended as my newborn son began waking up at four a.m. every day for a couple of years. Forty-one was fine, forty-two, forty-three….no problem.

Then suddenly everything changed. Forty-five really bothered me. (So will forty-six.) It’s not the number. But at forty-five, a sense of mortality hit hard and sank in deep. I going to someday die, and it is likely I’ve already lived more years than I have left. I think this is what we might call a mid-life crisis.

There are two responses to this: The first is a time-honored classic, especially for men: Avoidance. The second doesn’t get nearly enough press: Heeding God’s Universal Call to Holiness. Avoidance is a lot more fun, but ultimately brings emptiness and unhappiness to oneself and others. Heeding God’s call is something I hope I have been doing already, but accompanied by a sense of mortality, this call has grown deeper in meaning and urgency. Through it all, my sinfulness is front and center. My soul hangs in the balance.

In an interview with National Catholic Register, German philosopher Germain Grisez discusses this call to holiness:

It’s not what God calls you to do which decides how holy you are, but how well you respond to God’s call. In other words, you don’t have a better or worse calling depending upon what you’re called to do, but you can respond well or not so well to what God’s calling you to do. Holiness is, in a sense, a generalized and universalized calling.

…everyone is given sufficient grace to respond well. There isn’t any preferential option to be holy.

Germain Grisez’s words remind us of Matthew 21:7: Not everyone who says to me, ‘Lord, Lord,’ will enter the kingdom of heaven, but only the one who does the will of my Father in heaven.

O, THIS BRINGS US BACK TO FUNERALS. I’m going to die someday. God willing, I will live long enough to raise my children and spend many years with their children. God willing I will live long enough to become a first-class second-rate composer. If I can compose one piece of music slightly worthy of God’s glory, I will have to live a long time to achieve this.

But at my own funeral, I can’t conceive of my compositions being worthy before God. (What will it matter if I don’t respond well to God’s call?) The prayers and chants of the Church plead for God’s mercy and express hope in eternal life better than anything I could invent. My work is rubbish, an embarrassment in the face of God, like Adam and Eve discovering their own nakedness. God’s Word is living.

So, at my funeral, please pray for me. Please don’t “celebrate my life” (do that after…) or write on the program that you are “celebrating my resurrection.” While I hope so, you won’t know that. My soul needs purifying, for sure. Did I mention, I’m going to need prayers? Ask my friends. They know this better than my enemies.

Furthermore, I hope to celebrate life while I am alive by being grateful to God for my children, my family, the amazing musicians I get to work with each week, and the gifts God has bestowed upon me. I need to celebrate life while responding well to God’s call—which may be to a number of things: husband, father, neighbor, and least of all, musician.

INALLY, PRAYING FOR THE SOULS of the deceased is an act of mercy and kindness. In doing so, we proclaim as a community a central mystery: our hope of resurrection in light of the Paschal Mystery of Christ. As the Order of Christian Funerals states:

1. In the face of death, the Church confidently proclaims that God has created each person for eternal life and that Jesus, the Son of God, by his death and resurrection, has broken the chains of sin and death that bound humanity.

This is extraordinary and should be a cause of great joy and consolation!

Furthermore, the Order of Christian Funerals has much to say about the responsibilities of the Community in providing comfort to mourners. It begins:

9. The responsibility of the ministry of consolation rests with the believing community, which heeds the words and example of the Lord Jesus: “Blessed are those who mourn they shall be consoled.” (Matthew 5:3)…10. Members of the community should console the mourners with words of faith and support and with acts of kindness…”

Please pray for me, as I will for you. We all need it! And God loves us more than we can possibly imagine.

For I am convinced that neither death, nor life, nor angels, nor principalities, nor present things, nor future things, nor powers, nor height, nor depth, nor any other creature will be able to separate us from the love of God in Christ Jesus our Lord. ~ Romans 8:38-39

Download digital scores of Communion Antiphons for Advent here.
Listen to recordings here.

Also available now: Communion Antiphons for Lent.
Listen to recordings here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Requiem Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

After sixty years as teacher, composer, and organist, I may state that the Gregorian Chant should be part of the basic material of any musical education, be it religious or secular. The study of it enormously enlarges the spiritual background of any musician. Whereas students in literature will always be required to study Dante, Petrarch and Chaucer, why neglect Gregorian in music education?

— Flor Peeters

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