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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

It’s All About The Players

Dr. Alfred Calabrese · October 29, 2015

321Pyramid blue LIKE BASEBALL. I LIKE BASEBALL A LOT. I especially like baseball when my team is in the World Series. This is the case this year. A quote by New York Mets manager Terry Collins caught my attention last week. When asked about how he felt about getting to the World Series he accepted no credit, saying “It’s all about the players. They did all the work.” This comment made me think again about choirs, choir leadership, and choral sound.

There are many different approaches to the choral sound. One of the more famous ones is the concept formulated back in the 1930’s by John Finley Williamson at Westminster Choir College in Princeton, NJ. Williamson described this sound as the shape of a New England church. (See: Ray Robinson and Allen Winold, The Choral Experience: Literature, Materials, and Methods, New York, Hagerstown, San Francisco, and London: Harper’s College Press, 1976, 179). This can also be thought of as a pyramid. In this choral sound the basses, greater in number than any other section, created the foundation. The altos and tenors created a rich middle. Second sopranos were fewer in number and rested above the alto and tenor. Finally, the fewest singers were in the first soprano section, which rested at the top of the pyramid. These days, this concept of choral sound is probably not utilized in exactly this way, but we do find instances of a pyramid effect, in which the choral sound is created from the bottom up. In this concept, sopranos are asked to create a shimmery, light and pure sound over a rich and warm foundational bass.

If choral sound can be thought of as a pyramid, perhaps the social construct of a choir can be thought of as an inverted pyramid, with the conductor at the bottom. Balancing everything, never tipping, the conductor is the least of all the individuals involved. Above the conductor, along the rich middle, sits all the singers, in increasing numbers and importance. Let’s face it – without people there is no choir. At the very top of the inverted pyramid, along the largest and widest swath of space, is the music itself.

People join choirs for many reasons. Some join because of the great repertoire, some for the social aspect, and some to serve. But conductors can also become the reason people join. People become attached to their conductors, who may be charismatic, great teachers, big personalities, or excellent jokesters. Some conductors relish their reputations as maestros, scholars, or gurus, achieving an almost cultish following. Conductors can sometimes fall into the trap of thinking they are the reason the choir exists, or why people join the choir. This is dangerous. Conductors should think of themselves as small, at the bottom, with the people of the choir and its repertoire growing and expanding in importance above them.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “7 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article is called: “Professor Bouyer’s Regret.”
    —Jeff Ostrowski
    Cardinal Ranjith on “Active Participation”
    From 2005–2009, Malcolm Cardinal Ranjith served as Secretary of the Congregation for Divine Worship and the Discipline of the Sacraments. He was considered ‘papabile’ during the last conclave. On 8 December 2008, he wrote this powerful statement concerning Gregorian Chant, participatio actuosa, celebration “ad orientem,” and other subjects. When it comes to the question of what “sacred” means, Monsignor Robert A. Skeris provides a marvelous answer.
    —Jeff Ostrowski
    “Music List” • 22nd in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 31 August 2025, which is the 22nd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

Don Fernando de las Infantas wrote to the Pope, trying to get him to stop Palestrina from corrupting all the plainsong editions: “The errors which certain musicians, in all good faith, think they have found in plainchant are not errors at all, but on the contrary contain some of the most beautiful musical passages ever written.”

— Don Fernando de las Infantas (1578 A.D.)

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