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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Discussion of “Inclusivity” & “Diversity” at the Synod

Fr. David Friel · October 13, 2015

AT THE PRESENT TIME in Rome, the Synod of Bishops on the Family is underway. This has been quite a highly anticipated event among Catholics, non-Catholics, and the media.

Archbishop Charles J. Chaput, O.F.M. Cap., who is among the bishops who were invited to participate in this Synod, gave remarks on two topics that bear not only on Church doctrine but also on liturgy.

The word “inclusive” has been applied to many aspects of Church life, sometimes appropriately, sometimes erroneously, and very often unclearly. Here, Archbishop Chaput reflects on the meaning inclusivity should have in the Church:

E HAVE HEARD many times that the Church should be inclusive. And if by “inclusive” we mean a Church that is patient and humble, merciful and welcoming – then all of us here will agree. But it’s very hard to include those who do not wish to be included, or insist on being included on their own terms. To put it another way: I can invite someone into my home, and I can make my home as warm and hospitable as possible. But the person outside my door must still choose to enter. If I rebuild my house to the blueprint of the visitor or stranger, my family will bear the cost, and my home will no longer be their home. The lesson is simple. We need to be a welcoming Church that offers refuge to anyone honestly seeking God. But we need to remain a Church committed to the Word of God, faithful to the wisdom of the Christian tradition, and preaching the truth of Jesus Christ.

The other significant phrase on which the archbishop reflected is the phrase “unity in diversity.” This has often been discussed as it relates to the inculturation of sacred music. The oversight of episcopal conferences with regard to sacred music is another common matter of debate. Here, Archbishop Chaput reflects more broadly on the meaning of unity & diversity and the role of bishops’ conferences:

The Church is “catholic” or universal. We need to honor the many differences in personality and culture that exist among the faithful. But we live in a time of intense global change, confusion, and unrest. Our most urgent need is unity, and our greatest danger is fragmentation. Brothers, we need to be very cautious in devolving important disciplinary and doctrinal issues to national and regional episcopal conferences – especially when pressure in that direction is accompanied by an implicit spirit of self-assertion and resistance.

Five hundred years ago, at a moment very like our own, Erasmus of Rotterdam wrote that the unity of the Church is the single most important of her attributes. We can argue about what Erasmus actually believed, and what he intended with his writing. But we can’t argue about the consequences when the need for Church unity was ignored. In the coming days of our synod, we might fruitfully remember the importance of our unity, what that unity requires, and what disunity on matters of substance implies.

As the work of this important Synod goes on, let’s all commit to prayer for the Holy Father and the Synod Fathers. May the Holy Spirit guide the Church in all ways!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Inculturation, Marriage Synod, Unity Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Buckfast Abbey Weighs In
    Dom John Stéphan was a Benedictine monk of Buckfast Abbey in South Devon, England. On 4 February 1933, he published this interesting letter in THE TABLET. Have you seen the exterior of Buckfast Abbey? It’s beyond gorgeous. I doubt there’s a more arresting Abbey in the entire world. Dom Stéphan’s letter is concerning this momentous collection, which our organization obtained, scanned, and uploaded.
    —Jeff Ostrowski
    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski
    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“It is also customary in many lands that a brief but meaningful hymn be sung between the Gospel and the sermon. (I note in passing that this custom also preserves the original and primary function of the medieval congregational hymn, which was to frame the sermon.)”

— Professor László Dobszay (2003)

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  • PDF • “Liturgical Law” (467 Pages)
  • Gregorian Chant … with Organ Accompaniment?

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