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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Discussion of “Inclusivity” & “Diversity” at the Synod

Fr. David Friel · October 13, 2015

AT THE PRESENT TIME in Rome, the Synod of Bishops on the Family is underway. This has been quite a highly anticipated event among Catholics, non-Catholics, and the media.

Archbishop Charles J. Chaput, O.F.M. Cap., who is among the bishops who were invited to participate in this Synod, gave remarks on two topics that bear not only on Church doctrine but also on liturgy.

The word “inclusive” has been applied to many aspects of Church life, sometimes appropriately, sometimes erroneously, and very often unclearly. Here, Archbishop Chaput reflects on the meaning inclusivity should have in the Church:

E HAVE HEARD many times that the Church should be inclusive. And if by “inclusive” we mean a Church that is patient and humble, merciful and welcoming – then all of us here will agree. But it’s very hard to include those who do not wish to be included, or insist on being included on their own terms. To put it another way: I can invite someone into my home, and I can make my home as warm and hospitable as possible. But the person outside my door must still choose to enter. If I rebuild my house to the blueprint of the visitor or stranger, my family will bear the cost, and my home will no longer be their home. The lesson is simple. We need to be a welcoming Church that offers refuge to anyone honestly seeking God. But we need to remain a Church committed to the Word of God, faithful to the wisdom of the Christian tradition, and preaching the truth of Jesus Christ.

The other significant phrase on which the archbishop reflected is the phrase “unity in diversity.” This has often been discussed as it relates to the inculturation of sacred music. The oversight of episcopal conferences with regard to sacred music is another common matter of debate. Here, Archbishop Chaput reflects more broadly on the meaning of unity & diversity and the role of bishops’ conferences:

The Church is “catholic” or universal. We need to honor the many differences in personality and culture that exist among the faithful. But we live in a time of intense global change, confusion, and unrest. Our most urgent need is unity, and our greatest danger is fragmentation. Brothers, we need to be very cautious in devolving important disciplinary and doctrinal issues to national and regional episcopal conferences – especially when pressure in that direction is accompanied by an implicit spirit of self-assertion and resistance.

Five hundred years ago, at a moment very like our own, Erasmus of Rotterdam wrote that the unity of the Church is the single most important of her attributes. We can argue about what Erasmus actually believed, and what he intended with his writing. But we can’t argue about the consequences when the need for Church unity was ignored. In the coming days of our synod, we might fruitfully remember the importance of our unity, what that unity requires, and what disunity on matters of substance implies.

As the work of this important Synod goes on, let’s all commit to prayer for the Holy Father and the Synod Fathers. May the Holy Spirit guide the Church in all ways!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Inculturation, Marriage Synod, Unity Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    “Music List” • 19th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 19th Sunday in Ordinary Time (10 August 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.
    —Jeff Ostrowski
    This Sunday’s Communion Antiphon
    This coming Sunday—10 August 2025—is the 19th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON is really gorgeous, and two of its features are worth mentioning. First of all, the Gospel reading assigned is from Saint Luke, whereas the the antiphon—although it matches the account—comes from Saint Matthew. (If anyone can point to a similar example, please notify me.) Furthermore, if you look at the authentic Gregorian Chant version posted on the feasts website, you’ll notice that it’s MODE III but ends on the ‘wrong’ note. A comparable instance of such a ‘transposed’ chant would be KYRIE IV.
    —Jeff Ostrowski
    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The Catholic Church has a dignity far surpassing that of every merely human society, for it was founded by Christ the Lord. It is altogether fitting, therefore, that the language it uses should be noble, majestic, and non-vernacular.”

— Blessed John XXIII (22 February 1962)

Recent Posts

  • Is this what the new “Youth Mass” looks like?
  • “Music List” • 19th in Ordinary Time (Year C)
  • This Sunday’s Communion Antiphon
  • Using “Ye” Vs. “You” Correctly
  • Installment #3 • “Serious Problems with the Lectionary Translation”

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