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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Rediscovering “Musicam Sacram”

Christopher Mueller · October 12, 2015

213 Vatican II AVING RECEIVED an absurd Facebook suggestion (albeit in jest) regarding music for a funeral, a friend replied with a very pithy, “Sorry: Musicam Sacram 60.” I decided to look that up, 1 and encountered anew this wonderfully clear and concise document about music in the liturgy.

Musicam Sacram is the official “instruction on music in the liturgy,” released in 1967 as one of the teaching documents of the Second Vatican Council. Not only does Vatican II have a lot to say about liturgical music, but it also has a lot to say about choirs particularly. Sometimes people criticize choral music in the Mass, suggesting that it doesn’t belong, or that all music should be sung by the people and there is really no need or use for a choir.

However, Musicam Sacram in paragraph 7 discusses the roles of liturgical participants in relation to music, with the closing phrase that there is even a role for the “choir alone.” Paragraph 9 contrasts sacred music “for the choir or for the people.” Paragraph 16 elucidates conditions under which “some of the people’s song” may be “handed over to the choir alone.” And paragraphs 19-24 discuss in some detail the role of the choir, different types of choirs, and formation of its singers, beginning with this remarkable statement:

The role of the choir “has become something of yet greater importance and weight by reason of the norms of the Council concerning the liturgical renewal.” (MS 19)

So we can say unequivocally that, yes, Vatican II prescribes choral singing at Mass.

To the criticism one sometimes hears, that the choir is elitist or set apart from the rest of the church, Musicam Sacram offers this direct corrective:

The nature of the choir “should be clearly apparent—namely, that it is a part of the whole congregation, and that it fulfills a special role.” (MS 23a)

Finally, as more general point, music is central to the celebration liturgy. We are instructed that “there is no reason why some of the Proper or Ordinary should not be sung” in a spoken Mass. Read that again: there is no reason to exclude music altogether from a Mass!

Therefore, singing at Mass, and specifically, choral singing at Mass, are manifestations of the true spirit of Vatican II.



NOTES FROM THIS ARTICLE:

1   Musicam Sacram 60 states, “Anything done in churches… [which is] unbecoming to the holiness of the place [or] the dignity of the liturgy… must be avoided.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Christopher Mueller

Christopher Mueller is a conductor and composer who aims to write beautiful music out of gratitude to God, Author of all beauty.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • “Ascension of the Lord”
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the The Ascension of the Lord—“Festum Ascensionis Domini”—which is transferred to 17 May 2026 in our diocese. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (“Ascéndit Deus in jubilatióne”) is particularly beautiful and the ENTRANCE CHANT is simply splendid. As always, readers may go directly to the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

We should note that upon being opened up, the Scriptures proved to contain such “rich fare” that parts of the banquet were removed at once from the “table of God’s word,” lest they should prove indigestible to liberal stomachs. In twenty-two places the new lectionary expunges whole verses from the text of the Gospels used at Mass in order to remove references to the Last Judgment, the condemnation of the world, and sin.

— Fr. John Parsons (2001)

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