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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Rediscovering “Musicam Sacram”

Christopher Mueller · October 12, 2015

213 Vatican II AVING RECEIVED an absurd Facebook suggestion (albeit in jest) regarding music for a funeral, a friend replied with a very pithy, “Sorry: Musicam Sacram 60.” I decided to look that up, 1 and encountered anew this wonderfully clear and concise document about music in the liturgy.

Musicam Sacram is the official “instruction on music in the liturgy,” released in 1967 as one of the teaching documents of the Second Vatican Council. Not only does Vatican II have a lot to say about liturgical music, but it also has a lot to say about choirs particularly. Sometimes people criticize choral music in the Mass, suggesting that it doesn’t belong, or that all music should be sung by the people and there is really no need or use for a choir.

However, Musicam Sacram in paragraph 7 discusses the roles of liturgical participants in relation to music, with the closing phrase that there is even a role for the “choir alone.” Paragraph 9 contrasts sacred music “for the choir or for the people.” Paragraph 16 elucidates conditions under which “some of the people’s song” may be “handed over to the choir alone.” And paragraphs 19-24 discuss in some detail the role of the choir, different types of choirs, and formation of its singers, beginning with this remarkable statement:

The role of the choir “has become something of yet greater importance and weight by reason of the norms of the Council concerning the liturgical renewal.” (MS 19)

So we can say unequivocally that, yes, Vatican II prescribes choral singing at Mass.

To the criticism one sometimes hears, that the choir is elitist or set apart from the rest of the church, Musicam Sacram offers this direct corrective:

The nature of the choir “should be clearly apparent—namely, that it is a part of the whole congregation, and that it fulfills a special role.” (MS 23a)

Finally, as more general point, music is central to the celebration liturgy. We are instructed that “there is no reason why some of the Proper or Ordinary should not be sung” in a spoken Mass. Read that again: there is no reason to exclude music altogether from a Mass!

Therefore, singing at Mass, and specifically, choral singing at Mass, are manifestations of the true spirit of Vatican II.



NOTES FROM THIS ARTICLE:

1   Musicam Sacram 60 states, “Anything done in churches… [which is] unbecoming to the holiness of the place [or] the dignity of the liturgy… must be avoided.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Christopher Mueller

Christopher Mueller is a conductor and composer who aims to write beautiful music out of gratitude to God, Author of all beauty.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
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    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“I ask that future priests, from their time in the seminary, receive the preparation needed to understand and to celebrate Mass in Latin, and also to use Latin texts and execute Gregorian chant; nor should we forget that the faithful can be taught to recite the more common prayers in Latin, and also to sing parts of the liturgy to Gregorian chant.”

— SACRAMENTUM CARITATIS

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