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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Rediscovering “Musicam Sacram”

Christopher Mueller · October 12, 2015

213 Vatican II AVING RECEIVED an absurd Facebook suggestion (albeit in jest) regarding music for a funeral, a friend replied with a very pithy, “Sorry: Musicam Sacram 60.” I decided to look that up, 1 and encountered anew this wonderfully clear and concise document about music in the liturgy.

Musicam Sacram is the official “instruction on music in the liturgy,” released in 1967 as one of the teaching documents of the Second Vatican Council. Not only does Vatican II have a lot to say about liturgical music, but it also has a lot to say about choirs particularly. Sometimes people criticize choral music in the Mass, suggesting that it doesn’t belong, or that all music should be sung by the people and there is really no need or use for a choir.

However, Musicam Sacram in paragraph 7 discusses the roles of liturgical participants in relation to music, with the closing phrase that there is even a role for the “choir alone.” Paragraph 9 contrasts sacred music “for the choir or for the people.” Paragraph 16 elucidates conditions under which “some of the people’s song” may be “handed over to the choir alone.” And paragraphs 19-24 discuss in some detail the role of the choir, different types of choirs, and formation of its singers, beginning with this remarkable statement:

The role of the choir “has become something of yet greater importance and weight by reason of the norms of the Council concerning the liturgical renewal.” (MS 19)

So we can say unequivocally that, yes, Vatican II prescribes choral singing at Mass.

To the criticism one sometimes hears, that the choir is elitist or set apart from the rest of the church, Musicam Sacram offers this direct corrective:

The nature of the choir “should be clearly apparent—namely, that it is a part of the whole congregation, and that it fulfills a special role.” (MS 23a)

Finally, as more general point, music is central to the celebration liturgy. We are instructed that “there is no reason why some of the Proper or Ordinary should not be sung” in a spoken Mass. Read that again: there is no reason to exclude music altogether from a Mass!

Therefore, singing at Mass, and specifically, choral singing at Mass, are manifestations of the true spirit of Vatican II.



NOTES FROM THIS ARTICLE:

1   Musicam Sacram 60 states, “Anything done in churches… [which is] unbecoming to the holiness of the place [or] the dignity of the liturgy… must be avoided.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Christopher Mueller

Christopher Mueller is a conductor and composer who aims to write beautiful music out of gratitude to God, Author of all beauty.—(Read full biography).

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President’s Corner

    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“It is the choir that can make the most valuable contribution to the liturgy; it is through the choir that significant numbers of the congregation can make a significant and valuable offering in the community’s act of worship. The choir links directly academic excellence, artistic creation, disciplined attention and self expression in the making of something fitting for the worship of God.”

— Father Daniel Higgins, Choirmaster at Saint Edmund’s College, Ware

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