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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • SAB Setting of “Jesu Rex Admirabilis”

Guest Author · September 9, 2015

316 Rick Wheeler Church O MANY OPINIONS, so many choices; how does one format a Liturgy with so much music available? Well, in Littleton, Colorado, we have a pre-set format when it comes to chant—the Liber Usualis—and the rest is determined by a simple formula. That being said, Our Lady of Mount Carmel’s website/choir page is not a blog, but a place where soon all copyright-free music scores that the church offers (and we can edit for electronic transfer) will be available for musicians to download and use. I wanted to make sure word got out, and thanks to CCW that’s going to happen.

Before I go any further, here’s a brief sample of what Sacred music is like at our Colorado parish. As a bonus, you get a wonderful Palestrina score for SOPRANO-ALTO-BARITONE that might come in handy!

    * *  Mp3 Audio • “Jesu Rex Admirabilis”

    * *  PDF Download • “Jesu Rex Admirabilis”

I’m so very appreciative of the plethora of great traditional blogs that are online now. Some are quite radical, but many are helpful and show a great spirit of unification (real charity) in the church regarding not only in the EF but also in the post-conciliar Masses. I’d like also to offer my thanks to CCW for the great articles and blogs offered there. Many churches now resound with music due to the dedication of bloggers and musicians, all helping the faithful to raise their souls to God and Our Lord in the Blessed Sacrament. Now, what that means is being faithful to rules regarding music for the Liturgy and there is where disagreement seems to begin.

There are lots of ideas online regarding what it takes to restore sacred music and I’ve found a great deal of those opinions helpful in planning any given Sunday. Our Lady of Mount Carmel decided to go with a very simple focus. Under the patient and holy direction of Fr. James Jackson we decided that a percentage focus on Chant/Polyphony/Hymns was necessary. Since the processional and recessional was sufficient to cover the hymns portion of the liturgy, we usually leave the hymnody to that place. Our Schola Cantorum sings the Gregorian Propers every Sunday unless there are polyphonic Propers that are part of the Mass of the day. Our Parish is supported by the wonderful priests of the Fraternity of St. Peter which means we get to have the EF Mass all the time and use the Liber Usualis for our calendar. During Holy Week we have full Gregorian Tenebrae in addition to the liturgies of Maundy Thursday, Good Friday, and Holy Saturday Vigil. Soon, we’ll be adding the Matins of Christmas. Recently we’ve acquired the rare and beautiful chants for that ceremony, and will soon post those for anyone to use. The treasures of the church are to be shared—we at OLMC firmly believe that—and so all our music editings are completely copyright-free, with only a Creative Commons request at the bottom. We have even had polyphony written for us in the late Renaissance style, and a CD of the live recording will be ready soon.

Here’s the choir of Our Lady of Mount Carmel singing an Ave Maria setting by Parsons:


So, chant 70% of the time, polyphony 20-25% of the time, and hymns at the ends and possibly 5% of the time during Mass. As the Second Vatican Council has asked…. chant (primacy of place) then/polyphony/hymns as commanded by Pope Pius XII and many other popes.

Our Lady of Mount Carmel is located at:

5612 S. Hickory Street
Littleton, CO 80120


We hope you enjoyed this guest article by Rick Wheeler.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: January 13, 2020

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President’s Corner

    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski
    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

At the Catholic gathering (Katholikentag) held at Breslau in August, the Papal Nuncio celebrated Mass for 80,000 participants, facing the people (the “Missa versus populum”).

— “Orate Fratres” Magazine (23 Jan. 1927)

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