• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

PDF Download • SAB Setting of “Jesu Rex Admirabilis”

Guest Author · September 9, 2015

316 Rick Wheeler Church O MANY OPINIONS, so many choices; how does one format a Liturgy with so much music available? Well, in Littleton, Colorado, we have a pre-set format when it comes to chant—the Liber Usualis—and the rest is determined by a simple formula. That being said, Our Lady of Mount Carmel’s website/choir page is not a blog, but a place where soon all copyright-free music scores that the church offers (and we can edit for electronic transfer) will be available for musicians to download and use. I wanted to make sure word got out, and thanks to CCW that’s going to happen.

Before I go any further, here’s a brief sample of what Sacred music is like at our Colorado parish. As a bonus, you get a wonderful Palestrina score for SOPRANO-ALTO-BARITONE that might come in handy!

    * *  Mp3 Audio • “Jesu Rex Admirabilis”

    * *  PDF Download • “Jesu Rex Admirabilis”

I’m so very appreciative of the plethora of great traditional blogs that are online now. Some are quite radical, but many are helpful and show a great spirit of unification (real charity) in the church regarding not only in the EF but also in the post-conciliar Masses. I’d like also to offer my thanks to CCW for the great articles and blogs offered there. Many churches now resound with music due to the dedication of bloggers and musicians, all helping the faithful to raise their souls to God and Our Lord in the Blessed Sacrament. Now, what that means is being faithful to rules regarding music for the Liturgy and there is where disagreement seems to begin.

There are lots of ideas online regarding what it takes to restore sacred music and I’ve found a great deal of those opinions helpful in planning any given Sunday. Our Lady of Mount Carmel decided to go with a very simple focus. Under the patient and holy direction of Fr. James Jackson we decided that a percentage focus on Chant/Polyphony/Hymns was necessary. Since the processional and recessional was sufficient to cover the hymns portion of the liturgy, we usually leave the hymnody to that place. Our Schola Cantorum sings the Gregorian Propers every Sunday unless there are polyphonic Propers that are part of the Mass of the day. Our Parish is supported by the wonderful priests of the Fraternity of St. Peter which means we get to have the EF Mass all the time and use the Liber Usualis for our calendar. During Holy Week we have full Gregorian Tenebrae in addition to the liturgies of Maundy Thursday, Good Friday, and Holy Saturday Vigil. Soon, we’ll be adding the Matins of Christmas. Recently we’ve acquired the rare and beautiful chants for that ceremony, and will soon post those for anyone to use. The treasures of the church are to be shared—we at OLMC firmly believe that—and so all our music editings are completely copyright-free, with only a Creative Commons request at the bottom. We have even had polyphony written for us in the late Renaissance style, and a CD of the live recording will be ready soon.

Here’s the choir of Our Lady of Mount Carmel singing an Ave Maria setting by Parsons:


So, chant 70% of the time, polyphony 20-25% of the time, and hymns at the ends and possibly 5% of the time during Mass. As the Second Vatican Council has asked…. chant (primacy of place) then/polyphony/hymns as commanded by Pope Pius XII and many other popes.

Our Lady of Mount Carmel is located at:

5612 S. Hickory Street
Littleton, CO 80120


We hope you enjoyed this guest article by Rick Wheeler.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: January 13, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“So, as in delirium a man talks in a long-forgotten tongue, now—when her heart is rent—the Catholic Church drops twenty centuries without an effort, and speaks as she spoke underground in Rome, and in Paul’s hired house, and in Crete and Alexandria and Jerusalem.”

— A non-Catholic describing the “Hagios O Theos” of Good Friday in 1906

Recent Posts

  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”
  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.