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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Pontifical Solemn High Mass in Steubenville

Andrew Leung · September 17, 2015

CTL Pontifical Solemn High Mass AST TUESDAY, I was in Steubenville, Ohio, participating in and singing the Pontifical Solemn High Mass celebrated by His Eminence Raymond Leo Cardinal Burke. The two-and-a-half-hour long Mass started at 10:30 in the morning at St. Peter Catholic Church in downtown Steubenville. The church was packed and filled with students, professors, staff, families, laity and religious from around the area. About twenty priests from the Diocese of Steubenville, Institute of Christ the King Sovereign Priest, Priestly Fraternity of St. Peter, Franciscan Third Order Regular, and Diocese of Columbus, Youngstown, Pittsburgh, Wheeling-Charleston, and Altoona-Johnstown assisted at Mass or sat in choir.

The Schola Cantorum Franciscana sang under the direction of Professor Nicholas Will. The schola is part of the Franciscan University of Steubenville’s Sacred Music Program. The program has been committed to the training of professional church musicians for nine years. It has been flourishing these past few years and is attracting more and more young singers and organists to join. A few other fellow alumni and myself had the privilege to sang with the schola and it was an incredible experience for me. The musical highlight of the Mass is the Messe Solennelle by French composer Louis Vierne. Here is what Steve Skojec of OnePeterFive had to say about the Mass and the music:

“For those who think Steubenville and tradition don’t mix, the college has several on-campus TLMs a month. On the particular and quite special occasion of Cardinal Burke’s visit, a Pontifical High Mass was also arranged at St. Peter’s, the local parish. Professor Nicholas Will, who teaches Sacred Music, played the organ in a style that would impress even the most demanding Frenchman, and he also directed the Schola Cantorum Franciscana in the Messe Solennelle by Louis Vierne. In general, I respect and appreciate the organ as a liturgical instrument, but my preference is for the human voice, sparsely adorned.

And Oh! Those human voices! It was an absolutely stunning performance. The Kyrie and the Sanctus in particular were incredibly moving. Many of the students who come to Franciscan are musically talented, but not all of them are limited to softly strumming guitars and Christian contemporary ballads. I do not overstate the case when I say this was the most powerful vocal performance I have ever heard in all my travels – including Rome, Vienna, and Salzburg.”

Dr. Peter Kwasniewski also agrees with him and said that the Mass and the music is “just magnificent in every way”. After the Mass, Cardinal Burke thanked Prof. Will personally and congratulated the schola on the impressive music. Dr. Michael Sirilla, a theology professor at Franciscan, told me that Vierne’s Kyrie was the most powerful Kyrie he has ever experienced. How powerful is it? Here is a recording of the Kyrie from Vierne’s Messe Solennelle:

    * *  Mp3 Audio • Kyrie from Louis Vierne’s Messe Solennelle

Director: Prof. Nicholas Will
Organist: Andrew Barnick, ’15
Audio Technicians: Dr. David Schaefer and Ryan Harner, ’16

The Mass and the music was definitely a very powerful experience for me personally. I have never been to a Pontifical Mass where the prelate wears his cappa magna. To attend a Solemn High Mass, the fullness of the Roman Rite, with a cardinal was a mountaintop experience! The beauty of the Liturgy, the arts and music really reflected the heavenly banquet. I believe this has to be the closest thing on earth to the heavenly Liturgy.

Vierne’s Mass is only the second French Mass I have sung in my musical career, the first one was Faure’s Requiem. I know! I still have many more to work on: Franck, Durufle, and many others. Anyway, as a singer, I really enjoyed the dramatic effects, the expressiveness and the color of the Messe Solennelle.

CTL Pontifical Solemn High Mass Gallery 9 CTL Pontifical Solemn High Mass Gallery 8 CTL Pontifical Solemn High Mass Gallery 7 CTL Pontifical Solemn High Mass Gallery 6 CTL Pontifical Solemn High Mass Gallery 5 CTL Pontifical Solemn High Mass Gallery 4 CTL Pontifical Solemn High Mass Gallery 3 CTL Pontifical Solemn High Mass Gallery 2 CTL Pontifical Solemn High Mass Gallery 1


Photo Credit: Drew Pultorak
More pictures of the Mass by Allison Girone.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Until Pope Paul VI, there has not been a single pope who introduced the type of fundamental changes in liturgical forms which we are now witnessing. In fact, we must note that even small changes in the liturgy introduced by a pope have never been readily accepted.”

— Monsignor Klaus Gamber (d. 1989)

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