• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

“Live” Recording Of Polyphonic Kyrie VIII

Jeff Ostrowski · September 16, 2015

294 Extraordinary Form MASS AST SUNDAY, as you can see by the musical program I post each week, we sang a beautiful composition by Richard Rice. I’ve mentioned how much I like this piece—and if you haven’t done so, you should download the entire Mass—so I won’t repeat what I’ve said already.

Last Sunday, somebody in the pews took this “live” recording:

    * *  Mp3 Audio • “Live” Kyrie VIII (Rice)

Is it a perfect performance? Certainly not; but we’re on the right track. Moreover, when you consider that our FSSP parish in Los Angeles has existed less than a year, I think you’ll agree we’ve made fine progress.

WHEN I STUDIED MUSICOLOGY in grad school, they made us read “source documents” from the Renaissance. One Cardinal complained vociferously in writing about a Kyrie he said was too happy. I’m paraphrasing, but his argument went something like this:

“Doesn’t this composer realize the Kyrie is supposed to be sad and mournful? It’s supposed to be written in a sad mode, but he chose a happy mode. Is this what art has come to? Have we reached a point where composers don’t even realize the Kyrie should sound sad?”

In fact, the Cardinal was dead wrong. The Catholic liturgical tradition is much more complicated than “sad vs. happy.” For instance, the same melodies—the exact same melodies—are used for the interlectionary chants during Lent and Eastertide. You can even find “happy” melodies setting the CRUCIFIXUS. The reason is because our Catholic faith is a mixture of joy and sorrow. This is illustrated well by the name “Good Friday.” Another example would be “Felix Culpa.” For the record, Richard Rice’s Kyrie—if sung well—should should extremely happy, although a few “dismal” elements are hidden within it as well.

In a biography of Saint John Bosco, it’s mentioned that Don Bosco would fall out of bed each morning at 4:00am and immediately pray for an hour … in thanksgiving. Another described the saint’s whole life as a massive outpouring of thanksgiving. In my life, I have so much to be thankful for. Were I to list everything and everyone, this blog would go on forever.

Let me just mention three things:

(1) I’m grateful for the opportunity to work with our choir and organist here in Los Angeles.

(2) I’m grateful to Pope Benedict XVI for the gift of Summorum Pontificum.

(3) I’m grateful to the CCW donors, who give $5.00 each month. Thanks to them, we can share our hopes, dreams, failures, and successes here on Views from the Choir Loft.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Music List” • 22nd in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 31 August 2025, which is the 22nd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

Far from dreading an encounter with the Iroquois, Fr. Garnier often told us he would be quite content to fall into their hands and remain their prisoner if—while they were torturing him—he at least had a chance of instructing them as long as his torments lasted. If they allowed him to live, it would afford him a golden opportunity to work for their conversion, which was now impossible, since the gateway to their country was closed as long as they were our enemies.

— Father Ragueneau (Jesuit Relations)

Recent Posts

  • Exec. Director of ICEL weighs in on our series • “PDF comparison chart” included
  • “Music List” • 22nd in Ordinary Time (Year C)
  • Brave Schola Director Posts ‘Live’ Recording
  • “Cracker Barrel & Catholicism” • Logos and Lessons
  • “Reform of the Reform” officially embraced by USCCB

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.