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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Importance of Uniforms

Fr. David Friel · September 6, 2015

EVERAL SUMMERS AGO, I underwent training at the Naval Chaplains School in Newport, RI. It was a terrific experience (and Newport is not a shabby place to spend the summer). Over that summer, I learned about the traditions of the Navy, did a lot of PT, and became friends with a rabbi & an imam. I am forever grateful for the formation I received during those months.

One thing that many people don’t know about Navy chaplains is that they serve not only the Navy, but also the Marines and the Coast Guard. So we learned about those branches, also, during our training. For a two-week period, we focused exclusively on the Marine component, and we were taken off-site for special field exercises.

We spent most of our time on NAVSTA Newport wearing Navy uniforms—khaki’s mostly, with the occasional need for summer whites. The day we left for the field exercises, however, we all dressed in Marine uniforms. I will never forget looking in the mirror that morning and seeing myself decked in woodland camouflage. My interior response was strong, immediate, and multi-faceted. I felt unworthy, honored, and humbled to wear this particular uniform; the sight produced within me a tangible sense of duty; my mind was consumed with the thought of so many Marines who have died wearing the very same uniform. To be honest, the experience was a bit overwhelming. The question, “Who am I?” repeated itself quietly but firmly in my mind.

HE CASSOCK can be something of a lightning rod. I have yet to forget the occasion when I first wore one, about two months into my first year of seminary life. The feeling was very similar to my experience with the Marine woodlands. I felt unworthy, coupled with a sense of duty and the insistent question of identity.

A great portion of my life has been spent in uniform. Whether it’s been a Catholic school uniform or a baseball uniform or a Scout uniform or a Navy uniform or my current uniform of black, I’ve always enjoyed the feeling of being part of something larger. There are real benefits to wearing a uniform (beyond the freedom of not worrying what to wear).

An article published two weeks ago by Esquire writer-at-large, Tom Chiarella, has some fascinating insights into the effect a cassock can have on the one who wears it and those who see it worn. Though not a priest, Chiarella undertook a mission to wear a cassock around downtown Chicago for a day, observing how it affected him and those he encountered. He continued the experiment by dressing on other days as a security guard, a mechanic, and a doctor. I won’t rehash all of his insights, because the article is worth reading for yourself.

In large part, Chiarella recounts being met with pleasant-to-positive encounters during his day-in-the-life. After four years as a priest, myself, that surprised me a bit. While I am typically met with great warmth in the neighborhood where I live & work, a casual walk through Center City dressed as a priest elicits mostly disinterest. There are, of course, occasional unpleasant encounters that largely stem from the scandals of the last decade, but I would say that the majority of people pay little mind to a passing priest.

That being said, I could not begin to list the many wonderful encounters I have had with strangers who have approached me simply because I was dressed as a priest. Many prayers have been requested, blessings have been offered, and questions have been asked. Without a doubt, wearing priestly attire is good for the priest, since it is a reminder of his vocation and an encouragement to his priestly identity. But it is also good for those around him.

The Esquire article reminded me of William Riccio’s reflection upon the Eucharistic procession held in NYC at the conclusion of Sacra Liturgia back in June. The effect of that procession was a profound spirit of peace felt by participants, police officers, and passers-by alike. The sight of a priest, like the sight of that procession, can have incalculable effects.

Chiarella’s observations, I believe, are valid and important. They are evidence of humanity’s innate desire to connect with God. This desire is written in the hearts of all men, including those who otherwise live in the mire of secularism. If we are serious about the New Evangelization, it is incumbent upon priests to capitalize on simple opportunities to engage modern man. It would seem that wearing priestly garb in public settings is such an opportunity. Doing so often serves as an entre for conversation and prayer—even confession.

HETHER A PRIEST wears a cassock or a black suit, the witness of clerical garb is essential in the modern age. The world needs the witness of priests in ordinary life, not just inside the church building. Our brothers & sisters in the streets and in all of society need to be reminded of the presence of God. We priests should be humbled and honored to be that reminder.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Roman Collar Distinctive Garb Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    💲 5.00 💵
    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
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    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Since the English is not meant to be sung—but only to tell people who do not understand Latin what the hymn text means—a simple paraphrase in prose is sufficient. The versions are not always very literal. (Literal translations from Latin hymns would often look odd in English.) I have tried to give in a readable, generally rhythmic form the real meaning of the text.”

— Father Adrian Fortescue (d. 1923)

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  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.