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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

That’s Entertainment, Folks!

Richard J. Clark · August 7, 2015

HE FIRST PRESIDENTIAL debate of the season was hands down the most entertaining in recent memory if not in history. There was plenty of intrigue, banter, and side plots to distract from substance and policy. Speculation of if and when Donald Trump will wear thin with voters makes for Must See TV. But at some point, politicians must lead. At some point, they must govern. Our lives depend upon it.

Politicians often superficially manipulate perception. Music can do the same. (And I always tell my choir that we must never discuss religion or politics. Rimshot, please.) It is not enough that we are entertaining. In fact, entertainment distracts from the Real Presence. We must lead. We must offer substance. Our spiritual lives depend upon it, as do those whom we serve.

But in order to do so, we too must be spiritually fed and nourished as well. Therefore, we must ask ourselves this simple question, “Are we being fed?”

GOOD BAROMETER FOR THIS IS THE FOLLOWING: When you are in prayer (in the role of a musician or not) are you being fed spiritually? In other words, are your batteries being recharged or are they being drained?

Of course one expects to feel fatigued after working hard in the role of a musician at several Masses. But one should also be uplifted in spirit with energy to forge on in service to God and others.

If one is completely drained, there are two possibilities at play: One is that we are not taking time for silence and reflection during or before the Mass. The second possibility is that there is a disconnect between the music and the Mass itself.

Consider the words from Sacrosanctum Concilium:

112. “(S)acred music is to be considered the more holy in proportion as it is more closely connected with the liturgical action, whether it adds delight to prayer, fosters unity of minds, or confers greater solemnity upon the sacred rites.

ACRED MUSIC NEEDS TO LIVE among the sacred. Otherwise we have two separate and incongruent things going on: entertainment on the one hand and prayer that seems awkwardly out of place on the other. We have seen the “talk-show” celebrant that may be incongruent with reverent music. And we have seen a prayerful celebrant with music that selfishly draws too much attention to itself (regardless of style).

From US Bishop’s document Sing to the Lord: Music in Divine Worship (SttL):

125. The role of music is to serve the needs of the Liturgy and not to dominate it, seek to entertain, or draw attention to itself or the musicians…The primary role of music in the Liturgy is to help the members of the gathered assembly to join themselves with the action of Christ and to give voice to the gift of faith.

As such, sacred music is not simply a “nice addition to the Mass.” It is wedded to the Mass, just as chant grew up side by side with the Roman Rite. Sacred music exists to help us pray the words of the Mass. If this is not happening, we may often feel instinctively out of sorts. If the words of the Mass are constantly changed, this too contributes to a disconcerted feeling.

RE YOU BEING FED? If not, examine your environment. Seek God in silent prayer. Tell Him the desires are that are deep in your heart. Allow Him to enter your life in close relationship. If not, God will still seek you out. He will go after you, find you, feed you, and send you forth to do what He calls you to do. For this, be joyful.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski
    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“A father cannot introduce mistrust and division among his faithful children. He cannot humiliate some by setting them against others. He cannot ostracize some of his priests. The peace and unity that the Church claims to offer to the world must first be lived within the Church. ”

— Cardinal Sarah (14 August 2021)

Recent Posts

  • Funeral Music “Template” • For Families
  • “To Cover Sin With Smooth Names”
  • Heretical Hymns
  • Alphabetizing Hymn Titles Inside Hymnals • “Does This Make Any Sense?”
  • Fulton J. Sheen • “24-Hour Catechism”

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