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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Danger of Praise and Worship

Andrew Leung · August 20, 2015

CTL Praise and Worship FRIEND OF MINE wrote an article for Life Teen recently, entitled: Leading Worship with Purpose – The Temple Model. Even though I am not a big fan of Praise and Worship, I still know a lot about it because I grew up with it and I went to the College in Steubenville. And I was interested in what she has to say. Personally, I don’t think Praise and Worship music is bad. I think it is a good devotion and can be a great way to pray. However, it is not Sacred Music (and to be honest, I have never heard anyone call it Sacred Music, have you?), and therefore should not be used during the Holy Sacrifice of the Mass.

Her “model of worship” is very creative. The way she connect the Temple to Praise and Worship is very interesting. Her suggestion is very practical and I think it will help people to pray better. However, this article also brings up a great danger and confusion. Is “Praise and Worship” really a “Worship”? In the Catholic Church, the only form of prayer that is referred as “Worship” is the Mass. It is very confusing when people start referring Praise and Worship as “Worship”, because IT IS NOT! The title of the article is an example of that.

The same danger came up again when the Temple Worship and Praise and Worship being compared, and creating a sort of “rubrics”. I am glad that the act of sacrifice itself was not mentioned in the article. But I still don’t think it is appropriate to link up Temple Worship and Praise and Worship. The Liturgy of the Eucharist or the Mass of the Faithful is the unbloody sacrifice of the Lamb of God, originated from the Jewish Temple Worship. And this Worship should not be confused with Praise and Worship. Please don’t get me wrong, I am not saying Praise and Worship is dangerous, but confusing it with the Liturgy is dangerous.

Going off my friend’s article, may I suggest that we all sing the Mass following a “Temple Model”? We believe that Old Roman Chant, later became Gregorian Chant, was developed from the Chant they sing in the Temple Worship. The Jews used the Psalter as a hymnal in their Worship, and we should also use ours in the Mass. Ours is a little different from the Jewish Psalter, because scriptures from the New Testament were added to our Official Roman Catholic Hymnal, the Graduale Romanum. By chanting the Propers and Ordinaries of the Mass, we are picking up the “Temple Model”.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

The literal translation: “Lord, have mercy—Christ, have mercy,” does not offer much material for an acceptable song text. The words, not having any feminine syllables, are abrupt; the sounds are almost all muted and colorless; the rhythmic flow is too brief. So many people may prefer responses that further extend the song of the assembly, e.g., “Have pity on us, Lord” or “Pardon us and change our hearts.

— J. Gelineau attacking the KYRIE ELEYSON (page 64 in “Learning to Celebrate,” 1985)

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  • PDF • “Music List” (Xmas Midnight Mass)
  • What does this mean? “Pre-Urbanite”

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