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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Danger of Praise and Worship

Andrew Leung · August 20, 2015

CTL Praise and Worship FRIEND OF MINE wrote an article for Life Teen recently, entitled: Leading Worship with Purpose – The Temple Model. Even though I am not a big fan of Praise and Worship, I still know a lot about it because I grew up with it and I went to the College in Steubenville. And I was interested in what she has to say. Personally, I don’t think Praise and Worship music is bad. I think it is a good devotion and can be a great way to pray. However, it is not Sacred Music (and to be honest, I have never heard anyone call it Sacred Music, have you?), and therefore should not be used during the Holy Sacrifice of the Mass.

Her “model of worship” is very creative. The way she connect the Temple to Praise and Worship is very interesting. Her suggestion is very practical and I think it will help people to pray better. However, this article also brings up a great danger and confusion. Is “Praise and Worship” really a “Worship”? In the Catholic Church, the only form of prayer that is referred as “Worship” is the Mass. It is very confusing when people start referring Praise and Worship as “Worship”, because IT IS NOT! The title of the article is an example of that.

The same danger came up again when the Temple Worship and Praise and Worship being compared, and creating a sort of “rubrics”. I am glad that the act of sacrifice itself was not mentioned in the article. But I still don’t think it is appropriate to link up Temple Worship and Praise and Worship. The Liturgy of the Eucharist or the Mass of the Faithful is the unbloody sacrifice of the Lamb of God, originated from the Jewish Temple Worship. And this Worship should not be confused with Praise and Worship. Please don’t get me wrong, I am not saying Praise and Worship is dangerous, but confusing it with the Liturgy is dangerous.

Going off my friend’s article, may I suggest that we all sing the Mass following a “Temple Model”? We believe that Old Roman Chant, later became Gregorian Chant, was developed from the Chant they sing in the Temple Worship. The Jews used the Psalter as a hymnal in their Worship, and we should also use ours in the Mass. Ours is a little different from the Jewish Psalter, because scriptures from the New Testament were added to our Official Roman Catholic Hymnal, the Graduale Romanum. By chanting the Propers and Ordinaries of the Mass, we are picking up the “Temple Model”.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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President’s Corner

    “Music List” • 14 September (Holy Cross)
    Readers have expressed interest in perusing the ORDER OF MUSIC I prepared for 14 September 2025, which is the Feast of Exaltation of the Holy Cross. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“I am now old but I was young when I was received into the Church. I was not at all attracted by the splendour of her great ceremonies—which the Protestants could well counterfeit. Of the extraneous attractions of the Church which most drew me was the spectacle of the priest and his server at Low Mass, stumping up to the altar without a glance to discover how many or how few he had in his congregation; a craftsman and his apprentice; a man with a job which he alone was qualified to do.”

— Evelyn Waugh (7 August 1964)

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