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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Entering the Mainstream Conversation

Richard J. Clark · August 14, 2015

HOSE OF US who are deeply passionate about Gregorian Chant, Renaissance polyphony, and the propers are often left to share such conversations among ourselves. Perhaps our interest is considered “on the fringe.” Likewise, those of us with such passions are also quick to dismiss “mainstream” liturgical practices of which we may not approve. What is important is to have the conversation. Only speaking to those with whom we agree is a form of “Intellectual incest” which only reaffirms our own established notions. From this practice we do not learn. We do not grow.

Most important is to examine what practices truly bear fruit. What needs reform? What needs to be done away with? What needs to be fostered, nurtured, or held in higher esteem? With fifty years of distance from Vatican II, what do we better understand now?

HE 2010 ENGLISH TRANSLATION OF THE ROMAN MISSAL, Third Edition, and its chants shook up the mainstream conversation enormously. It is one that may very well continue for years. Lest we forget, it was Pope Saint John Paul II who promulgated the Third Edition in 2000 and established the new norms for translation with Liturgiam authenticam (LA). Now, and for years to come, we are shaped and formed by Pope Saint John Paul’s decision. This is always worthy of conversation.

Furthermore, Pope Benedict XVI shook up the conversation in many ways, especially with his 2007 Apostolic Letter Summorum Pontificum, but these elements are still often considered on the fringe. Cardinal Sarah’s recent letter is not likely to make many waves in the mainstream. Sarah, who was appointed Prefect of the Congregation for Divine Worship and the Discipline of the Sacraments by Pope Francis, may likely see many of his points dismissed. But they should not be as they address the very heart and substance of full and active participation–Participatio actuosa–and entering into the mystery. Beyond the externals of facing East (as presumed by the GIRM!) the common ground Sarah expresses with regard to the liturgy’s very essence is enormous.

This is quite worthy of a wider conversation:

The liturgy in action is thus none other than the work of Christ in action. The liturgy is in its essence actio Christi: “the work of Christ the Lord in redeeming mankind and giving perfect glory to God” (§5 SC). He is the high priest, the true subject, the true protagonist of the liturgy (cf. §7 Ibid). If this vital principle is not embraced in faith, one risks reducing the liturgy to a human action, to the community’s celebration of itself.

OST PEOPLE WE SERVE are not concerned about the General Instruction of the Roman Missal, Rubrics, or the rules of Liturgiam authenticam. But the faithful do care deeply about matters of the heart. They care deeply about the scriptures. They care deeply about relationship with God and with each other. They care deeply about the heart entering into the Mystery, consciously or otherwise. If what we offer is cheap or trite, will it take root in the long run? Our young people are smarter than that. Ultimately, the root of substance digs deep and bears great fruit.

Can we have a conversation about that?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • Our Lady of Guadalupe (12 Dec.)
    The Responsorial Psalm may be downloaded as a PDF file (organist & vocalist) for 12 December, which is the Feast of Our Lady of Guadalupe. When it comes to the formulary for this Mass, it’s astounding how infrequently it’s included in official books. Prior to Vatican II, one had to search through “supplemental material” printed in the back of hand-missals and graduals. But since 1970, the feast is virtually nonexistent. According to the UNIVERSAL KALENDAR, 12 December is the “Feast of Saint Jane Frances De Chantal, Religious” (Die 12 decembris: S. Ioannæ Franciscæ de Chantal, religiosæ). Why should that feast overpower Our Lady of Guadalupe? In the United States, OLG is celebrated—and I’d assume in Mexico, Central America, South America, and Canada—but, as I said, the Propria Missae are virtually impossible to locate. I possess only three books which mention this feast.
    —Jeff Ostrowski
    Simplified Accompaniment (Advent Hymn)
    Many organists are forced to simultaneously serve as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult. I invite you to download this simplified organ accompaniment (PDF) which in the Father Brébeuf Hymnal is hymn #661: “Come, Thou Long-Expected Jesus” (for ADVENT). I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 2,900 times in a matter of hours—so there appears to be interest.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed
    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed

Random Quote

“By a decree of the synod of the diocese of Exeter in 1284, no one should claim any seat in a church; but whoever first entered a church for the purpose of devotion, might choose at his pleasure a place for praying.”

— A work by Fr. Husenbeth (d. 1872)

Recent Posts

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  • PDF Download • “Santo Santo Santo”
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  • Soloists in Gregorian Chant?
  • PDF • Our Lady of Guadalupe (12 Dec.)

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