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“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

Beware Of Microphones!

Jeff Ostrowski · July 8, 2015

531 microphone image N THE PAST, I mentioned how choir directors must have the integrity to record their choirs “live” and carefully listen to the results. On the CCW Facebook page, someone made a very intelligent comment. He said the microphone will never give an accurate representation. Nevertheless, a few weeks ago, we placed a cheap microphone at the very front of the Church, behind a pillar. I wanted to see how our choir sounded to the congregation so we could make improvements.

The recording came out decent, but not stupendous … let me explain why.

The balance and tone as presented by the cheap microphone struck me as incorrect—and I was confused. Was I not present during this Mass? Did I not hear our choir with my own ears?

Somebody might respond, “Jeff, that just proves your ears aren’t very good; the microphone doesn’t lie.” However, my mother was present during that Mass and recorded brief snippets on her iPhone. Her recordings proved that my memory was correct—for instance, about the balance of voices. 1

HERE’S THE BOTTOM LINE: the guy on Facebook was correct. Microphones sometimes provide an inaccurate record. 2

I don’t have the clips from my mother’s cell phone, but I do have several clips captured by the cheap microphone (the one hidden behind a pillar). Feel free to listen to these clips, but please remember our choir sounds much nicer in real life!

    * *  Excerpt • ALLELUIA

    * *  Excerpt • COMMUNION

    * *  Excerpt • HOSANNA

    * *  Excerpt • GLORIA

    * *  Excerpt • CREDO

The final clip (“Credo”) really told me something was wrong with the recording because—as you can hear—the organ is almost too loud for the soloist. I can assure that was NOT the case!  But I would undoubtedly still be second-guessing myself if I hadn’t listened to my mother’s cell phone recording, which was located at the center of the nave.



NOTES FROM THIS ARTICLE:

1   I am sensitive to the balance between organ and voice. During the recording session for an audio CD back in 2003, the microphone was placed too close to the organ, so I had to reassemble the entire schola—including the organist—to redo the whole session. During my college years, I attended a local parish and the organist played so loudly throughout Mass my head hurt for a week.

2   Please note: I’m not here concerned with poor quality recordings per se. After all, I’m someone who grew up listening to scratchy, awful, distorted records of the Golden Age Pianists, and no one has a greater love for such things or spent more time enjoying them than I. One eventually learns to focus on the music beneath all the surface noise.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “What Martin Luther Said…”
    My pastor asked me to write little columns for the bulletin each week. The article for 20 July 2025 has been posted, and it’s called: “What Luther Said…” Martin Luther (an ex-priest and apostate) was an infamous heretic whose ignorance of JESUS CHRIST was only exceeded by his filthy and disgusting vulgarity.
    —Jeff Ostrowski
    “Music List” • 15th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 15th Sunday in Ordinary Time (13 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are also provided at the the feasts website.
    —Jeff Ostrowski
    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Except the psalms or canonical Scriptures of the new and old Testaments, nothing composed poetically shall be sung in church, as the holy canons command.”

— ‘Council of Braga, 563AD’

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