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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

More Than 10,000 Attend Chartres Pilgrimage

Corpus Christi Watershed · July 2, 2015

574 CHARTRES PILGRIMAGE image HE CHARTRES PILGRIMAGE. It is much more than you expect. It is penitential, difficult, beautiful and a sacrifice of love that thousands walk each summer over the Pentecost weekend. On this pilgrimage, the dearest intention of all walking is the strengthening of the true Faith, which is found most deeply and sincerely within the Traditional Mass, starting within the Fold, but extending to all nations.

This is a pilgrimage steeped in Tradition—not just cultural, but spiritual—and it is a journey you never forget. When I went on it the first time, I got a glimpse of what Christendom will be. I was able to see part of the majesty and power of Christ the King when over 10,000 pilgrims bent the knee as He was elevated in the Holy Eucharist as the Sovereign and Savior of all. I saw here truly that at the name of Jesus, every knee shall bow. Even when I knew what to expect (the second time I went) it was still awe-inspiring and a partial picture of Christendom—where nationalities, troubles, and jealousies fade away in the love, devotion, and obedience all Catholics owe to Christ the King.

It was also impressive that we marched so far and sang and prayed the entire way, just as soldiers would have done. It brought to life, for me, the saying that we are all soldiers of Christ. We were marching for the victory of Our King. We ought to walk as soldiers every day, taking up our crosses and following Our King, but for me this was especially moving because we were physically marching with flags waving in the wake of the Cross.

573 J image 573 I 573 H

Before going on this pilgrimage there is no way to truly prepare for what will happen to you. It is not meant to be a feat of strength nor a race, and any physical training you do beforehand will still not prepare you for the grueling endurance you must have to finish the pilgrimage. I saw people obviously very fit having to ride the bus service at times; and yet other people who were not fit (such as myself) made it through. It will be different for each person. The pain certainly does exceed expectations and by the end of the pilgrimage, your legs feel as if they will fall off and your feet are on fire. But it is worth every bit!

Spiritual expectations will also be met and exceeded. I didn’t know how much I would be moved by this. I considered myself to be a good Traditional Catholic, and yet I found that when I went I realized how little I really cared for and lived my Faith. That pilgrimage changed me, and it changes everyone who goes on it. There is something so beautiful and gentle, that it captures your heart and lights it on fire with a zeal for the Truth. There is an abundance of grace present there that can seldom be found elsewhere. I was so changed the first time I went back a second time; and hope to return for as long as I am able.

573 D image 573 B 573 A

Part of the grace seen is in the conversations you have with the fellow Catholics—seemingly trivial conversations—but underlying is a zeal and love for God that directs all our actions toward Him. At night in the camps, the children (and there are many children) can be seen running around with laughter on their lips. The adults meander around visiting with one another with their piece of bread and cup of weak soup. Everyone has smiles on their faces, even the lame and injured.

The boy scouts are also amazing because they are what boy scouts should be. They help injured people, set up and take down all the tents for the pilgrims, walk the entire way, and attend at Mass as altar servers. Coming from America, I found this truly amazing!

573 G 573 F 573 E image

Best of all are the Masses. The first one is on Saturday morning in the great Notre Dame Cathedral in the heart of Paris. It is only recently that the pilgrims have been allowed to have the Traditional Mass celebrated in this building that was designed for the reverence and glory the Traditional Mass brings to Christ. Quite an honor. The second Mass is celebrated out in the middle of a field in the blistering heat, or the driving rain. This was the most moving Mass for me, because it showed the true devotion and love people have for Christ when I could see everyone kneeling in reverence even through their discomfort. The Mass in Chartres was glorious and we enter the city with the bells pealing. Such a beautiful ending to a holy pilgrimage where as many as possible try to fit inside the cathedral to attend the last Mass of the walk and the choir singing like angels.

The Chartres Cathedral is often called the playhouse of Our Lady, and it is truly her Church. There, the veil she wore at the Annunciation is kept at the back of the church in view for the public and behind the main altar is a spectacular marble carving of her Assumption into Heaven. There is just something about it that bears the imprint of Mary and it is probably one of the most beautiful churches.

572 people 572 statue 572 veil

Thus the pilgrimage far exceeds the expectations you will have before you go, both physically and spiritually. This was the best thing I’ve done in my life and I highly encourage you to go, because words cannot do justice to the experience you will have.

Our Lady, Queen of Chartres, pray for us!


We hope you enjoyed this guest article by Margaret Walsh.




PHOTOGRAPHS:

The first photograph is courtesy of John Sonnen’s blog. All other photographs were taken by Margaret Walsh.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

Giovanni Doni is known for having changed the name of note “Ut,” renaming it “Do.” He convinced his contemporaries to make the change by arguing that 1) “Do” is easier to pronounce than “Ut,” and 2) “Do” is an abbreviation for “Dominus,” the Latin word for the Lord, Who is the tonic and root of the world. There is much academic speculation that Giovanni Doni also wanted to imprint himself into musical canon in perpetuity because “Do” is also ulteriorly an abbreviation for his family name.

— Giovanni Battista Doni died in 1647AD

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