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“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)

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Views from the Choir Loft

Musical Resources • 6th Sunday after Pentecost (Extraordinary Form)

Jeff Ostrowski · July 4, 2015


RESPONSES FOR HIGH MASS

PDF Score (Singer) • printed on a single sheet


PROCESSIONAL

Organist.


ASPERGES

PDF Score (Singer)   •   Practice Audio (Singer)   •   Organist


INTROIT   •   Sung by the men only.

PDF Score (Singer)   •   Practice Audio (Singer)


KYRIE ELEISON   •   Palestrina Parody Mass

To practice the polyphony for the 1st Section, you must locate #5054.

To practice the (solfège) polyphony for the 2nd Section, you must locate #5053.


GLORIA IN EXCELSIS • Zachariis (†1594)

To practice, you must locate #5051.


GRADUAL & ALLELUIA

To practice, you must locate #5050.

You don’t need to practice the chant verses which change each week.


CREDO IV   •   Alternatim

PDF Score (Singer)   •   Practice Audio (Singer)   •   Organist


OFFERTORY ANTIPHON

PDF Score (Singer)


OFFERTORY ORGAN MUSIC

Organist.


SANCTUS & HOSANNA   •   Palestrina (“Vexilla”)

To practice the polyphic “Hosanna,” you must locate #5048.

You don’t need to practice the Chant Part. You need to be learning “4912” if you don’t already know it, because we’ll be doing this one eventually.


AGNUS DEI   •   Philippe Verdelot (d. 1531)

To practice, you must locate #4801.


COMMUNION ANTIPHON

PDF Score (Singer)   •   Practice Audio (Singer)


COMMUNION POLYPHONY

To practice, you must locate #4972 .


RECESSIONAL HYMN   •   #860 To the Name that brings salvation

From the Campion Hymnal.   Organist.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

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Quick Thoughts

    PDF • “For General Use Until Advent”
    If you conduct a volunteer choir, you might consider using this Simple Piece #40273 (“Adésto Sáncta Trínitas”) which can be used during the rest of the liturgical season until Advent. It's based on the well known hymn tune: OLD HUNDREDTH. Rehearsal videos are available at #40691. A live recording of #40273 (“Adésto Sáncta Trínitas”) by a volunteer choir is here (#40065).
    —Jeff Ostrowski
    Introit • (This Coming Sunday)
    Our volunteer choir appreciates training videos, so here's my attempt at recording “Exáudi Dómine Vocem Meam,” which is the INTROIT for this coming Sunday. This coming Sunday is Dominica Post Ascensionem (“Sunday after the feast of the Ascension”). It is sung according to the official rhythm of the Catholic Church.
    —Jeff Ostrowski
    Volunteer Choir Attempts “Kýrie Eléison”
    My volunteer choir attempted the polyphonic KYRIE that will be sung at this year's Sacred Music Symposium. If you're interested, you can listen to the live recording from last Sunday. The piece is based on the ancient plainchant hymn melody: Ave Maris Stella. Polyphony like this is truly intricate and wonderful. It reminds me of the quote by Artur Schnabel: “music that's greater than it can be performed.”
    —Jeff Ostrowski

Random Quote

These prayers were not peculiar to Good Friday in the early ages (they were said on Spy Wednesday as late as the eighth century); their retention here, it is thought, was inspired by the idea that the Church should pray for all classes of men on the day that Christ died for all. Duchesne is of opinion that the “Oremus” now said in every Mass before the Offertory—which is not a prayer—remains to show where this old series of prayers was once said in all Masses.

— Catholic Encyclopedia (1909)

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