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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

I Have No Idea How to Solve this Problem

Richard J. Clark · July 3, 2015

DILEMMA FOR PARENTS that has resurfaced many times is how to manage raising children in the faith while working for the Church. It is a question a few of us have addressed on this blog. The hours, which require being absent for weekends and evenings poses a challenge, one that is the antithesis of involved parenting. It is an irony.

Before having children, the unusual hours of musician and Church life were easier to accommodate. In fact, I preferred it. But children lock us into very tight schedules, as they thrive on regularity. Do you have a late night rehearsal? You won’t see your young children when you get home, as they’ll be asleep. And you’ll be up at 5 a.m. the next day no matter what. No sleeping in to recover. Then one gets sick frequently because of these patterns. I don’t have an answer. I’ve never done this before. Welcome to being a parent.

Are you responsible for seven or eight services and multiple choirs on the weekend, which includes a Sunday evening mass? This is a recipe for missing a lot in your children’s life. This is something I have struggled mightily with. It has also saddened me a great deal from time to time. My children and my wife are used to it, but that is small consolation.

As a father of three young children working two church jobs, one of them full-time, I can announce today that I still have absolutely no idea how to figure this problem out. I have no solutions. Not one. But I have some observations, experiences and some hope.


OUR SPOUSES ARE HEROES

My wife is what you may call a “church widow.” She takes care of the kids all by herself all weekend long, sometimes up to twenty hours worth. She deals with all the kids at mass by herself—not easy with toddlers. For logistical reasons, they often attend mass at a different parish than where I work. As such, we are cut off even more from each other. So praying together—or exposing them to good sacred music is a rarity and something very special to all of us. (This is another cruel irony.)

Thank your supportive spouses. I tell everyone my wife is holding down the real job while I go to work “to get some rest.”


GUARD YOUR FAMILY TIME JEALOUSLY

Nothing gets in the way of family time. Nothing. I am very inflexible in this regard. Sometimes this rubs others the wrong way. They don’t understand. That’s going to have to suffice. I can’t afford to be away from my children any more than I already am.


UNDERSTAND WHAT TO EXPECT (OR NOT) WITH VERY YOUNG CHILDREN

It is close to impossible to expect a prayerful experience at Mass with young children or toddlers. It’s not going to happen. Give it up. Trade off attending mass alone with your spouse if you can. If you can’t God understands. If you get a few seconds worth of prayerful peace, you are truly blessed. If you don’t, you are even more blessed. Remember that.


GET CREATIVE

We are musicians, are we not? When handed limitations, get creative. This sounds like great advice, doesn’t it? I’m still thinking of ways to get creative. I’m having trouble. One success was when my five-year-old son began to cry when I had to go to work early on Holy Saturday. They had barely seen me all week. Now it was the holiest night of the year. He started crying when I had to leave again, and it broke my heart. He had had enough.

So I did something I would not usually dream of doing. I brought him and his seven-year-old sister into work with me. I kept them busy “helping” me with different tasks while I could actually get some things done. Heck, they actually helped me for real. I got them to set up chairs and carry binders while they still think it’s fun! I was thinking brilliantly on my toes. I miraculously got some practicing done and asked them to tell me which registrations sounded better to keep them involved. I was in the zone.

Their mother picked them up a couple of hours later—they’d be asleep before the Easter Vigil even began. But they left having had a huge amount of fun because of them being with daddy at work and in the choir loft and helping with the pipe organ.

This impromptu experience created an everlasting memory for them. I entered the Vigil with my heart full and grateful to God for having such first-class problems.


BE ATTENTIVE TO THEIR INTERESTS

As they start getting a little older, be attentive to their interests—musical, spiritual or otherwise. My children have two parents who are musicians, so the genetic inclination towards music and prayer is inevitable. So, it will become easier to expose them and involve them in my work. I’m going to have to if I want to see them more. (As my mother once said, “If you want to see my son, you have to go to church.”) But I don’t want to push music on them. I hope I can be as attentive and insightful to their other interests.

Of late my son’s intellectual curiosity regarding music and church is exploding. Now, that’s something I can help with, Deo gratias! But in any regard, I’m learning to take the lead of all my children, to encourage any and all interests, while guiding and nourishing them spiritually and intellectually. They ask lots of questions, sometimes difficult ones. I thank God for this.


BE DARING

I finally got up the nerve to take my five and seven year old to mass I was directing and playing without my wife. The celebrant was none other than Cardinal Seán Patrick O’Malley, O.F.M. Cap. My wife thought I was crazy. Maybe this wasn’t the best mass to fly solo with them. But I was determined. “I think they’ll be ok!” I said out loud, agreeing with my wife inside my head.

Alone, they behave at Mass beautifully, but they are so close that together they conspire against us as partners in crime. Fortunately, I was working with the extraordinary Marc DeMille, who is also a patient and understanding father himself. (By the way, his Graduale Romanum is so worn out, the cover makes for an excellent bookmark.)

Ideally, I thought they would be exposed to a reverent mass with excellent preaching. The music of chant, propers, and hymns would be dignified. Hopefully, my children would leave “edified and sanctified,” I’m not sure if that actually happened. I’m pretty sure they didn’t pay much attention to the homily or the readings. Fortunately, they kept their giggling during mass somewhat to a minimum—of course this usually happened when I was playing and could do nothing about it. At one point they slowly crept up on the organ bench beside me in the middle of a hymn (pictured below). As such, I could react in one of two ways: Chastise them (and probably mess up the hymn and risk making the situation worse) or laugh to myself and be glad they love me. I fortunately chose the latter.

But they were with their daddy at Mass and watching me work, which they love. My heart was filled with joy and love. So was theirs. This meant more to them and to me than anyone will ever know.

Photo courtesy of George M. Martell, Manager of Digital Communications and New Media, Archdiocese of Boston

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Comparison Chart • “Serious Problems with the Lectionary Translation”
    EARS BEFORE truly revolutionary changes were introduced by the post-conciliar reformers, Evelyn Waugh wrote (on 16 August 1964) to John Cardinal Heenan: “I think that a vociferous minority has imposed itself on the hierarchy and made them believe that a popular demand existed where there was in fact not even a preference.” We ask the kind reader— indeed, we beg you—to realize that those of us born in the 1940s and 1950s had no cognizance of Roman activities during the 1960s and 1970s. We were concerned with making sure we had the day’s bus fare, graduating from high school, taking care of our siblings, learning a trade, getting a job, courting a spouse. We questioned neither the nuns nor the Church.1 Do not believe for one instant any of us were following the liturgical machinations of Cardinal Lercaro or Father Bugnini in real time. Setting The Stage • To never question or resist Church authorities is praiseworthy. On the other hand, when a scandalous situation persists for decades, it must be brought into focus. Our series will do precisely that as we discuss the Lectionary Scandal from a variety of angles. We don’t do this to attack the Catholic Church. Our goal is bringing to light what’s been going on, so it can be fixed once and for all. Our subject is extremely knotty and difficult to navigate. Its complexity helps explain why the situation has persisted for such a long time.2 But if we immediately get “into the weeds” we’ll lose our audience. Therefore, it seems better to jump right in. So today, we’ll explore the legality of selling these texts. A Word On Copyright • Suppose Susie modifies a paragraph by Edgar Allan Poe. That doesn’t mean ipso facto she can assert copyright on it. If Susie takes a picture of a Corvette and uses Photoshop to color the tires blue, that doesn’t mean she henceforth “owns” all Corvettes in America. But when it comes to Responsorial Psalm translations, certain parties have been asserting copyright over them, selling them for a profit, and bullying publishers vis-à-vis hymnals and missals. Increasingly, Catholics are asking whether these translations are truly under copyright—because they are identical (or substantially identical) to other translations.3 Example After Example • Our series will provide copious examples supporting our claims. Sometimes we’ll rely on the readership for assistance, because—as we’ve stressed—our subject’s history couldn’t be more convoluted. There are countless manuscripts (in Greek, Hebrew, and Latin) we don’t have access to, so it would be foolish for us to claim that our observations are somehow the ‘final word’ on anything. Nevertheless, we demand accountability. Catholics in the pews are the ones who paid for all this. We demand to know who specifically made these decisions (which impact every English-speaking Catholic) and why specifically certain decisions were made. The Responsorial Psalms used in America are—broadly speaking—stolen from the hard work of others. In particular, they borrowed heavily from Father Cuthbert Lattey’s 1939 PSALTER TRANSLATION:
    *  PDF Download • COMPARISON CHART —We thank the CCW staff for technical assistance with this graph.
    Analysis • Although certain parties have been selling (!!!) that translation for decades, the chart demonstrates it’s not a candidate for copyright since it “borrows” or “steals” or “rearranges” so much material from other translations, especially the 1939 translation by Father Cuthbert Lattey. What this means in layman’s terms is that individuals have been selling a translation under false pretenses, a translation they don’t own (although they claim to). To make RESTITUTION, all that money will have to be returned. A few years ago, the head of ICEL gave a public speech in which he said they give some of “their” profits to the poor. While almsgiving is a good thing, it cannot justify theft. Our Constant Theme • Our series will be held together by one thread, which will be repeated constantly: “Who was responsible?” Since 1970, the conduct of those who made a profit by selling these sacred texts has been repugnant. Favoritism was shown toward certain entities—and we will document that with written proof. It is absolutely essential going forward that the faithful be told who is making these decisions. Moreover, vague justifications can no longer be accepted. If we’re told they are “making the translations better,” we must demand to know what specifically they’re doing and what specific criteria they’re following. Stay Tuned • If you’re wondering whether we’ll address the forthcoming (allegedly) Lectionary and the so-called ABBEY PSALMS AND CANTICLES, have no fear. We’ll have much to say about both. Please stay tuned. We believe this will end up being the longest series of articles ever submitted to Corpus Christi Watershed. To be continued. ROBERT O’NEILL Former associate of Monsignor Francis “Frank” P. Schmitt at Boys Town in Nebraska JAMES ARNOLD Formerly associated w/ King’s College, Cambridge A convert to the Catholic Church, and distant relative of J. H. Arnold MARIA B. Currently serves as a musician in the Roman Catholic Diocese of Charlotte. Those aware of the situation in her diocese won’t be surprised she chose to withhold her last name.
    1 Even if we’d been able to obtain Roman journals such as NOTITIAE, none of them contained English translations. But such an idea would never have occurred to a high school student or a college student growing up in the 1960s. 2 A number of shell corporations claim to own the various biblical translations mandated for Roman Catholics. They’ve made millions of dollars selling (!) these indulgenced texts. If time permits, we hope to enumerate these various shell corporations and explain: which texts they claim to own; how much they bring in each year; who runs them; and so forth. It would also be good to explore the morality of selling these indulgenced texts for a profit. Furthermore, for the last fifty years these organizations have employed several tactics to manipulate and bully others. If time permits, we will expose those tactics (including written examples). Some of us—who have been working on this problem for three decades—have amassed written documentation we’ll be sharing that demonstrates behavior at best “shady” and at worst criminal. 3 Again, we are not yet examining the morality of selling (!) indulgenced texts to Catholics mandated to use those same translations.
    —Guest Author
    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

If the homily goes on too long, it will affect two characteristic elements of the liturgical celebration: its balance and its rhythm. The words of the preacher must be measured, so that the Lord, more than his minister, will be the center of attention.

— Pope Francis (11/24/2013)

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