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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Dancing on the Edge with Truth and Beauty

Richard J. Clark · June 5, 2015

EAUTY IS TRUTH. And truth is beautiful even when difficult. The Gospel message is both Truth and Beauty and sometimes very difficult and challenging. Yet it delivers liberation, peace, and mercy—beautiful truths that may take a lifetime to understand, if ever.

So, the Mass, our greatest prayer, is incontrovertibly a messenger of Truth. United in the Eucharist, we commemorate Christ’s Death and Resurrection through which we are set free. As such, the Mass demands beauty because beauty conveys truth—the very truth proclaimed by the Gospel.

Another difficult reality, is that beauty and truth are rarely appreciated. Quite the contrary, they are a cause of fear and panic in many. Try fostering beauty and substantive theology in a parish music program, and one will often find oneself on the defensive. Proclaim the truths of our faith, in light of mercy and forgiveness, and one quickly may become a pariah.

LTHOUGH NOT NEW, the news of John Romeri’s resignation form the Office of Liturgical Music in Philadelphia is now getting much attention. There has been great speculation regarding the nature of the differences with the archbishop, and I doubt Mr. Romeri will ever reveal any specifics. However, amidst the drama, it is the last line in Mr. Romeri’s resignation letter wrote that struck like a thunderbolt:

“I encourage you to make music at the highest levels possible in your parishes. Our people deserve it and our God is worthy of the highest forms of praise.”

This is true and it is beautiful. Most beautiful, in that it is clear that we are servants of God, the liturgy, and the people. Such a person of humility and skill is ideally who we want leading prayer through music. The robustness of the music program at the Cathedral Basilica is witness to his work; no less his previous work at the Cathedral in St. Louis. By their fruits you will know them. (Matthew 7:16)

IT SEEMS WE ARE OFTEN DANCING ON THE EDGE. Do we uphold truth or do we compromise? Yet many of us face the daily reality of survival. One false move on the tightrope, and we find ourselves falling.

But beauty is what gives us hope to persevere through difficulty. Through beauty we praise God and we see His face. Furthermore, the truth of the Gospel is that God loves us more than we will ever comprehend.

Oremus pro invicem
Let us pray for each other. Support each other. We truly need it.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Beauty, Beauty in the Catholic Liturgy Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

It should be borne in mind that there is no preference expressed in the liturgical legislation for either “versus populum” or “ad orientem.” Since both positions enjoy the favor of law, the legislation may not be invoked to say that one position or the other accords more closely with the mind of the Church.

— ‘Congregation for Divine Worship (Vatican City), 10 April 2000’

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