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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sacra Liturgia 2015 — Update I

Fr. David Friel · June 1, 2015

693 FATHER FRIEL HE FIRST DAY of Sacra Liturgia 2015 began at about 4:30 PM on Monday afternoon. After a few words of welcome from the organizers, Bishop Frank Caggiano of the Diocese of Bridgeport gave a wonderful opening talk. In his typically pastoral way, he called upon us to use our love for the sacred liturgy to promote the necessary work of the New Evangelization amidst the many people who consider themselves “spiritual, but not religious.”

The conference attendees then heard the first keynote address, given by His Eminence, Raymond Leo Cardinal Burke.

Even in just a few hours, several important points have been made, and I will share with you just three.

Among the words of introduction, a fine letter was read from the Prefect of the Congregation for Divine Worship (CDW), Cardinal Sarah. His Eminence had many good things to convey to us, but one thing especially struck me.

Cardinal Sarah revealed that, when he was appointed to be Prefect of the CDW, he asked Pope Francis what he expected him to do in this new role. The response of the Holy Father, according to Cardinal Sarah’s letter, was twofold:

1. Implement the reforms of the Second Vatican Council

2. Continue the liturgical vision of Pope Emeritus Benedict XVI

Those are remarkable marching orders—orders that one might not have expected Pope Francis to give. At the same time, of course, these two directives are inseparable, since the liturgical movement championed by Cardinal Ratzinger/Pope Benedict XVI is fundamentally a call to embrace the true vision of Vatican II.

Another highlight moment from today was the announcement of the next Sacra Liturgia conference, which is being planned for July 2016 in London. No further details have been given, but that is a very significant announcement. This movement is growing and spreading, which is already a sign of the fruit that is being borne.

Finally, allow me to recap a few of the many excellent points introduced by Cardinal Burke during his keynote address, entitled Beauty in the Sacred Liturgy and the Beauty of a Holy Life.

The cardinal spoke a bit about the nature & significance of the Transcendentals: Truth, Goodness, & Beauty. He paid special attention to their interconnectedness. Notably, beauty is a prerequisite for truth and goodness. Cardinal Burke observed: “Precisely because we have lost beauty, we have lost also goodness and truth.”

696 Cardinal Burke His Eminence also made the point that, in our modern world, “beauty is suspect.” By this, he meant that beautiful things, especially within the sacred liturgy (e.g., art, architecture, music, gesture, vestments, ars celebrandi, etc.), are commonly disregarded as frivolous, shallow, and “superficial.” I have often witnessed this suspicion at play, and I was very pleased that the cardinal encouraged us to challenge this charge of superficiality.

In the middle of his presentation, Cardinal Burke gave a heartwarming reflection on the Gospel passage wherein Mary of Bethany anoints the feet of Jesus with expensive spikenard. In our own day, many people make the same charge that Judas made: that the money lavished upon divine worship could have been better used in feeding the poor. Cardinal Burke responded firmly & gently to this objection, saying that Christian poverty is a thing most essentially of the spirit. Those whose poverty is physical/financial are those who, most of all, need true beauty in their lives. “The poverty to which we are called as Christians calls not for what is ugly, but for the most beautiful celebration of which we are capable.”

Tuesday will bring several more talks and exquisite liturgies. I will attempt to recap some of the highlights as the conference continues to unfold.


REMINDER FROM FR. DAVID FRIEL :   Any quotations I give in the course of my reporting on this conference should be understood to be inexact, as I am only taking notes during the live presentation. Nevertheless, I shall endeavor to be as exact as possible.


700 Father Friel

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Joseph Cardinal Ratzinger Liturgy, Liturgy of the Second Vatican Council, Pope Francis, Raymond Cardinal Leo Burke, Reform of the Reform, Robert Cardinal Sarah, Sacra Liturgia Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“I am now old but I was young when I was received into the Church. I was not at all attracted by the splendour of her great ceremonies—which the Protestants could well counterfeit. Of the extraneous attractions of the Church which most drew me was the spectacle of the priest and his server at Low Mass, stumping up to the altar without a glance to discover how many or how few he had in his congregation; a craftsman and his apprentice; a man with a job which he alone was qualified to do.”

— Evelyn Waugh (7 August 1964)

Recent Posts

  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”

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