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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sacra Liturgia 2015 — Update I

Fr. David Friel · June 1, 2015

693 FATHER FRIEL HE FIRST DAY of Sacra Liturgia 2015 began at about 4:30 PM on Monday afternoon. After a few words of welcome from the organizers, Bishop Frank Caggiano of the Diocese of Bridgeport gave a wonderful opening talk. In his typically pastoral way, he called upon us to use our love for the sacred liturgy to promote the necessary work of the New Evangelization amidst the many people who consider themselves “spiritual, but not religious.”

The conference attendees then heard the first keynote address, given by His Eminence, Raymond Leo Cardinal Burke.

Even in just a few hours, several important points have been made, and I will share with you just three.

Among the words of introduction, a fine letter was read from the Prefect of the Congregation for Divine Worship (CDW), Cardinal Sarah. His Eminence had many good things to convey to us, but one thing especially struck me.

Cardinal Sarah revealed that, when he was appointed to be Prefect of the CDW, he asked Pope Francis what he expected him to do in this new role. The response of the Holy Father, according to Cardinal Sarah’s letter, was twofold:

1. Implement the reforms of the Second Vatican Council

2. Continue the liturgical vision of Pope Emeritus Benedict XVI

Those are remarkable marching orders—orders that one might not have expected Pope Francis to give. At the same time, of course, these two directives are inseparable, since the liturgical movement championed by Cardinal Ratzinger/Pope Benedict XVI is fundamentally a call to embrace the true vision of Vatican II.

Another highlight moment from today was the announcement of the next Sacra Liturgia conference, which is being planned for July 2016 in London. No further details have been given, but that is a very significant announcement. This movement is growing and spreading, which is already a sign of the fruit that is being borne.

Finally, allow me to recap a few of the many excellent points introduced by Cardinal Burke during his keynote address, entitled Beauty in the Sacred Liturgy and the Beauty of a Holy Life.

The cardinal spoke a bit about the nature & significance of the Transcendentals: Truth, Goodness, & Beauty. He paid special attention to their interconnectedness. Notably, beauty is a prerequisite for truth and goodness. Cardinal Burke observed: “Precisely because we have lost beauty, we have lost also goodness and truth.”

696 Cardinal Burke His Eminence also made the point that, in our modern world, “beauty is suspect.” By this, he meant that beautiful things, especially within the sacred liturgy (e.g., art, architecture, music, gesture, vestments, ars celebrandi, etc.), are commonly disregarded as frivolous, shallow, and “superficial.” I have often witnessed this suspicion at play, and I was very pleased that the cardinal encouraged us to challenge this charge of superficiality.

In the middle of his presentation, Cardinal Burke gave a heartwarming reflection on the Gospel passage wherein Mary of Bethany anoints the feet of Jesus with expensive spikenard. In our own day, many people make the same charge that Judas made: that the money lavished upon divine worship could have been better used in feeding the poor. Cardinal Burke responded firmly & gently to this objection, saying that Christian poverty is a thing most essentially of the spirit. Those whose poverty is physical/financial are those who, most of all, need true beauty in their lives. “The poverty to which we are called as Christians calls not for what is ugly, but for the most beautiful celebration of which we are capable.”

Tuesday will bring several more talks and exquisite liturgies. I will attempt to recap some of the highlights as the conference continues to unfold.


REMINDER FROM FR. DAVID FRIEL :   Any quotations I give in the course of my reporting on this conference should be understood to be inexact, as I am only taking notes during the live presentation. Nevertheless, I shall endeavor to be as exact as possible.


700 Father Friel

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Joseph Cardinal Ratzinger Liturgy, Liturgy of the Second Vatican Council, Pope Francis, Raymond Cardinal Leo Burke, Reform of the Reform, Robert Cardinal Sarah, Sacra Liturgia Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski
    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The unity of language in the liturgy is so great a treasure for the Church that no advantage could compensate for its demise.”

— Dom Anselmo Albareda (2 January 1953), Father Nicola Giampietro, page 249

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  • “To Cover Sin With Smooth Names”
  • Heretical Hymns
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