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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Are We Humble Enough To Open The Door And Walk In?

Richard J. Clark · May 29, 2015

OST OF THE YEAR, I work seven days a week, working at two Church jobs. Lamenting the difficulty of juggling family life with small children and with jobs that keep me busy all weekend and evenings, I realize I must temper my grievance. It is far better to be too busy as a musician than not busy enough.

But the end of Psalm 23 at times has an ironic meaning for me: “I shall live in the house of the LORD all the days of my life.” Through no virtue of my own, it sure seems to be working out that way. Working in the “house of the Lord” everyday is often far from easy. But it is cause for deep gratitude. As Psalm 23 begins, “The Lord is My Shepherd, I shall not want” God provides all that we need “even though I walk through the dark valley…”

As such, I hear difficult news from time to time from fellow colleagues. Immensely talented and devoted to the Church, they find themselves under-employed or suddenly unemployed for reasons that range from economic to ideological. At one time or another, all of us go through some experience similar to this.

Yet our wounds are often another reason to remain grateful—not easy to comprehend while walking through the dark valley. To live in the house of the Lord requires obedience to His wants and desires. This sometimes requires pruning and trial. Eventually, we will derive meaning from such suffering which fuels our service to others.

RIESTS, WHILE NOT IN DANGER of losing a job, at times suffer much in service to the Church. They are human, lest we forget! These days in Boston, a lot of priests are getting moved around as part of the Disciples in Mission pastoral plan of the Archdiocese of Boston. Changes in assignments no longer follow the old expectations. A lot of pastors are no longer pastors, either by choice or not. Others are now assigned to multiple parishes—not unusual in other parts of the country. The Church is changing.

This is very difficult for many priests for a variety of reasons. In light of such changes, one priest who was reassigned from his beloved parish to take charge of multiple parishes elsewhere remarked, that (in contrast) “celibacy is easy. Obedience is difficult.”

Amen. Obedience is difficult for us all, whether we take a vow or not.

O, I RECENTLY ATTENDED a school concert at St. Agatha’s Parish in Milton, Massachusetts where my children attend. The entire concert was planned as a tribute to the longtime pastor. Fr. Peter Casey, who after seventeen years of service was being reassigned. In a time of decreasing enrollment in Catholic schools, St. Agatha School has enjoyed robust enrollment, thanks in large part to Fr. Casey.

After a deeply heartfelt tribute to his longtime service, Fr. Casey spoke a few words. True to form, he was brief and to the point; tranquil, yet commanding in his leadership. I cannot recall all of his exact words, but this much he made clear: On a night all about him, he deflected attention from himself to God. He wanted the focus on Jesus’ relationship with us, on the value of Catholic education, and God’s loving and ever-present role in our lives. All about God—all in a few short minutes.

Anyone who knew him expected no less. But it was extraordinary to witness. Fr. Casey was teaching until the end just as he always had for seventeen years.

It was a lesson in humility, which obedience requires. To live in the house of the Lord all the days of our lives is a privilege and a joy. We will experience it if we are humble enough to open the door and walk in.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

Using the shoddiest, sleaziest material we have for the purpose of glorifying God is not very sound theology or even very good common sense. […] (In general, when you see a diminished seventh chord in a hymn, run.) And these chords are usually used in bad hymns in precisely the same order in which they occur in “Sweet Adeline.”

— Paul Hume (1956)

Recent Posts

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  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”
  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant

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