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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Bill Belichick and the Liturgy

Richard J. Clark · May 1, 2015

HE NEW ENGLAND Patriots are universally hated in forty-four of the fifty United States. Furthermore, there is no head coach in the NFL more hated than Bill Belichick. There are many reasons that range from that little “Spygate” incident to Gisele. Furthermore, we still await with bated breath the results of Ted Wells’ investigation on the national tragedy that is “Deflategate.”

Bishop Christopher J. Coyne, a Massachusetts native and former Auxiliary Bishop of the Archdiocese of Indianapolis, is known for his playful sense of humor. He once joked at a Presbyteral Convocation in Boston (and I paraphrase), “What do Payton Manning and I have in common? We both only have one ring.” That gets big laughs around here. Not so much anywhere else. (Did I mention how much people hate N. E. Patriots fans? Andrew Motyka likely knows this pain.)

So what can we learn from Bill Belichick? Darrelle Revis, arguably the greatest cornerback to ever play the game, recently told the New York Daily News: “I think I’m better than I was before. I’m smarter and way more intelligent at the game. I had a great learning experience last year with Bill…” If the best can learn from him, so can we.


“DO YOUR JOB.”

Probably the most important liturgical advice we can get from Bill Belichick is his simple mantra: “Do your job.” Wow. That’s it? That’s perfectly obvious, isn’t it? It’s not to everyone.

A visiting priest once asked me how I know so much about the liturgy. Perhaps he was surprised that a musician would know certain minutia of the Roman Missal or a particular Rite. I was taken aback by the question because it’s a fundamental part of my job. Furthermore, if I don’t know something, it’s my job to know where to look it up or whom to ask. This happens frequently enough.

I recently wrote about five things that help the liturgy come together. In short, it is teamwork and everyone fulfilling their respective roles. As such, doing your job also means “it’s not about you or me.” It is about humility. It’s about God and serving the people. It’s requires humility to not take over the liturgy. Musicians, priests, and liturgists are guilty of this. I’ve been guilty of this.

Furthermore, when the priest and musician each do their jobs, it often appears that they collaborated all week. They probably didn’t as much as one might think. Both are focused on the scriptures (another reason to sing the propers.) Both know the rubrics and know what is coming next. Both put Christ at the center. As such, so do the people. It requires focus to worry about one’s own responsibility, and trust that others are doing the same.


PREPARATION

The most successful of athletes talk over and over about one thing: Preparation. The best catchers in baseball spend as much time studying the weaknesses of opposing hitters as they do on the playing field.

Even with preparation, things still may go wrong. No one is perfect. But fewer problems will arise. Without preparation, the liturgy appears sloppy. While this may not concern some, the liturgy becomes out of balance with emphasis or focus in the wrong areas. Reverent music seems out of place with a game-show style celebrant. Less than reverent music with problematic theology will be out of place with a well prepared celebrant and homilist.


“DISAPPEAR”

A very wise Deacon recently told me, that when preaching, it is his job to edify and then to disappear. Likewise, if I am playing a hymn or an accompaniment, it is my job to not draw attention to myself. This is not the same as being boring. There will be changes of registration, subtle reharmonization, and perhaps soloing of the melody to keep multiple verses interesting. But my job is to be at the service of worship—and then disappear.

Finally, the most important thing to remember is to do our work with humility and love. Do your job. Do it in the spirit of service. Do it with love.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Is the USCCB trolling us?
    I realize I’m going to come across as a “Negative Nancy” … but I can’t help myself. This kind of stuff is beyond ridiculous. There are already way too many options in the MISSALE RECENS. Adding more will simply confuse the faithful even more. We seriously need to band together and start creating a “REFORM OF THE REFORM” Missale Romanum so it will be ready when the time comes.
    —Jeff Ostrowski
    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

At the Council of Trent, the subject was raised whether it was correct to refer to the unconsecrated elements of bread and wine as “immaculata hostia” (spotless victim) and “calix salutaris” (chalice of salvation) in the offertory prayers. Likewise the legitimacy of the making the sign of the cross over the elements after the Eucharistic consecration was discussed.

— ‘Fr. Uwe Michael Lang, Cong. Orat.’

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