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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Bill Belichick and the Liturgy

Richard J. Clark · May 1, 2015

HE NEW ENGLAND Patriots are universally hated in forty-four of the fifty United States. Furthermore, there is no head coach in the NFL more hated than Bill Belichick. There are many reasons that range from that little “Spygate” incident to Gisele. Furthermore, we still await with bated breath the results of Ted Wells’ investigation on the national tragedy that is “Deflategate.”

Bishop Christopher J. Coyne, a Massachusetts native and former Auxiliary Bishop of the Archdiocese of Indianapolis, is known for his playful sense of humor. He once joked at a Presbyteral Convocation in Boston (and I paraphrase), “What do Payton Manning and I have in common? We both only have one ring.” That gets big laughs around here. Not so much anywhere else. (Did I mention how much people hate N. E. Patriots fans? Andrew Motyka likely knows this pain.)

So what can we learn from Bill Belichick? Darrelle Revis, arguably the greatest cornerback to ever play the game, recently told the New York Daily News: “I think I’m better than I was before. I’m smarter and way more intelligent at the game. I had a great learning experience last year with Bill…” If the best can learn from him, so can we.


“DO YOUR JOB.”

Probably the most important liturgical advice we can get from Bill Belichick is his simple mantra: “Do your job.” Wow. That’s it? That’s perfectly obvious, isn’t it? It’s not to everyone.

A visiting priest once asked me how I know so much about the liturgy. Perhaps he was surprised that a musician would know certain minutia of the Roman Missal or a particular Rite. I was taken aback by the question because it’s a fundamental part of my job. Furthermore, if I don’t know something, it’s my job to know where to look it up or whom to ask. This happens frequently enough.

I recently wrote about five things that help the liturgy come together. In short, it is teamwork and everyone fulfilling their respective roles. As such, doing your job also means “it’s not about you or me.” It is about humility. It’s about God and serving the people. It’s requires humility to not take over the liturgy. Musicians, priests, and liturgists are guilty of this. I’ve been guilty of this.

Furthermore, when the priest and musician each do their jobs, it often appears that they collaborated all week. They probably didn’t as much as one might think. Both are focused on the scriptures (another reason to sing the propers.) Both know the rubrics and know what is coming next. Both put Christ at the center. As such, so do the people. It requires focus to worry about one’s own responsibility, and trust that others are doing the same.


PREPARATION

The most successful of athletes talk over and over about one thing: Preparation. The best catchers in baseball spend as much time studying the weaknesses of opposing hitters as they do on the playing field.

Even with preparation, things still may go wrong. No one is perfect. But fewer problems will arise. Without preparation, the liturgy appears sloppy. While this may not concern some, the liturgy becomes out of balance with emphasis or focus in the wrong areas. Reverent music seems out of place with a game-show style celebrant. Less than reverent music with problematic theology will be out of place with a well prepared celebrant and homilist.


“DISAPPEAR”

A very wise Deacon recently told me, that when preaching, it is his job to edify and then to disappear. Likewise, if I am playing a hymn or an accompaniment, it is my job to not draw attention to myself. This is not the same as being boring. There will be changes of registration, subtle reharmonization, and perhaps soloing of the melody to keep multiple verses interesting. But my job is to be at the service of worship—and then disappear.

Finally, the most important thing to remember is to do our work with humility and love. Do your job. Do it in the spirit of service. Do it with love.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“The Saint Jean de Brébeuf Hymnal will undoubtedly enrich liturgical life at the parish level by making accessible these ancient, noble, and theologically-rich Catholic hymns, translated into English in quite a beautiful way.”

— Rev. Fr. John Berg (Superior General, Priestly Fraternity of Saint Peter) 30-NOV-2018

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