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Views from the Choir Loft

Bill Belichick and the Liturgy

Richard J. Clark · May 1, 2015

HE NEW ENGLAND Patriots are universally hated in forty-four of the fifty United States. Furthermore, there is no head coach in the NFL more hated than Bill Belichick. There are many reasons that range from that little “Spygate” incident to Gisele. Furthermore, we still await with bated breath the results of Ted Wells’ investigation on the national tragedy that is “Deflategate.”

Bishop Christopher J. Coyne, a Massachusetts native and former Auxiliary Bishop of the Archdiocese of Indianapolis, is known for his playful sense of humor. He once joked at a Presbyteral Convocation in Boston (and I paraphrase), “What do Payton Manning and I have in common? We both only have one ring.” That gets big laughs around here. Not so much anywhere else. (Did I mention how much people hate N. E. Patriots fans? Andrew Motyka likely knows this pain.)

So what can we learn from Bill Belichick? Darrelle Revis, arguably the greatest cornerback to ever play the game, recently told the New York Daily News: “I think I’m better than I was before. I’m smarter and way more intelligent at the game. I had a great learning experience last year with Bill…” If the best can learn from him, so can we.


“DO YOUR JOB.”

Probably the most important liturgical advice we can get from Bill Belichick is his simple mantra: “Do your job.” Wow. That’s it? That’s perfectly obvious, isn’t it? It’s not to everyone.

A visiting priest once asked me how I know so much about the liturgy. Perhaps he was surprised that a musician would know certain minutia of the Roman Missal or a particular Rite. I was taken aback by the question because it’s a fundamental part of my job. Furthermore, if I don’t know something, it’s my job to know where to look it up or whom to ask. This happens frequently enough.

I recently wrote about five things that help the liturgy come together. In short, it is teamwork and everyone fulfilling their respective roles. As such, doing your job also means “it’s not about you or me.” It is about humility. It’s about God and serving the people. It’s requires humility to not take over the liturgy. Musicians, priests, and liturgists are guilty of this. I’ve been guilty of this.

Furthermore, when the priest and musician each do their jobs, it often appears that they collaborated all week. They probably didn’t as much as one might think. Both are focused on the scriptures (another reason to sing the propers.) Both know the rubrics and know what is coming next. Both put Christ at the center. As such, so do the people. It requires focus to worry about one’s own responsibility, and trust that others are doing the same.


PREPARATION

The most successful of athletes talk over and over about one thing: Preparation. The best catchers in baseball spend as much time studying the weaknesses of opposing hitters as they do on the playing field.

Even with preparation, things still may go wrong. No one is perfect. But fewer problems will arise. Without preparation, the liturgy appears sloppy. While this may not concern some, the liturgy becomes out of balance with emphasis or focus in the wrong areas. Reverent music seems out of place with a game-show style celebrant. Less than reverent music with problematic theology will be out of place with a well prepared celebrant and homilist.


“DISAPPEAR”

A very wise Deacon recently told me, that when preaching, it is his job to edify and then to disappear. Likewise, if I am playing a hymn or an accompaniment, it is my job to not draw attention to myself. This is not the same as being boring. There will be changes of registration, subtle reharmonization, and perhaps soloing of the melody to keep multiple verses interesting. But my job is to be at the service of worship—and then disappear.

Finally, the most important thing to remember is to do our work with humility and love. Do your job. Do it in the spirit of service. Do it with love.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt

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I want to say one thing to you strongly, especially today: virginity for the Kingdom of God is not a “no,” it is a “yes!”

— Pope Francis (10/4/2013)

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