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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Liturgical Silence—But Not What You Think!

Jeff Ostrowski · April 29, 2015

855 Silence OT LONG AGO, I posted an article which mentioned the subject of paying people to sing at Church. I was very careful not to say—one way or the other—whether I felt it was acceptable to pay singers. I did, however, mention my personal preference. Very soon, I got angry emails. Some were furious that I had called the practice acceptable. Others were mad I had condemned it outright. Obviously, the people making these claims had not read my article. An acquaintance of mine wrote something to the effect of, “So, you condemn singers who are paid? Too bad for you, idiot.”

Over the years, I’ve learned that—very frequently—the only acceptable response is silence. When I was young, I would have argued. I would have pointed out that I never made such a claim. I would have pointed out that I’d merely expressed my preference, which I’m allowed to do in a free society. I would have said many things—and it wouldn’t have made any difference.

There are many kinds of SILENCE. Consider, for example, when you try to contact a typical American company; even one you’ve done business with for years. Normally, they don’t wish to speak to you. They send you emails from a “No Reply” email address. They force you to speak to “robot” machines on the phone. (No matter how many times you punch in the correct information, it’s not accepted.) They place you on hold for hours and hours. 1 On the other hand, there’s the SILENCE experienced by many of our friends when they contact Corpus Christi Watershed. We receive so many emails it’s impossible to reply to them all. This makes me sad, but there’s no alternative. 2

THERE IS A SILENCE WHICH HAS an effect on the liturgy, but not in a good way. It has to do with the Bishops’ Committee on the Liturgy, which declared on 20 November 2012 that paragraph 48 of the General Instruction of the Roman Missal (GIRM) can be ignored. Paragraph 48 says that music replacing the Entrance chant assigned by the Church must be approved. Yet, when it comes to other items—such as the law saying only an approved translation can be used for the readings at Mass—nobody says it’s okay to ignore that directive. Daniel Craig wrote more than 80 letters to the Bishops’ Committee over a period of months, but the matter was never clarified.

The Committee seems to have chosen SILENCE. Nobody can force them to clarify this matter. Let’s face it, once we start picking and choosing which parts of the GIRM we can ignore, things get complicated. Moreover, it would seem that the USCCB doesn’t wish to clarify, because doing so would draw attention to the fact that 96% of Catholic churches in the USA are not following the GIRM.

As far as the big publishing companies are concerned, SILENCE on this matter—for forty years—has worked out just fine.



NOTES FROM THIS ARTICLE:

1   American Airlines once placed me on hold for more than 14 hours before allowing me to correct an error they had made.

2   A reader got angry about this, telling me I had a moral obligation to stay up all night—every night—until each email was answered properly.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hymns Replacing Propers, Traditionis Custodes Vernacular Last Updated: July 23, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“In condemning us, you condemn all your own ancestors—all the ancient priests, bishops and kings—all that was once the glory of England, the island of saints and the most devoted child of the See of Peter. For what have we taught, however you may qualify it with the odious name of treason, that they did not uniformly teach?”

— Father Edmund Campion (to the Anglicans about to murder him)

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