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Views from the Choir Loft

The One Thing That Unites Church Musicians

Jeff Ostrowski · April 19, 2015

900 Pope Benedict XVI Ratzinger VER THE YEARS, I’ve taken note of “Who’s Who” in the world of sacred music; something completely natural & normal. I’ve done this in spite of the fact that—when all is said and done—each of us is eminently dispensable. If the movement succeeds, it will do so because GOD DESIRES IT.

Over the years, I’ve seen magnificent church music projects begun, but never finished. 1 I’ve seen other projects—which started out small—grow to massive proportions. I’ve seen talented people become so concerned about copyrighting & selling their products they ended up killing them. I’ve seen people who loudly demand that others “make a commitment” leave the movement, get bored, or fall away from the Faith. I’ve seen people who had (in my view) sparse talent rise to the highest levels—which shows how much I know!—just as I’ve seen people with tremendous potential become stubborn, vindictive, and prideful beyond belief. I’ve been a choir director since the mid-1990s and I’ve seen a lot.

PEOPLE WHO SUPPORT OUR MOVEMENT have different opinions. Readers know I don’t care for Viennese classical Masses, yet Pope Benedict XVI loved them…and I have great respect for B16. Moreover, we musicians are usually highly opinionated and difficult to work with. In the early 2000s, I asked the question, “What unites us, who are so different?”

We all have one thing in common: our appreciation for the Graduale Romanum.

Nobody can force another to love the Gradual. The power of the Gradual is what does it. Recently, I googled the Weber Propers, to see what kind of reception his book was receiving. On a website I won’t be linking to, there was discussion about it. I was astonished to observe folks there using this new publication to disparage the Graduale. Pretty insane, huh? Fr. Weber’s book is based entirely on the Graduale and makes no sense without reference to the Graduale. 2

Years ago, I studied with a wonderful professor of piano: Alice Downs. During a seminar, Mrs. Downs told the male students that careers in music are only good for mothers desiring to make extra cash. Somebody asked her, “Are you saying that no man should ever do music professionally?” She replied with words I’ll never forget: “I’m not saying that. But only men who cannot live without it should pursue music.”

Those of us involved in this movement love the Graduale Romanum. In fact, we cannot live without it. But our lives are not easy. As a great church musician used to say, “The life of a church musician is a life of sacrifice.” Let us recall the words of our Savior in the Gospel of St. Luke (17:10):

When you shall have done all these things that are commanded you, say: “We are unprofitable servants; we have done that which we ought to do.”



NOTES FROM THIS ARTICLE:

1   I call this the “Advent syndrome.” Many people declare that they will be setting the complete proper of the Mass; but after they get through Advent, they realize how difficult it is and give up.

2   The administrator of this particular website formerly claimed to support Gregorian chant, but changed his view following the reign of Pope Benedict XVI.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

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Corpus Christi Watershed

Quick Thoughts

    Seven (7) Hymn Verses for November!
    In the month of November, we remember in a special way the souls in purgatory. The BRÉBEUF HYMNAL often includes text alone versions for its hymns; why is that? The short answer is: flexibility. The “text only” version allows each choirmaster to employ a myriad of melodies. For example, I recently set the English translation of “De Profúndis” with the DAVOST MELODY (PDF). We are singing this before November ends. Indeed, you can hear our volunteer singing this (in real life) if you click here.
    —Jeff Ostrowski
    Worst Hymn Pairing Of All Time?
    For hymns in the Brébeuf Portal not yet recorded by human voices, I’ve been attempting to create recordings on the pipe organ. My latest attempt (Mp3) is a hymn called “DAVOST.” It’s a nice tune, but it must be paired with just the right lyrics. Do sickening examples of hymn pairings exist? Oh, most certainly! To download the most ghastly pairing I know, try this one—if your stomach is strong enough. If such things interest you, check out: “Six Pernicious Hymn Pairings.”
    —Jeff Ostrowski
    Jeff’s Attempt at Pipe Organ “Stops”
    I've been attempting to record some Brébeuf hymns on the pipe organ, but I know very little about registration (“stops”). You can listen to this morning's attempt, a recording of a tune called TRINITY COLLEGE. Do you know this tune? It's quite nice. Feel free to email me vis-à-vis the registration I chose. To quickly locate all instances of the TRINITY COLLEGE melody in the Brébeuf Hymnal, search the magic portal for “Trinity College.”
    —Jeff Ostrowski

Random Quote

“I have devoted myself too much, I think, to Bach, to Mozart and to Liszt. I wish now that I could emancipate myself from them. Schumann is no use to me any more, Beethoven only with an effort and strict selection. Chopin has attracted and repelled me all my life; and I have heard his music too often—prostituted, profaned, vulgarized … I do not know what to choose for a new repertory!”

— Ferruccio Busoni (to a colleague in 1922, when he was 56 years old)

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