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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Palm Sunday Outline • Extraordinary Form

Jeff Ostrowski · March 29, 2015

10a. The singing the Antiphon “Hosanna Filio David” begins the ceremony, as the celebrant walks to a table:

Ant. HOSANNA FILIO DAVID   •   PDF Score   •   1st Video   •   2nd Video   •   Organist


12a. Then comes the blessing of the palms.

Dominus vobiscum. etc.

The celebrant sings a Collect beginning with Oremus.


14a. Celebrant sprinkles with Holy Water the palm branches—those on the table, as well as those in the hands of the people (unless branches will be distributed to them after the blessing).

“Two methods of blessing the branches are offered in the restored Ordo Hebdomadae Sanctae. First, the branches may be prepared by the faithful and brought by them to the church, where they are blessed before the procession. Or the branches may be prepared in the church, blessed, and then distributed to the faithful for the procession. In any case the branches for the clergy and servers are not distributed to them until after the blessing.”


16a. Celebrant incenses the branches on the table and those held by the people (unless branches will be distributed to them after the blessing).


18a. Having kissed the Altar, the Celebrant distributes palm branches to the servers and people (unless the people have theirs already). During the distribution, the following antiphons & psalms are sung:

Two antiphons w/ psalms: PUERI HEBRAEORUM   •   First Antiphon   •   Second Antiphon

If these chants are not long enough, they are repeated until the distribution of palm branches is finished. If, on the other hand, the distribution ends first, the “Gloria Patri” is sung at once, followed by the antiphon.

Therefore, this PDF SCORE will be useful where the people are already holding the palm branches—since the only distribution in that case will be to the Altar Servers, which takes a very short time.


20a. After a Gospel (Mt 21: 1-9) is sung or read, the procession begins, when the Deacon (or Celebrant) sings:

101 Procedamus in pace


22a. During the procession—wherein the people process holding palm branches—all or some of the following selections may be sung:

First Antiphon • Occúrrunt turbae

Second Antiphon • Cum ángelis et púeris

Third Antiphon • Turba multa quae convénerat

Fourth Antiphon • Coepérunt omnes turbae

Hymn to Christ the King • “Glória laus et honor”
Vocal Score   •   Organist Score   •   1st Video   •   2nd Video

Fifth Antiphon (Version A) with Psalm • Omnes colláudant nomen tuum

Fifth Antiphon (Version B) with Psalm • Omnes colláudant nomen tuum

Sixth Antiphon • Fulgéntibus palmis prostérnimur

Seventh Antiphon • Ave Rex noster

The faithful may also sing the hymn CHRISTUS VINCIT or any other chant in honor of Christ the King.


24a. When the procession enters the church, that is, as the celebrant goes through the door, a Responsory (Ingrediénte Dómino) is begun, which is found at the GoupilChant Website, along with the rest of the Mass chants for Palm Sunday.



HELPFUL RESOURCES for PALM SUNDAY in the EXTRAORDINARY FORM:

1   Msgr. Frederick R. McManus • RITES of HOLY WEEK (1956). Courtesy of RARTY.

2   St. Peter’s Abbey, Solesmes • REVISED PALM SUNDAY with MUSIC (1957).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Palm Sunday Extraordinary Form Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Now we are aware of the fact that during recent years some artists, gravely offending against Christian piety, have dared to bring into churches works devoid of any religious inspiration and completely at variance with the right rules of art.”

— Ven. Pope Pius XII (25 December 1955)

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