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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Real Enemy: Mediocrity

Aurelio Porfiri · March 17, 2015

154 B16 T IS NOT INFREQUENT to read or hear, in church debates, about fights between conservative and progressive Catholics. Especially the last two pontificates—Benedict XVI and Francis—have polarized much of the Catholic world; as if we must select one side or the other to feel part of “society.” Of course liturgy and liturgical music have known similar situations, intensified after Benedict’s promulgation of the Motu Proprio Summorum Pontificum on 7 July 2007. The “liturgical wars” (to use the Anglo-Saxon term) became more and more violent, and the recent 50th anniversary of the first vernacular Mass by Pope Paul VI in the roman church of Ognissanti has once again brought the “liturgical problem” to the forefront.

Our liturgies—are they more effective and spiritually appealing in recent decades? I would say a clear “no.” The liturgy supposes a rite, and the rite assists passage from the DAILY LIFE DIMENSION to another dimension: the dimension of God. Anthropology has said a lot about rites of passage, especially in the studies of Arnold Van Gennep (1873-1957) and Victor Turner (1920-1983). In Italy, Aldo Natale Terrin and Roberto Tagliaferri—taking inspiration from Van Gennep and Turner—have presented to the liturgical community the problem of the rite and the importance of the limen (“threshold”). Having considered all the important contributions brought by these scholars on the topic of liturgy, we come to realize that the real problem is not between progressive and conservative Catholics, but between the attention to the dynamics of the liturgy and mediocrity.

MEDIOCRITY IS THE REAL ENEMY of liturgy and of liturgical music. In every diocese wherein we contribute, we must ask: where is the balance here? On the side of attention to the needs of the rite? Or is everything dominated by mediocrity? But what is mediocrity?

Mediocrity is the “virtue” of those who choose the medius; staying in a sort of limbo between good and evil. I mean, they are not bad…but not even good. They don’t access the limen; they prefer to stay on our side of the limen—a more comfortable position that does not disturb the dull existence they’re leading.

How many liturgies in our dioceses are the result of mediocrities? The causes are legion. For instance, we don’t have the courage to tell people they’re incompetent, so the liturgy pays for our lack of courage. When everyone—without any study or serious analysis of the liturgy and its needs—can decide how the rite should be performed or which songs should be sung you have mediocrity arising as the sun in the east. Experts may be dangerous, too; but you can imagine how dangerous are the ones who talk without any serious consideration of the liturgical discipline.

The situation, then, is dramatic. Some people are using the liturgy not to seek Christ, but for reassurance. They want to be confirmed on their (already accepted) medius state, continuing to use religion as a tool to feel better and avoid looking inside themselves. They refuse to accept that religion—and especially the meeting with Christ—is not a cup of tea every day at 5:00pm 1 but falling from a horse and accepting the blindness of sin and torment of “otherness.” Real liturgy is for daring hearts, not for uninspired mediocrities. If you don’t accept that in order to find yourselves you must lose yourselves, you will simply lose what you think you have found.



NOTES FROM THIS ARTICLE:

1   That is a rite, too, and in some cultures may have a very deep meaning.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Reform of the Reform, Renewal of the Renewal Last Updated: January 1, 2020

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About Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).

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President’s Corner

    PDF • “Music List” (Immaculate Concep.)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 8 December 2025, the feast of OUR LADY’S IMMACULATE CONCEPTION. If such a thing interests you, feel free to download it as a PDF file. The fauxbourdon setting of the COMMUNION is exquisite. In Latin, the title of this feast is: In Conceptione Immaculata Beatae Mariae Virginis. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Reminder” — Month of December (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron). It would be difficult to phrase things more clearly than the pope: viz. the ADALBERT PROPERS are for recited Masses, the GRADUALE PROPERS are for Masses with singing.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“In my capacity as the prefect of the Congregation for Divine Worship and the Discipline of the Sacraments, I continue to remind all that the celebration toward the East (versus orientem) is authorized by the rubrics of the missal, which specify the moments when the celebrant must turn toward the people. A particular authorization is, therefore, not needed to celebrate Mass facing the Lord.”

— ‘Robert Cardinal Sarah, 23 May 2016’

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