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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Improve Your Parish Liturgy … Instantly!

Jeff Ostrowski · March 17, 2015

143 pew missal Ordinary Form XPLORING LOS ANGELES, I notice beautiful roads and neighborhoods. Someone must have said, “Let’s get busy building this town.” Speaking of productivity, whenever I present on Sacred music, someone invariably asks, “What can I do this very instant to improve my parish’s liturgy?”

As a presenter, I used to dread this question. They don’t want solutions requiring decades of work. Nor are they interested in articles like the one Anthony Esolen recently published called “Rescuing Hymnody from Stupidity.” His article is not bad; indeed, it resembles articles 1 published on our blog. But such things ultimately amount to rearranging deck chairs on the Titanic, while desperate Catholics want to know how to improve their liturgies immediately.

No longer do I dread such questions. They want an extremely short answer; I’ve got one. They crave an authentic answer; I’ve got one. They want an answer not requiring excessive amounts of money; I’ve got one. They want an instant fix, because their children will soon be adults. I’ve got the solution, and it couldn’t be simpler: obtain the St. Isaac Jogues Pew Lectionary for your congregation. Consider the following rationale.

For years, I prepared xerox copies with the Order of Mass (including Propers) for the people in the pews…and it was a horrendous experience. I used to ask:

HY ISN’T THERE A PEW BOOK containing the lectionary readings in a large, pristine typeface? Why isn’t there a pew book that has the complete Propers for each Sunday but avoids page turns? Why isn’t there a pew book reproducing ancient manuscripts from the 7th and 8th centuries, showing the continuity of the Novus Ordo with Catholic tradition? Why isn’t there a pew book using luscious full-color fonts & artwork to illustrate the Ordo Missae—including pictures of the priest? Why isn’t there a reasonably-priced book for congregations with Latin alongside English, helping parishes become more faithful to Vatican II, which never said to eliminate Latin? Why isn’t there a pew book containing complete Responsorial Psalm refrains (with fully-notated accompaniments for liturgical years ABC freely available online) so the congregation can finally sing dignified, modal, simple, fresh melodies between the first & second reading? Why isn’t there a pew book with exquisite line art, allowing illiterate Catholics to learn about the Faith? Why isn’t there a pew book fully approved by the USA bishops, yet designed for parish life, including Funerals, Benediction, Confirmation, and Weddings?

Surprise! The Jogues Lectionary fulfills each question in a fantastic way. Moreover, its professionalism and subtlety will appreciated by all. I was involved with this book’s production, so some will think I’m biased; that’s fine. Just get yourself a copy and verify what I say (BELOW).

BUT HOW WOULD THIS WORK on a practical level? Let’s explore. For one thing, no matter how your parish attempts the Propers—in English, Latin, or Psalm tone—you must avoid having the congregation just sit there as you sing. Give them a way to follow along! The translation doesn’t have to match perfectly, but it needs to be close. For instance, slightly different translations—some created “in house”—were chosen by Fr. Samuel Weber, 2 Fr. Guy Nicholls, 3 and others; whereas the Jogues uses a translation identical to the Simple English Propers, the Lalemant Propers, and the Gregorian Missal.

142 Lectionary USCCB Pew Missal Amazingly, the Jogues can be used by ANY parish. Some parishes may require years to fully adopt the Mass Propers, but at least your congregation can see them in the meantime. Other parishes might sing some Propers—such as the Communion—but replace others with hymns. Other parishes might choose a Processional Hymn, using a psalm tone for the Entrance Chant while the priest incenses the Altar (which is entirely lawful, by the way). Others might sing the full Latin Propers during their main Mass, but use psalm tones for the 7:00am Mass. Others might alternate between a Gradual and Responsorial Psalm, week by week. NO MATTER WHAT COMBINATION IS CHOSEN, the Jogues will prove itself convenient and perfect for your needs.

The book’s exterior is elegant, and it’s a good size—not too heavy. The quality is extremely high, so having it in your pews will raise expectations. Have you noticed the change in atmosphere when people dress fancy, as opposed to tank tops with jeans? The books will remind everyone that Mass is a serious activity.

Finally, don’t try to explain what an Entrance Chant is to your congregation; show them! They’ll see the Entrance Chant each Sunday, and with time they’ll understand what it is; but watch out! Once they know, they’ll ask why it’s not being sung each week!



NOTES FROM THIS ARTICLE:

1   Esolen would doubtless be horrified to learn the reprehensible way the Sequences were bowdlerized.

2   Ignatius Press will soon release Fr. Weber’s massive Gradual with three (3) English versions for each chant.

3   Fr. Guy Nicholls is releasing each Entrance Chant from his Graduale Parvum each week on the Blog of the Newman Institute of Liturgical Music—in Latin and English.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Jogues Illuminated Missal Lectionary Gradual, Novus Ordo Lectionary Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“During Lent…the use of musical instruments is allowed only so as to support the singing. Nevertheless, Laetare Sunday (the Fourth Sunday of Lent), Solemnities and Feasts are exceptions to this rule.”

— ‘Roman Missal, 3rd Edition (2011)’

Recent Posts

  • Good Friday Flowers
  • PDF Download • “Entrance Chant” for Holy Thursday (Plainsong in English)
  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)

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