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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Improve Your Parish Liturgy … Instantly!

Jeff Ostrowski · March 17, 2015

143 pew missal Ordinary Form XPLORING LOS ANGELES, I notice beautiful roads and neighborhoods. Someone must have said, “Let’s get busy building this town.” Speaking of productivity, whenever I present on Sacred music, someone invariably asks, “What can I do this very instant to improve my parish’s liturgy?”

As a presenter, I used to dread this question. They don’t want solutions requiring decades of work. Nor are they interested in articles like the one Anthony Esolen recently published called “Rescuing Hymnody from Stupidity.” His article is not bad; indeed, it resembles articles 1 published on our blog. But such things ultimately amount to rearranging deck chairs on the Titanic, while desperate Catholics want to know how to improve their liturgies immediately.

No longer do I dread such questions. They want an extremely short answer; I’ve got one. They crave an authentic answer; I’ve got one. They want an answer not requiring excessive amounts of money; I’ve got one. They want an instant fix, because their children will soon be adults. I’ve got the solution, and it couldn’t be simpler: obtain the St. Isaac Jogues Pew Lectionary for your congregation. Consider the following rationale.

For years, I prepared xerox copies with the Order of Mass (including Propers) for the people in the pews…and it was a horrendous experience. I used to ask:

HY ISN’T THERE A PEW BOOK containing the lectionary readings in a large, pristine typeface? Why isn’t there a pew book that has the complete Propers for each Sunday but avoids page turns? Why isn’t there a pew book reproducing ancient manuscripts from the 7th and 8th centuries, showing the continuity of the Novus Ordo with Catholic tradition? Why isn’t there a pew book using luscious full-color fonts & artwork to illustrate the Ordo Missae—including pictures of the priest? Why isn’t there a reasonably-priced book for congregations with Latin alongside English, helping parishes become more faithful to Vatican II, which never said to eliminate Latin? Why isn’t there a pew book containing complete Responsorial Psalm refrains (with fully-notated accompaniments for liturgical years ABC freely available online) so the congregation can finally sing dignified, modal, simple, fresh melodies between the first & second reading? Why isn’t there a pew book with exquisite line art, allowing illiterate Catholics to learn about the Faith? Why isn’t there a pew book fully approved by the USA bishops, yet designed for parish life, including Funerals, Benediction, Confirmation, and Weddings?

Surprise! The Jogues Lectionary fulfills each question in a fantastic way. Moreover, its professionalism and subtlety will appreciated by all. I was involved with this book’s production, so some will think I’m biased; that’s fine. Just get yourself a copy and verify what I say (BELOW).

BUT HOW WOULD THIS WORK on a practical level? Let’s explore. For one thing, no matter how your parish attempts the Propers—in English, Latin, or Psalm tone—you must avoid having the congregation just sit there as you sing. Give them a way to follow along! The translation doesn’t have to match perfectly, but it needs to be close. For instance, slightly different translations—some created “in house”—were chosen by Fr. Samuel Weber, 2 Fr. Guy Nicholls, 3 and others; whereas the Jogues uses a translation identical to the Simple English Propers, the Lalemant Propers, and the Gregorian Missal.

142 Lectionary USCCB Pew Missal Amazingly, the Jogues can be used by ANY parish. Some parishes may require years to fully adopt the Mass Propers, but at least your congregation can see them in the meantime. Other parishes might sing some Propers—such as the Communion—but replace others with hymns. Other parishes might choose a Processional Hymn, using a psalm tone for the Entrance Chant while the priest incenses the Altar (which is entirely lawful, by the way). Others might sing the full Latin Propers during their main Mass, but use psalm tones for the 7:00am Mass. Others might alternate between a Gradual and Responsorial Psalm, week by week. NO MATTER WHAT COMBINATION IS CHOSEN, the Jogues will prove itself convenient and perfect for your needs.

The book’s exterior is elegant, and it’s a good size—not too heavy. The quality is extremely high, so having it in your pews will raise expectations. Have you noticed the change in atmosphere when people dress fancy, as opposed to tank tops with jeans? The books will remind everyone that Mass is a serious activity.

Finally, don’t try to explain what an Entrance Chant is to your congregation; show them! They’ll see the Entrance Chant each Sunday, and with time they’ll understand what it is; but watch out! Once they know, they’ll ask why it’s not being sung each week!



NOTES FROM THIS ARTICLE:

1   Esolen would doubtless be horrified to learn the reprehensible way the Sequences were bowdlerized.

2   Ignatius Press will soon release Fr. Weber’s massive Gradual with three (3) English versions for each chant.

3   Fr. Guy Nicholls is releasing each Entrance Chant from his Graduale Parvum each week on the Blog of the Newman Institute of Liturgical Music—in Latin and English.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Jogues Illuminated Missal Lectionary Gradual, Novus Ordo Lectionary Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on which source text is chosen and what each translator wants to emphasize. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“Every medicine does not suit every stage of sickness; because the tonic given to those who are recovering from fever would be hurtful to them if given while yet in their feverish condition. So likewise Baptism and Penance are as purgative medicines, given to take away the fever of sin; whereas this sacrament [the Sanctissimum] is a medicine given to strengthen, and it ought not to be given except to them who are quit of sin.”

— Saint Thomas Aquinas Re: the EUCHARIST

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