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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Simply Stunning | Sacred Music of Paul Jernberg

Richard J. Clark · March 13, 2015

AUL JENBERG, Jr. has lead a most interesting life. Perhaps it is the various twists in following God’s plan for him that allow him to express the most profoundly sacred truths through music. From his website, here is only a glimpse of what lies behind his work:

In 1988, Paul helped prepare and then participated in a Scandinavian retreat with l’Arche founder Jean Vanier. His friendship with Vanier led him to a deeper awareness of the mentally handicapped and the vision of l’Arche, further studies in theology and Church history, and eventually in 1990 the decision to spend time living in a Franciscan monastery outside of Gothenburg. This was also a time of discovering the great beauty of Gregorian chant from the “inside”, that is from the perspective of singing it as prayer in the daily Mass and Liturgy of the Hours. This discovery, along with a grace-filled experience of the Catholic liturgical and sacramental life, brought a new sense of unity and mission to Jernberg’s work in sacred music.

Listen here to his simply stunning setting of the Salve Regina recorded by the Schola Cantorum of Saint Peter the Apostle, J. Michael Thompson, Director:

ANY OF YOU HAVE HEARD about Paul Jernberg’s Mass of Saint Philip Neri. This extraordinary work and his other sacred works including the Salve Regina is available for purchase on his website here.

The Mass of Saint Philip Neri can be sung with unaccompanied SATB choir, or very easily with organ accompaniment and unison schola. The layout of the SATB score in two lines makes this score quite flexible. Furthermore, the score is reminiscent of Theodore Marier’s Hymns, Psalms, and Spiritual Canticles in that it provides the ability to sing the entire mass as well as its multiple settings of various acclamations. The end result is also a mass that is very accessible to the congregation after hearing it just a few times.

His compositional voice is uniquely his, yet without pointing attention to itself. Paul’s rhythmic rendering of the text is simple, but never overshadows the music; it links accessible and sensitive rhythm with the freedom of Gregorian Chant. His music possesses sacred nobility, graceful humility, and simplicity, while reaching for the transcendent.

Listen here to his simply stunning setting of the Gloria from the Mass of Saint Philip Neri recorded by the Schola Cantorum of Saint Peter the Apostle, J. Michael Thompson, Director:

AUL JERNBERG IS CURRENTLY Music Director of St. Monica and St. Lucy Parishes in Methuen, Massachusetts. He is also Composer-in-Residence at Thomas More College of Liberal Arts in Merrimack, New Hampshire and the founding director of the Magnificat Academy, a choir school for grades 4-12 in Warren, Massachusetts.

An educator at heart, Paul is a model servant of the Church. Please pray that his work may continue in great service to the Church, and please sing his glorious music!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Mass of Saint Philip Neri, Paul Jernberg, Singing the Mass Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“My one great desire is that during the sacred functions all the faithful should sing the melodies of the liturgy and the sacred hymns with a full voice.”

— Pope Saint Pius X

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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