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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Simply Stunning | Sacred Music of Paul Jernberg

Richard J. Clark · March 13, 2015

AUL JENBERG, Jr. has lead a most interesting life. Perhaps it is the various twists in following God’s plan for him that allow him to express the most profoundly sacred truths through music. From his website, here is only a glimpse of what lies behind his work:

In 1988, Paul helped prepare and then participated in a Scandinavian retreat with l’Arche founder Jean Vanier. His friendship with Vanier led him to a deeper awareness of the mentally handicapped and the vision of l’Arche, further studies in theology and Church history, and eventually in 1990 the decision to spend time living in a Franciscan monastery outside of Gothenburg. This was also a time of discovering the great beauty of Gregorian chant from the “inside”, that is from the perspective of singing it as prayer in the daily Mass and Liturgy of the Hours. This discovery, along with a grace-filled experience of the Catholic liturgical and sacramental life, brought a new sense of unity and mission to Jernberg’s work in sacred music.

Listen here to his simply stunning setting of the Salve Regina recorded by the Schola Cantorum of Saint Peter the Apostle, J. Michael Thompson, Director:

ANY OF YOU HAVE HEARD about Paul Jernberg’s Mass of Saint Philip Neri. This extraordinary work and his other sacred works including the Salve Regina is available for purchase on his website here.

The Mass of Saint Philip Neri can be sung with unaccompanied SATB choir, or very easily with organ accompaniment and unison schola. The layout of the SATB score in two lines makes this score quite flexible. Furthermore, the score is reminiscent of Theodore Marier’s Hymns, Psalms, and Spiritual Canticles in that it provides the ability to sing the entire mass as well as its multiple settings of various acclamations. The end result is also a mass that is very accessible to the congregation after hearing it just a few times.

His compositional voice is uniquely his, yet without pointing attention to itself. Paul’s rhythmic rendering of the text is simple, but never overshadows the music; it links accessible and sensitive rhythm with the freedom of Gregorian Chant. His music possesses sacred nobility, graceful humility, and simplicity, while reaching for the transcendent.

Listen here to his simply stunning setting of the Gloria from the Mass of Saint Philip Neri recorded by the Schola Cantorum of Saint Peter the Apostle, J. Michael Thompson, Director:

AUL JERNBERG IS CURRENTLY Music Director of St. Monica and St. Lucy Parishes in Methuen, Massachusetts. He is also Composer-in-Residence at Thomas More College of Liberal Arts in Merrimack, New Hampshire and the founding director of the Magnificat Academy, a choir school for grades 4-12 in Warren, Massachusetts.

An educator at heart, Paul is a model servant of the Church. Please pray that his work may continue in great service to the Church, and please sing his glorious music!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Mass of Saint Philip Neri, Paul Jernberg, Singing the Mass Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

In the United States, Archbishop Kenrick had said in his “Moral Theology” that it was acceptable to sing the “Véni Sáncte Spíritus” before the sermon.

— Monsignor Schmitt (1977)

Recent Posts

  • “Reader Feedback” • 5 November 2025
  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”
  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant

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