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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Basking in Beauty’s Glow

Fr. David Friel · March 1, 2015

NE OF MY FAVORITE subjects for consideration on this blog is beauty. I would like to turn to this theme again today, since the readings & orations for Mass today relate to the topic.

In the Transfiguration, Jesus appears in all His radiant beauty. He reveals Himself to his closest friends, allowing them to see the splendor that He customarily reserves from sight. Bishop Sheen once shared a great insight concerning the radiance of the Transfiguration: “It was not so much a light that was shining from without as the beauty of the Godhead that shone from within. . . . Divinity shone through humanity.” 1

This is what so often happens—beauty shines through humanity, by God’s grace.

Upon seeing our Lord transfigured on Mount Tabor, Peter says, “Rabbi, it is good that we are here!” He then suggests the building of three tents, so as to prolong the experience.

So often, Peter’s impulse here is disparaged. Scripture scholars make a big deal of how petulant Peter can be. Preachers take up the theme of how “you can’t stay on the mountaintop.” All of that has its value. But, viewed another way, isn’t Peter’s impulse perfectly natural? We desire quite intuitively, after all, to be in the presence of beauty. Once we are in beauty’s presence, why should it be judged unreasonable to want to remain there?

Peter’s desire that the Transfiguration be prolonged is a wholesome longing. We all share similar experiences, every time we attend a concert that we hope will never end or when we stall our departure so as to sneak in extra time visiting with nieces or nephews or grandkids. Beauty begets within our hearts a desire for further exposure to that beauty.

True beauty inspires within us a hunger for more, a longing for time spent beholding the beauty. This pondering is the essence of contemplation, and it’s a quality I admire in St. Peter.

One of the gifts of the third edition of the Roman Missal is its inclusion of solemn Prayers over the People for each day of Lent. The prayer of blessing appointed for the Second Sunday of Lent is an eloquent reflection of the beauty surrounding the Transfiguration:

Bless Your faithful, we pray, O Lord, with a blessing that endures for ever, and keep them faithful to the Gospel of Your Only Begotten Son, so that they may always desire and at last attain that glory whose beauty He showed in His own Body, to the amazement of His Apostles.

The beauty of our transfigured Lord did, indeed, inspire “amazement” in the Apostles. May the glory of the Lord elicit a similar “amazement” in each of us!




NOTES FROM THIS ARTICLE:

1   Fulton J. Sheen, Life of Christ (Garden City, NY: Image Books, 1977), 158-9.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Beauty, Bishop Fulton J Sheen, Roman Missal Third Edition Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“It is required of a man that he should share the passion and action of his time at peril of being judged not to have lived.”

— Oliver Wendell Holmes

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