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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Verge Of The Abyss

Aurelio Porfiri · January 12, 2015

457 Aurelio Porfiri THINK WE SHOULD REALLY be honest with one another: church music is on the verge of the abyss. And so it is with liturgy. I am not saying this to appear pessimistic, traditionalist, conservative, or whatever word you want to use with negative meaning (even if these words are not negative at all, in the right context)—I just think it to be realistic.

Church music is mostly coming to an end, if we consider church music to be the kind that is conceived using the best of musical abilities, of composers trained in the tradition of the Catholic Church’s liturgical music. Music that, of course, can be (and has to be) innovative but always developing organically from the musical forms of the tradition. Hey, this is not a traditionalist statement! It’s right out of Sacrosanctum Concilium (23): “and care must be taken that any new forms adopted should in some way grow organically from forms already existing.”

Today everyone can rule over those who are unfortunate, yet still strive to take church music seriously: every catechist, every priest, every nun can teach you what they don’t know. All of these people usually have something in common that is very important: they are completely ignorant about liturgical music, but feel encouraged (from a mysterious spirit) to use their ignorance for the greater glory of God and the edification of the faithful. And of course they use the art of demagogy and political correctness in a way that puts some timid church musicians in an uncomfortable position.

FELLOW CHURCH MUSICIANS, let me tell you wholeheartedly: rejoice and be glad! We are on the verge of the abyss, because we prefer to stand for what we trust than to bow to the messengers of ugliness—to poor people thinking they are making some good when they are actually building the greatest evil: the triumph of mediocrity. There are still a few catechists, priests, and nuns who attempt to resist this triumphal march toward nothing, and they also will share our fate of solitude and isolation. Of course, there are also church musicians who are close minded, arrogant, and self-isolating, in the same way that there are medical doctors who are close minded, arrogant, and self-isolating. But if you need an opinion about your health you would still ask them rather than those who are not trained in medicine. We church musicians are not in the same situation: everyone can decide what music can be sung in the liturgy, following their distorted ideas and tastes and being sure that they can invoke the Council providing that they only know a few lines of the documents…and that is in the best cases.

Fellow church musicians, rejoice and be glad! We are trailed toward the abyss because we want to remain Catholics but at least we know where we are going. Thanks to this, we will be able to taste every good moment that God allows us in the midst of the battle, having a grateful heart and invoking a peaceful spirit.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).

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Corpus Christi Watershed

President’s Corner

    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“It is when they are practicing that large groups stop in order to sleep; they don’t give themselves a new impetus after a pause (even if it is minimal) and singers pause when they should not (quarter-bar, half-bar)—everything provides temptation to go to sleep! It is thus not a question of rhythm but of musical integrity.”

— Justine Ward (20 July 1952)

Recent Posts

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  • PDF • “Communion” (5th Sunday in Ordin.)
  • “Pipe Organ Interlude During Funerals?” • (Reader Feedback)
  • Funeral Music “Template” • For Families
  • “To Cover Sin With Smooth Names”

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