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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Verge Of The Abyss

Aurelio Porfiri · January 12, 2015

457 Aurelio Porfiri THINK WE SHOULD REALLY be honest with one another: church music is on the verge of the abyss. And so it is with liturgy. I am not saying this to appear pessimistic, traditionalist, conservative, or whatever word you want to use with negative meaning (even if these words are not negative at all, in the right context)—I just think it to be realistic.

Church music is mostly coming to an end, if we consider church music to be the kind that is conceived using the best of musical abilities, of composers trained in the tradition of the Catholic Church’s liturgical music. Music that, of course, can be (and has to be) innovative but always developing organically from the musical forms of the tradition. Hey, this is not a traditionalist statement! It’s right out of Sacrosanctum Concilium (23): “and care must be taken that any new forms adopted should in some way grow organically from forms already existing.”

Today everyone can rule over those who are unfortunate, yet still strive to take church music seriously: every catechist, every priest, every nun can teach you what they don’t know. All of these people usually have something in common that is very important: they are completely ignorant about liturgical music, but feel encouraged (from a mysterious spirit) to use their ignorance for the greater glory of God and the edification of the faithful. And of course they use the art of demagogy and political correctness in a way that puts some timid church musicians in an uncomfortable position.

FELLOW CHURCH MUSICIANS, let me tell you wholeheartedly: rejoice and be glad! We are on the verge of the abyss, because we prefer to stand for what we trust than to bow to the messengers of ugliness—to poor people thinking they are making some good when they are actually building the greatest evil: the triumph of mediocrity. There are still a few catechists, priests, and nuns who attempt to resist this triumphal march toward nothing, and they also will share our fate of solitude and isolation. Of course, there are also church musicians who are close minded, arrogant, and self-isolating, in the same way that there are medical doctors who are close minded, arrogant, and self-isolating. But if you need an opinion about your health you would still ask them rather than those who are not trained in medicine. We church musicians are not in the same situation: everyone can decide what music can be sung in the liturgy, following their distorted ideas and tastes and being sure that they can invoke the Council providing that they only know a few lines of the documents…and that is in the best cases.

Fellow church musicians, rejoice and be glad! We are trailed toward the abyss because we want to remain Catholics but at least we know where we are going. Thanks to this, we will be able to taste every good moment that God allows us in the midst of the battle, having a grateful heart and invoking a peaceful spirit.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).

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Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • Our Lady of Guadalupe (12 Dec.)
    The Responsorial Psalm may be downloaded as a PDF file (organist & vocalist) for 12 December, which is the Feast of Our Lady of Guadalupe. When it comes to the formulary for this Mass, it’s astounding how infrequently it’s included in official books. Prior to Vatican II, one had to search through “supplemental material” printed in the back of hand-missals and graduals. But since 1970, the feast is virtually nonexistent. According to the UNIVERSAL KALENDAR, 12 December is the “Feast of Saint Jane Frances De Chantal, Religious” (Die 12 decembris: S. Ioannæ Franciscæ de Chantal, religiosæ). Why should that feast overpower Our Lady of Guadalupe? In the United States, OLG is celebrated—and I’d assume in Mexico, Central America, South America, and Canada—but, as I said, the Propria Missae are virtually impossible to locate. I possess only three books which mention this feast.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

It is unworthy that the stone holds Him, Who encloses everything in His hand, Locked in by the forbidding rock. (“Indígnum est cujus claudúntur cuncta pugíllo | Ut tegat inclúsum rupe vetánte lapis.”)

— SALVE FESTA DIES (Eastertide)

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