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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The American Idolization of Liturgy

Andrew R. Motyka · January 7, 2015

EOPLE WHO KNOW ME won’t be surprised to hear that I’m a pretty opinionated person. My mother-in-law has said before that I have opinions about things that she never even considered having opinions about. What I’m trying to say is that I’m a big fat raging hypocrite for what I’m about to write.

When American Idol premiered in 2002, it was a wild sensation, a new way for people to get involved in selecting the winners of talent competitions. My main objection, as a snobby music major in college, was that it was the hoi polloi choosing the winners instead of people that knew anything at all about music (yes, I’m still a little miffed about Taylor Hicks). Obviously, the entire point of the public voting system was getting the public to select the artist that they thought was the best, and hence which singer from whom they would purchase the most albums when they made it big.

It annoyed me, though, that sometimes better singers were passed over for better looking ones, or ones that slickly packaged themselves, or just sang a song that everyone liked better. Shouldn’t people who know a little bit about music and singing be the ones whose opinions count? Why did everyone hate Simon Cowell (okay, he was a jerk, but the dude knew what he was talking about, for the most part)?

If you spend any more than 0.75 seconds on the Catholic blogosphere, you are bound to wade into liturgical issues. Whether it’s people complaining about the Evil Cardinal Burke and his weaponized Cappa Magna, or the elusive Clown Mass that everyone seems to have suffered through yet no one has ever attended, the rhetoric gets heated, and every single person, from the musician to the priest to the average lay person, has an opinion about the liturgy. Some want it to be silent, some want the traditional music of the Church, and some want something “more upbeat and modern.” Everyone has an opinion.

My gut reaction to all of this is the same as Snobby College Andy. Why does everyone need to have an opinion, especially when so few people actually know a single thing as to what they’re talking about? Even when I agree with so many commentators, the sheer number of them drowns out the articulate voices that can actually make a difference. Hook all of that noise up to the internet microphone and it’s a cacophony of opinion, each shouting down the opposition and frequently bayoneting their own allies. We have priests and musicians trying to do their best to render glory to God in the liturgy, and many people in the pews ready to text their vote to the number that best criticizes anything in their local Mass. It can be maddening.

he other day, though, I had a truly great conversation with a close friend about our faith. He has gone back and forth on the Catholic Church for some time, and is working out his faith the best he can (would that we could all be as self critical and honest). One thing he mentioned to me was that, the last time he attended Mass, he was bothered by how few people seemed to really grasp the importance of what was happening in front of them, like they weren’t taking it very seriously at all. They were going through the motions without any idea of what they were doing. I think his frustration touches on something very real, and much more important than our conversations over one song versus another.

Liturgy, like music, has a direct impact on us personally, emotionally, and spiritually. Even though the average person can’t readily articulate what it is that makes him like his favorite American Idol contestant, he knows that he connects in some way to the performance. In the same way, liturgy affects each of us, even if don’t quite know why. We have opinions about our local Mass because we know what we like, and even more importantly, we know that we need to be fed.

Of course, the sacramental presence of Jesus Christ in the Eucharist is enough, from a strictly grace-viewed standpoint, to fill us completely. But as I’ve said before, disposition is important when receiving the sacraments. Of people leaving the Church today, most of them say it’s because they aren’t being spiritually fed, a figure echoed in the tremendously important book on evangelization, Forming Intentional Disciples. While there are many avenues that need to be traveled to help feed people, we aren’t doing any favors by cheapening the liturgy. A sacramental grace that falls on a poorly disposed heart can die quickly, and a dead heart has a difficult time evangelizing. And if we aren’t evangelizing, we’re doing something wrong.

So maybe it’s not a bad thing that everyone has an opinion about liturgy. Maybe it’s that our frustrations with worship are symptomatic of something more: that we’re not being fed properly. We aren’t being drawn into a relationship with Jesus Christ first, which comes before any liturgical expression, musical or otherwise. If we can enrich that relationship, the liturgical pieces will come much easier. Remember that without that interior reality first, the exterior expression is just a show, subject to the text message voting and Nielson Family Ratings that turn the liturgical experience into just another consumer product.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“If we continue to tolerate sad examples of liturgical abnormalities, experimentation, abuse, and simply poor-quality liturgies, why should we single out those connected to the ancient rites of the Church for special vigilance? It just doesn’t seem right.”

— An Example of a response (sent to Pope Francis) Re: the TLM

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