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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The American Idolization of Liturgy

Andrew R. Motyka · January 7, 2015

EOPLE WHO KNOW ME won’t be surprised to hear that I’m a pretty opinionated person. My mother-in-law has said before that I have opinions about things that she never even considered having opinions about. What I’m trying to say is that I’m a big fat raging hypocrite for what I’m about to write.

When American Idol premiered in 2002, it was a wild sensation, a new way for people to get involved in selecting the winners of talent competitions. My main objection, as a snobby music major in college, was that it was the hoi polloi choosing the winners instead of people that knew anything at all about music (yes, I’m still a little miffed about Taylor Hicks). Obviously, the entire point of the public voting system was getting the public to select the artist that they thought was the best, and hence which singer from whom they would purchase the most albums when they made it big.

It annoyed me, though, that sometimes better singers were passed over for better looking ones, or ones that slickly packaged themselves, or just sang a song that everyone liked better. Shouldn’t people who know a little bit about music and singing be the ones whose opinions count? Why did everyone hate Simon Cowell (okay, he was a jerk, but the dude knew what he was talking about, for the most part)?

If you spend any more than 0.75 seconds on the Catholic blogosphere, you are bound to wade into liturgical issues. Whether it’s people complaining about the Evil Cardinal Burke and his weaponized Cappa Magna, or the elusive Clown Mass that everyone seems to have suffered through yet no one has ever attended, the rhetoric gets heated, and every single person, from the musician to the priest to the average lay person, has an opinion about the liturgy. Some want it to be silent, some want the traditional music of the Church, and some want something “more upbeat and modern.” Everyone has an opinion.

My gut reaction to all of this is the same as Snobby College Andy. Why does everyone need to have an opinion, especially when so few people actually know a single thing as to what they’re talking about? Even when I agree with so many commentators, the sheer number of them drowns out the articulate voices that can actually make a difference. Hook all of that noise up to the internet microphone and it’s a cacophony of opinion, each shouting down the opposition and frequently bayoneting their own allies. We have priests and musicians trying to do their best to render glory to God in the liturgy, and many people in the pews ready to text their vote to the number that best criticizes anything in their local Mass. It can be maddening.

he other day, though, I had a truly great conversation with a close friend about our faith. He has gone back and forth on the Catholic Church for some time, and is working out his faith the best he can (would that we could all be as self critical and honest). One thing he mentioned to me was that, the last time he attended Mass, he was bothered by how few people seemed to really grasp the importance of what was happening in front of them, like they weren’t taking it very seriously at all. They were going through the motions without any idea of what they were doing. I think his frustration touches on something very real, and much more important than our conversations over one song versus another.

Liturgy, like music, has a direct impact on us personally, emotionally, and spiritually. Even though the average person can’t readily articulate what it is that makes him like his favorite American Idol contestant, he knows that he connects in some way to the performance. In the same way, liturgy affects each of us, even if don’t quite know why. We have opinions about our local Mass because we know what we like, and even more importantly, we know that we need to be fed.

Of course, the sacramental presence of Jesus Christ in the Eucharist is enough, from a strictly grace-viewed standpoint, to fill us completely. But as I’ve said before, disposition is important when receiving the sacraments. Of people leaving the Church today, most of them say it’s because they aren’t being spiritually fed, a figure echoed in the tremendously important book on evangelization, Forming Intentional Disciples. While there are many avenues that need to be traveled to help feed people, we aren’t doing any favors by cheapening the liturgy. A sacramental grace that falls on a poorly disposed heart can die quickly, and a dead heart has a difficult time evangelizing. And if we aren’t evangelizing, we’re doing something wrong.

So maybe it’s not a bad thing that everyone has an opinion about liturgy. Maybe it’s that our frustrations with worship are symptomatic of something more: that we’re not being fed properly. We aren’t being drawn into a relationship with Jesus Christ first, which comes before any liturgical expression, musical or otherwise. If we can enrich that relationship, the liturgical pieces will come much easier. Remember that without that interior reality first, the exterior expression is just a show, subject to the text message voting and Nielson Family Ratings that turn the liturgical experience into just another consumer product.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

In 1951 (and again in 1952 and 1955) the Sacred Congregation of Rites gave permission to the bishops of the whole world to celebrate the “Vigil of the Lord’s Resurrection” as much as possible in conformity with the ancient ceremonial: the most noticeable change was to transfer the ceremonies to the late evening of Holy Saturday. During the experimental period the text of the Missal remains unchanged, and a special “Ordo Sancti Sabbati” has been published.

— Charles Richard Anthony Cunliffe (1955)

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