Views from the Choir Loft

Musical Resources • Most Holy Name Of Jesus

Jeff Ostrowski · January 4, 2015

RESPONSES FOR HIGH MASS (single sheet)

PDF Score (Singer)

PROCESSIONAL HYMN • O Come, All Ye Faithful

PDF Score (Singer) • Organist

ASPERGES ME

PDF Score (Singer) • Practice Audio (Singer) • Organist

PRAYERS AFTER ASPERGES ME

PDF Score (Singer) • Practice Audio (Singer)

INTROIT

PDF Score (Singer) • Practice Audio (Singer)

KYRIE ELEISON • from Mass XII

PDF Score (Singer) • Practice Audio (Singer)

GLORIA • from Mass III

PDF Score (Singer) • Practice Audio (Singer)

GRADUAL & ALLELUIA

PDF Score (Singer) • Organist

CREDO IV

PDF Score (Singer) • Practice Audio (Singer) • Organist

OFFERTORY ANTIPHON

PDF Score (Singer)

OFFERTORY HYMN • Corde Natus Ex Parentis (Prudentius, d. 413)

PDF Score (Singer) • Organist

SANCTUS

PDF Score (Singer) • Practice Audio (Singer) • Organist

AGNUS DEI

PDF Score (Singer) • Practice Audio (Singer) • Organist

Added to Agnus:

Polyphonic Verset by T. L. Victoria

COMMUNION ANTIPHON

PDF Score (Singer) • Practice Audio (Singer)

COMMUNION POLYPHONY & HYMNUS • Jesu Redemptor Omnium

PDF Score (Singer)

RECESSIONAL HYMN

PDF Score (Singer) • Organist

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

“Music List” • 5th Sunday of Easter (Year C)

Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.

—Jeff Ostrowski

Communion Chant (5th Sunday of Easter)

This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.

—Jeff Ostrowski

“Music List” • 4th Sunday of Easter (Year C)

Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.

—Jeff Ostrowski

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed

When to Sit, Stand and Kneel like it’s 1962

There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop

—Veronica Brandt

The Funeral Rites of the Graduale Romanum

Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.

—Daniel Tucker