Views from the Choir Loft

More On Secular Music At Mass … John Lennon?

Guest Author · December 23, 2014

AT TIP to Jeff Ostrowski for his exposé on Dan Schutte’s “Missa My Little Pony.” As soon as I heard it, I told my fiancée, “He’s right—it’s the same song. And there’s more music like that.” As in, there’s more church/liturgical music stolen from… errr… similar to secular music.

I told her I couldn’t think of precise songs at the moment, but I knew there were more. Now that it is Advent, with Christmas music blaring from radio stations and every department store’s overhead speaker, I have remembered one of the songs.

I was fortunate to go to World Youth Day 2008, where I saw His Holiness Pope Benedict XVI, and where I heard an Alleluia song by Guy Sebastian. It might just be my imagination, but isn’t the supporting vocalization/background music of John Lennon’s “So this is Christmas” the same music as that Alleluia? Judge for yourself:

* * Mp3 Excerpt: Guy Sebastian and Paulini’s “Alleluia”

* * Mp3 Download: John Lennon’s “So this is Christmas”

Listen to the “Alleluia” first, and then listen to the Lennon song. You will hear the “Alleluia” music slowly coming up from the background. If you go to the original YouTube video versions, you can set the “Alleluia” to 1:04 and “So this is Christmas” at 1:03, playing them simultaneously. (Sebastian sings slower, but he fits in so well as things progress.)

So this is Alleluia! Happy Advent to my fellow Catholics and Merry Christmas to the secularists who are already saying that. Try not to think of Sebastian’s Alleluia every time you hear Lennon’s Christmas song!

We hope you enjoyed this guest article by A.W. Smay.

Editor’s Note: It would be important to know whether this song was sung DURING an actual liturgy, or whether it was used outside of Mass only.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Simplest “Agnus Dei” Ever Published

Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.

—Jeff Ostrowski

14th Sunday in Ordinary Time (Year C)

Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.

—Jeff Ostrowski

Bugnini’s Statement (6 November 1966)

With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.

—Jeff Ostrowski

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed

Had the Church never spoken on this matter, it would still be repugnant to our Catholic people’s sense of what is fit and proper in the holiest of places, that a priest should have to struggle through the prayers of the Holy Mass, because of such tunes as “Alice, where art thou?” the “Vacant Chair,” and others of more vulgar title, which, through the carelessness or bad judgment of organists, sometimes find their way into our choirs.

— Preface to a Roman Catholic Hymnal (1896)