Views from the Choir Loft

Marian Meditations on RJC Cecilia Music

Richard J. Clark · December 5, 2014

HEN I WAS YOUNG I never viewed the Blessed Virgin Mary as a great source of inspiration for composition. How wrong I was. Mary has been an enormous artistic inspiration to me. Aside from the fact that the rosary was a big part my life growing up, I believe it was Mary’s “Yes!” to God that is the overwhelming inspiration. I have no words to express this gift of “Yes!” to us all. Let music express this joy instead.

Some of these have been featured (even more than once) on this blog, but I leave offer it here for meditation and perhaps inspiration:

Ave Maria, Performed around the world by the American Boychoir – score available for digital download with RJC Cecilia Music

* * 1 • YouTube: Ave Maria | SSAT | The American Boychoir, Fernando Malvar-Ruiz, Director

* * 2 • YouTube: Ave Maria | TTBB | Schola Cantorum Sanctorum Angelorum, Andrew Leung, Director

Gaudens Gaudebo – I Will Greatly Rejoice!, performed by organist, Rosalind Mohnsen at the Basilica of the National Shrine of the Immaculate Conception in Washington, D. C. Based on the Introit for the Solemnity of the Immaculate Conception, this work also includes several Marian themes quoted throughout.

Score available for digital download with RJC Cecilia Music

Finally, another setting of Ave Maria from a larger nine movement work, called “Woman.” This movement was performed by the Seraphim Singers.

Score available for digital download with RJC Cecilia Music

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

“The Worm That Dieth Not”

My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.

—Jeff Ostrowski

A Nice Hymn In Spanish

In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.

—Jeff Ostrowski

“Music List” • 21st in Ordinary Time (Year C)

Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.

—Jeff Ostrowski

Solemn “Salve Regina” (Chant)

How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).

—Corpus Christi Watershed

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed