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“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)

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Views from the Choir Loft

The Actual Authentic Writing Of Palestrina

Jeff Ostrowski · December 3, 2014

OLIN MAWBY former Master of Music at Westminster Cathedral, travels to Rome in this video, letting you see an original manuscript of Palestrina. Also, he interviews Domenico Cardinal Bartolucci and Msgr. Philip Whitmore. (Skip to the 12:45 marker to see Palestrina’s authentic manuscript.)


Palestrina is not my favorite Renaissance composer: too vanilla for me, most of the time.  I much prefer Victoria, Marenzio, Lassus, Morales, and several others. By the way, Mawby mentions the fact that “Palestrina” is not his name—it’s where he lived. I believe the same is true of a fantastic Renaissance master Verdelot.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

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Quick Thoughts

19 May 2022 • “Trochee Trouble”

I’m still trying to decide how to visually present the “pure” Editio Vaticana scores, using what is (technically) the official rhythm of the Church. You can download my latest attempt, for this coming Sunday. Notice the “trochee trouble” as well as the old issue of neumes before the quilisma.

—Jeff Ostrowski
16 May 2022 • Harmonized Chant?

This year’s upcoming Sacred Music Symposium will demonstrate several ways to sing the CREDO at Mass. This is because—for many parishes—to sing a full-length polyphonic CREDO by Victoria or Palestrina is out of the question. Therefore, we show options that are halfway between plainsong and polyphony. You can hear my choir rehearsing a section that sounds like harmonized plainsong.

—Jeff Ostrowski
14 May 2022 • “Pure” Vatican Edition

As readers know, my choir has been singing from the “pure” Editio Vaticana. That is to say, the official rhythm which—technically—is the only rhythm allowed by the Church. I haven’t figured out how I want the scores to look, so in the meantime we’ve been using temporary scores that look like this. Stay tuned!

—Jeff Ostrowski

Random Quote

“In all this mediaeval religious poetry there is much that we could not use now. Many of the hymns are quite bad, many are frigid compositions containing futile tricks, puns, misinterpreted quotations of Scripture, and twisted concepts, whose only point is their twist. But there is an amazing amount of beautiful poetry that we could still use. If we are to have vernacular hymns at all, why do we not have translations of the old ones?”

— Fr. Adrian Fortescue (d. 1923)

Recent Posts

  • PDF Download • “A Canon Choirs Love!”
  • On Mistakes (Part I of II)
  • 19 May 2022 • “Trochee Trouble”
  • “Gregorian Chant Not In Danger Pope Tells French”
  • PDF Download • “O Salutaris” (Modern Setting)

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