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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Colloquium Friends & Chant Workshops

Fr. David Friel · November 16, 2014

F YOU’VE BEEN to a CMAA Colloquium before, chances are that you have “Colloquium friends.” I certainly do. These are people whom you might not see except for those seven days each summer. Throughout the other 51 weeks of the year, you might encounter them virtually someplace in the blogosphere or on the forum, but that’s the extent of it. Still, the simple knowledge that they are out there—like-minded folks trying to think with the heart of the Church out in the trenches—lends motivation to our work for the sacred liturgy.

I was ecstatic to receive an email from one such Colloquium friend the other day. Mona Hauslik emailed to tell me about a chant workshop she has been organizing at her parish, Immaculate Heart of Mary Parish in Ramona, CA, where she serves as Liturgical Music Coordinator. The event is being organized together with her colleague and Music Director at the parish, Steven Holc, another Colloquium friend.

I first met Mona & Steven at Colloquium 2012 in Salt Lake City. They have attended the last three Colloquia together, and they even managed to bring their parish priest along as we gathered in Indy in 2014. They are a terrific witness of parish musicians trying to improve liturgical music at the grassroots level.

A flyer with details about the workshop is available HERE.

The upcoming workshop is entitled Adventus Dona (“The Gifts of Advent”), and it will focus on the chants of the Advent season. Presenters will include Dr. Jon Naples & Mary Ann Carr-Wilson. Jon Naples is organist and Director of Sacred Music at St. Margaret Parish in Oceanside, CA, and he has published music through CanticaNOVA and Corpus Christi Watershed. Mary Ann Carr-Wilson is the organizer of the Gregorian Chant Camp for Children at St. Anne’s in San Diego, where she is also a choir director.

Another highlight of the workshop will be a presentation on the vestments and vessels of the Eastern & Western Churches, given by the Society of Saint John Chrysostom. In addition, the Brothers of the Little Oratory will be present to sing Vespers for the First Sunday in Advent in the Extraordinary Form.

If I weren’t so far from the West coast, I would love to attend this workshop and catch up with some Colloquium friends. If you live anywhere in the San Diego/Los Angeles area, try to make it to Adventus Dona. You will certainly learn a few things, and perhaps even make a new friend!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: CanticaNOVA Publications, Church Music Association of America CMAA, Gregorian Chant, Propers, Sacred Music Colloquium, Simple Steps To Improve Parish Music Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Much of the reordering [in 1970] of the pieces of the Roman Gradual seems arbitrary and useless; nevertheless, with some exceptions, it does not affect the shape of the service, since like pieces are exchanged for like.”

— Dr. William Peter Mahrt

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