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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Those Selfless Ordinary Form Priests

Jeff Ostrowski · November 6, 2014

705 Bishop Germany RDINARY FORM priests often work tirelessly and receive very little support. Consider, first of all, the excessive size of today’s Novus Ordo parishes. A single priest often serves 2,000, 4,000, or even 11,000 families. Other OF priests offer Mass in several locations each weekend. This is quite a contrast to the “good old days” of Roman Catholicism, where Pastor and Curates could live peacefully, seldom leaving the Church, Rectory, School, and Garden. In our times, the priest is besieged by emails, phone calls, meetings, sick calls, and even text messages, asking him difficult moral questions that require an immediate (and correct) answer.

Moreover, many Ordinary Form priests possess little experience with authentic liturgy. When I say “authentic,” I mean stable. After all, the whole point of liturgy is stability and constancy. Pope Benedict XVI reminded us:

The greatness of the liturgy depends—we shall have to repeat this frequently—on its unspontaneity [Unbeliebigkeit].

The postconciliar reforms allow for an unbelievable amount of OPTIONS, referred to as “the tyranny of options” by critics. Many Ordinary Form priests were formed in liturgies changing radically from one day to the next. On top of that, some Traditionalists berate them constantly, convincing them they don’t know anything about liturgy. With so many duties, some Ordinary Form priests are tempted to say, “Forget about liturgy. It’s so confusing, and it changes so much. When I retire, I’ll have time to become an expert, but not now. Besides, very few of my parishioners seem to care about liturgy.” My brother (a seminarian) and his friends have assured me this is rather common.

AT THE SAME TIME, many Ordinary Form priests sense something horrifically wrong with their liturgies—especially the secular, emotional, uninspired, goofy, and sometimes heretical music that accompanies Mass. What can be done? Some might say “education,” but liturgy is an extremely complex subject (that’s why “Gradual” can mean four different things!) and for most is a less-than-stimulating thing to study.

701 Readings But there’s a fantastic solution! No words. Don’t explain anything. Just get them a copy of the St. Isaac Jogues Illuminated Missal, Lectionary, & Gradual. Opening up the book, they’ll see the readings, formatted in a gorgeous way. They’ll see the Propers, whose typesetting is unmatched. They’ll see the Ordinary of the Mass, containing luscious color images. They’ll see incredible woodcuts, explaining the meaning of our Faith.

This pew book presents a road map to authentic liturgical reform, which could be summarized thusly:

Sing the music of the Church—don’t replace it—and always allow your congregation to follow the Mass.

Finally, a reminder: the Jogues Missal is for the Ordinary Form, and was approved in 2014 for the United States of America by the USCCB.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: ICEL New Translation of the Roman Missal, Roman Missal Third Edition Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“The sun, at one moment surrounded with scarlet flame, at another aureoled in yellow and deep purple, seemed to be in an exceedingly swift and whirling movement, at times appearing to be loosened from the sky and to be approaching the earth, strongly radiating heat.”

— ‘Dr. Domingos Pinto Coelho, noted lawyer from Lisbon and chairman of the Bar Association (1917)’

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  • “In Paradisum” • Gregorian Chant

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