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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Those Selfless Ordinary Form Priests

Jeff Ostrowski · November 6, 2014

705 Bishop Germany RDINARY FORM priests often work tirelessly and receive very little support. Consider, first of all, the excessive size of today’s Novus Ordo parishes. A single priest often serves 2,000, 4,000, or even 11,000 families. Other OF priests offer Mass in several locations each weekend. This is quite a contrast to the “good old days” of Roman Catholicism, where Pastor and Curates could live peacefully, seldom leaving the Church, Rectory, School, and Garden. In our times, the priest is besieged by emails, phone calls, meetings, sick calls, and even text messages, asking him difficult moral questions that require an immediate (and correct) answer.

Moreover, many Ordinary Form priests possess little experience with authentic liturgy. When I say “authentic,” I mean stable. After all, the whole point of liturgy is stability and constancy. Pope Benedict XVI reminded us:

The greatness of the liturgy depends—we shall have to repeat this frequently—on its unspontaneity [Unbeliebigkeit].

The postconciliar reforms allow for an unbelievable amount of OPTIONS, referred to as “the tyranny of options” by critics. Many Ordinary Form priests were formed in liturgies changing radically from one day to the next. On top of that, some Traditionalists berate them constantly, convincing them they don’t know anything about liturgy. With so many duties, some Ordinary Form priests are tempted to say, “Forget about liturgy. It’s so confusing, and it changes so much. When I retire, I’ll have time to become an expert, but not now. Besides, very few of my parishioners seem to care about liturgy.” My brother (a seminarian) and his friends have assured me this is rather common.

AT THE SAME TIME, many Ordinary Form priests sense something horrifically wrong with their liturgies—especially the secular, emotional, uninspired, goofy, and sometimes heretical music that accompanies Mass. What can be done? Some might say “education,” but liturgy is an extremely complex subject (that’s why “Gradual” can mean four different things!) and for most is a less-than-stimulating thing to study.

701 Readings But there’s a fantastic solution! No words. Don’t explain anything. Just get them a copy of the St. Isaac Jogues Illuminated Missal, Lectionary, & Gradual. Opening up the book, they’ll see the readings, formatted in a gorgeous way. They’ll see the Propers, whose typesetting is unmatched. They’ll see the Ordinary of the Mass, containing luscious color images. They’ll see incredible woodcuts, explaining the meaning of our Faith.

This pew book presents a road map to authentic liturgical reform, which could be summarized thusly:

Sing the music of the Church—don’t replace it—and always allow your congregation to follow the Mass.

Finally, a reminder: the Jogues Missal is for the Ordinary Form, and was approved in 2014 for the United States of America by the USCCB.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: ICEL New Translation of the Roman Missal, Roman Missal Third Edition Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

At High Mass the Celebrant is not allowed to proceed with the Offertory while the “Credo” is being sung. Likewise he should not proceed with the Consecration until the singing of the “Sanctus” is completed.

— Father Carlo Rossini (1939)

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